Difference between revisions of "Kalachakra and Vishvamata"
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[[File:7.2hh85.jpg|thumb|left|250px|]][[File:7._S.jpg|thumb|250px|]] | [[File:7.2hh85.jpg|thumb|left|250px|]][[File:7._S.jpg|thumb|250px|]] | ||
<poem> | <poem> | ||
| − | [[Kalachakra]] and [[Vishvamata]] locked in [[passionate]] embrace, lovingly gazing at each other. Both figures are four-headed, with the lips and [[eyes]] on each face marked with pigments, lending added {{Wiki|naturalism}} to the {{Wiki|sculpture}}. Typical of [[Heruka]] [[Buddhas]], [[Kalachakra]] strikes an energetic, lunging pose and [[Vishvamata]] mirrors his stance. Both figures wear elaborate jewellery, studded with brilliant blue {{Wiki|turquoise}} and inlaid with semi-precious stones. The delicate festoon of pearls that hangs from [[Kalachakra’s]] headdress deserves particular [[attention]]. | + | [[Kalachakra]] and [[Vishvamata]] locked in [[passionate]] embrace, lovingly gazing at each other. Both figures are four-headed, with the lips and [[eyes]] on each face marked with pigments, lending added {{Wiki|naturalism}} to the {{Wiki|sculpture}}. Typical of [[Heruka]] [[Buddhas]], [[Kalachakra]] strikes an energetic, lunging pose and [[Vishvamata]] mirrors his stance. Both figures wear elaborate jewellery, studded with brilliant blue {{Wiki|turquoise}} and inlaid with semi-precious stones. The delicate festoon of {{Wiki|pearls}} that hangs from [[Kalachakra’s]] headdress deserves particular [[attention]]. |
| − | [[Kalachakra’s]] twenty-four hands and [[Vishvamata’s]] eight, surrounding the couple like a golden [[aura]], each originally held an attribute. Among the [[objects]] that survive in [[Kalachakra’s]] hands are the ‘[[vajra]]’ and [[bell]], a partially broken sword, a flaying knife, a double-sided pellet [[drum]], the [[Buddhist wheel]], a ‘[[vajra]]’-tipped noose, a [[conch shell]] and a gem-encrusted [[jewel]]. In [[Kalachakra’s]] uppermost raised hand dangles the [[severed head]] of the four-faced [[Hindu]] [[god]] [[Brahma]] (‘[[Brahmakapala]]’). Although seemingly gruesome, this attribute symbolises [[Kalachakra’s]] [[infinite compassion]] towards all [[beings]] (Beer 1999: 309). [[Vishvamata]] holds a flaying knife and [[skull cup]] in her main hands hidden behind [[Kalachakra’s]] neck. Other implements that remain in her additional hands include a noose, a pellet [[drum]], a [[lotus]] and a [[jewel]]. The figures’ striking pose, the intimacy they share and the dazzling display of arms create a dynamic tour de force. | + | [[Kalachakra’s]] twenty-four hands and [[Vishvamata’s]] eight, surrounding the couple like a golden [[aura]], each originally held an attribute. Among the [[objects]] that survive in [[Kalachakra’s]] hands are the ‘[[vajra]]’ and [[bell]], a partially broken sword, a [[flaying knife]], a double-sided pellet [[drum]], the [[Buddhist wheel]], a ‘[[vajra]]’-tipped noose, a [[conch shell]] and a gem-encrusted [[jewel]]. In [[Kalachakra’s]] uppermost raised hand dangles the [[severed head]] of the four-faced [[Hindu]] [[god]] [[Brahma]] (‘[[Brahmakapala]]’). Although seemingly gruesome, this attribute symbolises [[Kalachakra’s]] [[infinite compassion]] towards all [[beings]] (Beer 1999: 309). [[Vishvamata]] holds a [[flaying knife]] and [[skull cup]] in her main hands hidden behind [[Kalachakra’s]] neck. Other implements that remain in her additional hands include a noose, a pellet [[drum]], a [[lotus]] and a [[jewel]]. The figures’ striking pose, the intimacy they share and the dazzling display of arms create a dynamic tour de force. |
[[File:7.20_vkS.jpg|thumb|centre|250px|]] | [[File:7.20_vkS.jpg|thumb|centre|250px|]] | ||
</poem> | </poem> | ||
Latest revision as of 02:18, 10 November 2014
Kalachakra and Vishvamata locked in passionate embrace, lovingly gazing at each other. Both figures are four-headed, with the lips and eyes on each face marked with pigments, lending added naturalism to the sculpture. Typical of Heruka Buddhas, Kalachakra strikes an energetic, lunging pose and Vishvamata mirrors his stance. Both figures wear elaborate jewellery, studded with brilliant blue turquoise and inlaid with semi-precious stones. The delicate festoon of pearls that hangs from Kalachakra’s headdress deserves particular attention.
Kalachakra’s twenty-four hands and Vishvamata’s eight, surrounding the couple like a golden aura, each originally held an attribute. Among the objects that survive in Kalachakra’s hands are the ‘vajra’ and bell, a partially broken sword, a flaying knife, a double-sided pellet drum, the Buddhist wheel, a ‘vajra’-tipped noose, a conch shell and a gem-encrusted jewel. In Kalachakra’s uppermost raised hand dangles the severed head of the four-faced Hindu god Brahma (‘Brahmakapala’). Although seemingly gruesome, this attribute symbolises Kalachakra’s infinite compassion towards all beings (Beer 1999: 309). Vishvamata holds a flaying knife and skull cup in her main hands hidden behind Kalachakra’s neck. Other implements that remain in her additional hands include a noose, a pellet drum, a lotus and a jewel. The figures’ striking pose, the intimacy they share and the dazzling display of arms create a dynamic tour de force.
