An IntroductIon to Music to Delight All the sAges
55
An IntroductIon to MusIc to delIght All the
sAges, the MedIcAl hIstory of drAkkAr tAso
trulku chökyI WAngchuk (1775-1837)1
stAcey VAn Vleet,
columbia university
on the auspicious occasion of their 50th anniversary celebration, the dharamsala
Men-tsee-khang published a previously unavailable manuscript entitled A Briefly
stated Framework of instructions for the glorious Field of Medicine: Music to
Delight All the sages.2 Part of the genre associated with polemics on the origin
and development of medicine (khog ’bubs or khog ’bugs), this text – hereafter
referred to as Music to Delight All the sages – was written between 1816-17
in kyirong by drakkar taso trulku chökyi Wangchuk (1775-1837).3 since
available medical history texts are rare, this one represents a new source of great
interest documenting the dynamism of tibetan medicine between the 18th and
early 19th centuries, a lesser-known period in the history of medicine in tibet.
Music to Delight All the sages presents a historical argument concerned with
reconciling the author’s various received medical lineages and traditions. some
1 this article is drawn from a more extensive treatment of this and related 18th and 19th
century medical histories in my forthcoming Ph.d. dissertation. I would like to express
my deep gratitude to tashi tsering of the Amnye Machen Institute for sharing a copy
of the handwritten manuscript of Music to Delight All the sages with me and for his
encouragement and assistance of this work over its duration. this publication was
made possible by support from the social science research council’s International
dissertation research fellowship, with funds provided by the Andrew W. Mellon
foundation.
2 Dpal ldan gso ba rig pa’i man ngag gi khog ’bubs [phub] bsdus don nyung ngu’i ngag
gi gtam du bya ba drang srong kun tu dgyes pa’i rol mo (Brag dkar ba 2012). the
extant manuscript, written in short-form “headless-letter” calligraphy (tshugs thung
dbu med), appears to be complete in 67 double-sided folios. n.B. Although the original
manuscript reads khog phub, the Men-tsee-khang book edition has rendered this with
the more common spelling khog ’bubs. yangga (2010) has translated khog ’bubs as
“pitching (building) a framework,” while sde srid sangs rgyas rgya mtsho (sde srid
sangs rgyas rgya mtsho 1970 and desi sangye gyatso and kilty 2010) analyses his
variant spelling khog ’bugs as “piercing the interior,” leading schaeffer (2003) to
render the term as “interior analysis.” Brag dkar rta so sprul sku does not elaborate on
his choice of spelling; he does, however, perpetuate the difference in spelling between
his own title and sangs rgyas rgya mtsho’s work within this manuscript.
3 this article follows the tibetan and himalayan library (thl) system of phonetic
transcription for tibetan terms. for their equivalencies in Wylie transliteration, see
glossary.
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of these had been at odds in the past, both hermeneutically and politically. In
particular, drakkar taso trulku (or drakkarwa) foregrounds the great Vase and
small Vase of Nectar (Bdud rtsi bum pa che chung), a set of revelatory medical
“treasure” texts (gter) associated with both his home region of kyirong and the
Jang treasure tradition (Byang gter). drakkarwa’s account draws attention to
the prominence of these cycles – the medical treasures and their supplementary
texts – between the 16th-19th centuries. through his own medical activities and
writings, drakkar taso trulku seeks to propagate the great Vase and small Vase
of Nectar as a regional system.
thanks to the sponsorship of new translations, publications and institutions
by the fifth dalai lama ngakwang lobzang gyatso (1617-1682) and his regent
and political successor sanggyé gyatso (1653-1705) in lhasa, the 17th century
has become recognized as a “golden,” “classical” or even “early modern” period
for tibetan medicine.4 the impact of these medical projects beyond their time has
often been taken for granted, however, with a straight line being drawn between
the medical monastery at chakpori (founded by desi sanggyé gyatso in 1696 and
known by its location, the “Iron Mountain” in lhasa) and its successor institution
the Mentsikhang or Institute of Medicine and Astrology founded in lhasa under the
thirteenth dalai lama in 1916.5 In fact, the more than two hundred intervening years
were characterized by significant developments and dissent in the field of medicine,
deriving not least from the increasing flow of knowledge and trade along routes
paved by the pax Manjurica. These developments, including a significant number
of new gelukpa medical colleges (sman pa grwa tshang) in Amdo, Mongolia,
and Beijing, and the influential medical lineage of Situ Panchen Chökyi Jungné
(1700-1774) from kham, have received comparatively little attention, at least
within european-language scholarship.6 As tashi tsering notes in his introduction
to the printed edition of Music to Delight All the sages, it has also previously been
4 see Meyer 1992, Meyer 2003, gyatso 2004, and gyatso 2011.
5 As in Rechung 1973, one of the earliest and most influential European-language
historical overviews of tibetan medicine. taube (1981, p.77) further argues, based on
available sources, that the creative period of tibetan medicine ended at the latest with
the 17th century.
6 As Blezer, et. al. (2007) discuss, scholarly treatments of the history of tibetan medicine
remain few and far between. however, these authors do not include the period between
the early 18th and early 20th centuries in their important compilation of desiderata in
this field. Contemporary Tibetan and Mongolian authors, on the other hand, have
paid significant attention to the 18-19th century spread and development of tibetan
medicine outside central tibet. these sources will be reviewed in my forthcoming
dissertation. for brief but important discussions, see Meyer 1992, gyatso 2004, and
chen hua 2008. on the medical activities of si tu pan chen, see ehrhard 2000 and
garrett forthcoming.
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An IntroductIon to Music to Delight All the sAges
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difficult to determine which famous medical practitioners and new texts became
familiar amongst all the far-flung Tibetan and neighboring areas at this time.7
Music to Delight All the sages details a variety of medical teachings, practices,
and new compositions in the tibetan language that circulated widely during
the 18th-19th centuries, within a network that connected drakkar taso trulku’s
himalayan border region in southwestern tibet with nepal, Bhutan, central tibet
(Dbus gtsang), and regions further north and east. In the wake of the fifth dalai
lama and desi sanggyé gyatso’s project of cultural and political centralization,
however – a project notable for its “controlled inclusiveness” – new articulations
of productive dissent also emerged.8 While drakkar taso trulku expresses
admiration for these predecessors’ achievements in the field of medicine and more
broadly, he also questions Desi Sanggyé Gyatso’s influential narrative of Tibetan
medical history. desi sanggyé gyatso had designed a tibetan Buddhist medical
synthesis based on the integration of the nyingma (or early translation) tradition
and its great Perfection vehicle into his own gelukpa tradition. drakkar taso
trulku proposes a synthesis based instead on the hermeneutics of the “otheremptiness” (gzhan stong) view, which will be discussed further below.
drAkkAr tAso trulku’s MedIcAl ActIVItIes And
the herItAge of the greAt VAse oF NectAr
drakkar taso trulku chökyi Wangchuk wrote substantially on medicine and its
sister discipline of astrology (rtsis), but he is more widely known for mastering
an eclectic range of nyingma and kagyü tradition teachings, as well as for his
efforts to revitalize the religious and social life of southwestern tibet. drakkar
Taso Trulku was born into the influential family lineage of a famous treasurerevealer from kyirong, a district associated with the great saint Milarepa in the
lower Mangyül area of ngari bordering nepal.9 he was recognized as the seventh
throne-holder of the small monastery of drakkar taso by his great-uncle and
primary teacher rindzin [karma] trinlé düjom (1726-1789), and his candidacy
was confirmed by the Thirteenth Karmapa Düdül Dorjé (1733-1797).10 drakkar
7
8
9
10
tashi tsering, Introduction in Brag dkar ba 2012, pp.xi-xii.
dalton 2002, p.208.
tashi tsering, Introduction in Brag dkar ba 2012, pp.vi-vii.
Brag dkar rta so sprul sku’s collected works will soon be published from a 10 volume
manuscript in the collection of slob dpon ’gyur med at nub ri sa ma ga ’on monastery
in nepal. for a list of related biographical works within this gsung ’bum see tashi
tsering, Introduction in Brag dkar ba 2012, pp.vii-viii. In this article I have relied
upon the biographical summary of Brag dkar rta so sprul sku found in ehrhard 2004
and related information in ehrhard 2007 and 2008.
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taso trulku’s early experiences were shaped by the sino-nepalese War of 17881792, and he spent much of the rest of his life renovating temples and monasteries
damaged in the war, managing publishing projects, writing and teaching.
Drakkarwa’s work to revitalize Kyirong and surrounding areas benefitted from
his close ties to local rulers and families across southwestern tibet, but also from
farther afield, as indicated by a substantial donation he received from a Central
tibetan minister (bka’ blon) and Qing amban conducting a regional inspection
tour after the war’s end.11
drakkar taso trulku cultivated an impressive network of relationships
spanning the tibetan cultural world, and in doing so received and redistributed
a broad range of medical teachings and influences. Kyirong lay along a
great route connecting kathmandu and lhasa, which served as a conduit for
teachers and students, pilgrims and dignitaries, and not least of all smallpox
epidemics. drakkarwa himself travelled widely in southwestern and central
tibet as well as nepal, seeking out rare texts and teachings along the way
(such as the famous pharmacological work crystal Beads and crystal rosary
[shel gong shel ’phreng] by deumar geshé tendzin Puntsok (b. 1672) from
Kham, who Drakkarwa considered one of the most influential medical scholars
of the era). drakkar taso trulku conducted correspondence with other medical
practitioners, and medical students from as far as Mustang and Bhutan in turn
came to visit in his home region.12 According to the colophon, drakkarwa
wrote Music to Delight the sages at the request of two of his close students
and two other medical practitioners from kyirong and the surrounding
areas.13 Although there is no evidence of a xylographic edition, the author’s
autobiography indicates that his medical history also circulated well outside
his home region. Around two years after its completion, drakkar taso trulku
met Zhapkar tsokdruk rangdröl (1781-1851), the lama of “great reputation”
from northeastern Amdo (bordering china and Mongolia), who was traveling
in kyirong with his large entourage. Zhapkar received a reading authorization
of Music to Delight All the sages and is described as leaving drakkarwa’s
company loaded with books.14
11 ehrhard 2004, pp.93-94.
12 he addresses them variously as ’tsho byed, sman pa grub chen, and gso rig ’dzin pa
rnams. the letters are included in his collected works and provide fascinating sources
for future study. see tashi tsering’s Introduction to Brag dkar ba 2012, pp.ix-xi.
13 the requestors included Zhang po ’tsho mdzad rdo rje from Byams sprin in skyid
grong and la ldebs ’tsho byed tshe dbang dam chos, along with Brag dkar rta so sprul
sku’s students tshe rig ’dzin pa blo gsal kar+ma phun tshogs and shal smad rtsa phu
ba rgyal po dar rgyas (Brag dkar ba 2012, p.106).
14 ehrhard 2004, pp.101-102.
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One of the most significant legacies from the Kyirong region that Drakkar
taso trulku inherited was the medical treasure cycle great Vase of Nectar (’chi
med bdud rtsi bum pa or gso byed bdud rtsi bum pa). this cycle was discovered
by the 11th century treasure-revealer dorbum chödrak, beneath a stone statue
at the temple of Jamtrin in kyirong.15 In the 16th century drakkarwa’s ancestor
rindzin tennyi lingpa discovered a treasure of his own at Jamtrin temple, and a
century later katok rindzin tsewang norbu (1698-1755), the foremost teacher of
drakkar taso trulku’s teachers, received a vision there as well, making it a site of
ongoing importance in the region.16 It seems that Accomplishing Medicine (sman
sgrub) ceremonies connected to the great Vase of Nectar flourished especially in
the kyirong region between the 16th and 17th centuries, when they were performed
by chöwang gyeltsen (1484-1549) at kyirong Jamtrin temple, by the third
yolmowa trulku tendzin norbu (1598-1644) at kyirong Pakpa temple, and by
the treasure-finder Garwang Dorjé Nyingpo (1640-1685) in the nearby Kharbang
valley of ladep. drakkar taso trulku and his teacher Mengom chöjé (see below)
carried on this legacy when they performed a large Accomplishing Medicine
ceremony in 1804, resulting in the production and consecration of medicinal
substances.17 According to Drakkarwa’s autobiography, the significance of this
event was comparable to the rituals of his three predecessors.
the great Vase of Nectar and its supplementary works constitute both an
important tantric cycle and a major medical corpus, covering topics related to
diagnosis and practical therapies including intestinal disorders, children’s illnesses
and smallpox. drakkar taso trulku wrote his own “daily practice” (rgyun khyer)
text to accompany the great Vase of Nectar, presumably in connection with a
teaching on this body of work that he gave at drotang in 1827 to a large group of
students.18 drakkar taso trulku also passed down a number of original medical
compositions, on topics including eye surgery and treatments (mig ’byed and
mig bcos), mercury purification and “extracting the essence” (dngul ’gyogs ’dul
gyi lag len and bcud len), astrology (rtsis), and supplements for various tantric
medical practices (sman bla’i sgrub thabs, g.yu thog gsol ’debs, etc.). he began
writing Music to Delight All the sages in 1816 and completed the medical history
15 for a history, outline and summary of the great Vase and small Vase of Nectar (i.e.,
the great Vase of Nectar and its supplementary works), see desi sangye gyatso and
kilty 2010, p.177-189.
16 on Brag dkar ba’s family connection to Byams sprin, see ehrhard 2004, pp.103. on
the vision received by kah thog rig ’dzin here, see ehrhard 2008, p.21 fn. 11.
17 ehrhard 2004, p.96. on sman sgrub literature and practice, see garrett 2009 and 2010.
18 ehrhard 2004, p.104. Brag dkar ba’s works related to sman and rtsis are listed in tashi
tsering’s Introduction to Brag dkar ba 2012, pp.ix-xi.
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on the eighth day of the new fire-ox year (1817).19 together, drakkar taso
trulku’s medical activities, writings, and correspondence reveal his commitment
to propagating the great Vase of Nectar system as well as his openness to
incorporating new practices and techniques. Within his medical history, drakkar
taso trulku addresses the tension inherent in reconciling these two goals.
drAkkAr tAso trulku And the legAcy of chAkPorI
despite the importance of the great Vase of Nectar in kyirong, it seems that
this medical treasure cycle only attained wider repute after its 16th century
systematization by Jangdak tashi topgyel (1550-1603), lineage-bearer of the
Jang treasure tradition. Jangdak tashi topgyel’s supplementary teachings on the
great Vase of Nectar are collectively known as the small Vase of Nectar of the
Jang treasure heart Practice (Byang gter thugs sgrub kyi bdud rtsi bum chung)
or the White, Blue and Yellow scrolls of the Jang treasure heart Practice (Byang
gter thugs sgrub kyi shog dril dkar sngo ser gsum) – in short form, the small Vase
of Nectar. Jangdak Tashi Topgyel lived through a turbulent period, fleeing his
home in Jang (western tibet) to propagate the Jang treasure tradition teachings
in chonggyé (southeast of lhasa). under his successors, however, this tradition
regained strength and built a new home at dorjé drak monastery with assistance
from the fifth dalai lama.20 Jangdak tashi topgyel’s great Vase and small Vase
of Nectar redaction received considerable attention in both the record of the fifth
dalai lama’s teachings received (gsan yig) and the 1703 medical history written
by desi sanggyé gyatso.21 this brought the system greater renown in central
tibet, but is also a source of ambivalence for drakkar taso trulku.
In its title, Music to Delight All the sages clearly references A Feast to Delight
the sages (Dpal ldan gso ba rig pa’i khog ’bugs legs bshad bayDurya’i me long
drang srong dgyes pa’i dga’ ston, better known today by the short title Beryl
Mirror), the medical history written by desi sanggyé gyatso as a sort of charter
for his new medical institution at chakpori, and regarded by scholars today as a
touchstone of the genre.22 Within A Feast to Delight the sages, sanggyé gyatso
explicitly sought to combine and codify an exhaustive catalog of prior tibetan
19 Brag dkar ba 2012, p.106.
20 see dalton 2002 (chapter 4) for an important discussion of the Byang gter tradition
and its relationship with the fifth dalai lama. the Byang gter tradition should not be
confused with the Byang lugs medical tradition; more will be said about this below.
21 ehrhard 2008, pp.22, fn. 13.
22 on sangs rgyas rgya mtsho’s medical history see in particular gyatso 2004 and 2011,
and schaeffer 2003. gavin kilty has recently rendered a great service by translating
this quite lengthy work into english (desi sangye gyatso and kilty 2010).
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medical traditions. he presented himself as a successor of these, particularly
the well-known Zur (Zur lugs) and Jang (Byang lugs) traditions that branched
out during the 15th and 16th centuries, as well as the tradition of the great Vase
and small Vase of Nectar and other medical treasure texts. Although subsequent
medical histories have largely considered the reconciliation of Jang and Zur
schools as the basis for his synthesis of medicine, the regent uniquely devotes
many pages to an outline and summary of the great Vase and small Vase of
Nectar, creating a prominent section within his medical history devoted to
this kyirong and Jang treasure tradition. through his great medical monastery
at chakpori, desi sanggyé gyatso planned to propagate a new authoritative
medical tradition based on his own commentaries of the Four tantras (rgyud
bzhi, by this time widely considered the “root text” of tibetan medicine): the Blue
Beryl (bayDurya sngon po) and Additional instructions (Man ngag lhan thabs).
According to drakkar taso trulku, a century later chakpori had indeed become
famous and its tradition had “not diminished”; he refers to desi sanggyé gyatso
as a “great tradition helmsman” (shing rta chen po) of all the fields of knowledge
and medicine in particular.23
drakkar taso trulku also offers deep respect to the fifth dalai lama, hierarch
of the gelukpa tradition, praising in particular the “great fifth’s” close ties to
the nyingma or early transmission tradition: his nyingma teachers, personal
nyingma practice, sponsorship of nyingma monasteries and sponsorship of
medical works. With evident admiration, drakkarwa describes how the fifth
dalai lama’s journey to china and establishment of the patron-priest relationship
with the Jamyang (Qing) emperor enabled the “white umbrella” of the Buddhist
doctrine – and especially the gelukpa teachings – to cover china, tibet, and
Mongolia, spreading all the fields of knowledge including medicine.24 Medicine
in this narrative is part of a larger tibetan Buddhist knowledge system that,
because of the Fifth Dalai Lama-Qing relationship, flourished beyond its cultural
borders and connected disparate regions and peoples. Moreover, drakkar taso
trulku generously characterizes this project as an inclusive one, although it had
proceeded on gelukpa terms.
In his direct criticism of the ensuing 18th century period, however, the stakes
of drakkar taso trulku’s writing become apparent. Problematic undercurrents to
the fifth dalai lama’s gelukpa-nyingma reconciliation had surfaced soon after
23 Brag dkar ba 2012, p.81, 78.
24 Quoting A Feast to Delight the sages on the regions covered by the fifth dalai
lama’s teachings (rgya bod hor), Brag dkar rta so sprul sku also adds the term sog.
he also further stresses the fifth dalai lama’s ties to the rnying ma and chastises
other authors for not fully understanding this relationship (Brag dkar ba 2012, p.76).
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the hierarch’s death, bringing a series of conflicts that led to the death of Sanggyé
gyatso, and to broad destruction for the nyingma tradition. Although Polhané
sönam topgyé (1689-1747), who came to power in lhasa as a temporal ruler
via his alliance with the Qing, made an effort once again to patronize nyingma
teachers such as the afore-mentioned katok rindzin tsewang norbu, tensions
continued to simmer up until drakkarwa’s time. the eighth dalai lama (17581804) notably did not mix nyingma with gelukpa personal practice in the eclectic
tradition of his influential predecessor.25 drakkarwa bemoans “slander” that arose
during this era from those “holding sectarian bias in their hearts, along with the
perverse idea that the [gelukpa] order was impure” because of the fifth dalai
Lama’s affinity for the Early Transmission teachings.26 Moreover, despite his
praise and defense of the fifth dalai lama and desi sanggyé gyatso’s nyingma
alliances, it becomes clear during the course of Music to Delight All the sages that
drakkar taso trulku has a somewhat different view of how tibetan Buddhist and
medical syncretism should proceed. It is not lost on Drakkarwa that the field of
medicine – and the stunning symbolism of sanggyé gyatso’s medical college atop
the hill of chakpori – provided a major source of legitimizing moral authority for
the gelukpa administration, tied to the incorporation of nyingma practices such
as the great Vase and small Vase of Nectar treasure tradition. In putting forth
his own medical history to reclaim this regional tradition, drakkarwa makes a
rather defensive declaration (discussed in detail below) that the field of medicine
is “only nyingma.”27
drAkkAr tAso trulku’s teAchers of MedIcIne
drakkar taso trulku’s interpretation of the history of medicine owes much to
the influence of Katok Rindzin Tsewang Norbu, the influential master of both
nyingma and karma kagyü traditions who taught many of drakkarwa’s own
teachers in kyirong. Although he was not born until twenty years after katok
rindzin’s death, drakkar taso trulku is perhaps best known today for his
important biography of this well-connected polymath. katok rindzin’s life story
clearly provided a model for drakkarwa: he was an eclectic scholar who wrote
on topics ranging from tibetan inscriptions to chinese Buddhism, a sponsor of
restoration work on ancient Buddhist sites in nepal and tibet, and a peripatetic
25 Maher 2005.
26 Brag dkar ba 2012, p.76.
27 gso ba rig pa ’di rnying ma kho na yin (Brag dkar ba 2012, p.96). recent text-critical
studies have similarly recognized a deep connection between medical writing and
rnying ma literature (gyatso 2004, garrett 2010).
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teacher who spent most of his life away from his home monastery of katok in
kham.28 As mentioned above, he also maintained a relationship with Polhané
sönam topgyé and the seventh dalai lama, and conducted diplomacy on behalf
of the lhasa government in ladakh and throughout the same himalayan region
where drakkar taso trulku was later active. one of katok rindzin’s signature
achievements, however, was to resuscitate Jonang tradition teachings that had
suffered suppression during the reign of the fifth dalai lama. katok rindzin
does not seem to have written specifically on the subject of medicine (with the
exception of one letter, found within his collected works, in answer to a question
on Accomplishing Medicine), but he did write extensively on a closely related
subject that was central to the Jonang tradition: the kalachakra tantra and its
system of astrology and astronomy (skar rtsis).29 In Music to Delight All the
sages, however, it is katok rindzin’s defense of the “other-emptiness” view of
Middle Way doctrine (Madhyamaka), a position central to the Jonang tradition,
that directly influences the historical argument.
drakkar taso trulku began writing Music to Delight All the sages at Mangyül
riwo Pembar, one of Jetsün Milarepa’s meditation retreat sites high in the
himalayas and also the site of a reliquary for katok rindzin tsewang norbu.
Before finishing the work some months later at his own monastery of Drakkar
taso, “the mendicant (bya bral ba) chökyi Wangchuk” (as he signed himself)
also made a pilgrimage to Central Tibet and during this time greatly diversified
his medical training.30 the pilgrimage began and ended at ganden Puntsokling
monastery, where he received teachings of the Jonang tradition. drakkarwa also
visited the nyingma monastery of Mindrölling near lhasa, which had been
founded by the fifth dalai lama for his nyingma teacher terdak lingpa (16461714). As we shall see, terdak lingpa is a second crucial source within drakkar
taso trulku’s medical history.
the legacies of desi sanggyé gyatso, katok rindzin, and terdak lingpa
all manifest clearly within the eclectic range of medical teachings drakkar
taso trulku received in kyirong and central tibet. In the earliest part of his
28 for more about the life and activities of kah thog rig ’dzin, see smith 2001, ronis
2009 and stearns 2010.
29 the most extensive edition of kah thog rig ’dzin’s gsung ’bum, in six volumes, was
published by damchoe sangpo in dalhousie, h.P., 1976-77. A comparison of the
astrological works of kah thog rig ’dzin and sde srid sangs rgyas rgya mtsho would
also be an interesting topic for future study.
30 According to ehrhard, this pilgrimage took place between 1817-18 and after completion
of the khog ’bubs (2004, p.100). the reference to smin grol gling indicates, however,
that at least this extant manuscript version was completed after Brag dkar ba’s journey
to central tibet.
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life, drakkarwa received various cycles of nyingma teachings from his greatuncle rindzin trinlé düjom, who was a direct disciple of katok rindzin.31 these
included the great Vase of Nectar medical treasure cycle and Jangdak tashi
topgyel’s supplementary texts, which formed the basis of drakkar taso trulku’s
medical practice.32 from rindzin trinlé düjom he also received the Yutok heart
essence (g.yu thog snying thig) tantric practice attributed to the founder of
tibetan medicine yutok yönten gönpo.
drakkar taso trulku’s second major teacher was Mengom chöjé kunga
[trinlé] Penden or Ananda karma shri (1735-1804), who was known as
an exponent of the Barawa kagyü and nyingma traditions.33 drakkarwa’s
studies with this teacher also began during his childhood, and included many
transmissions of the works of katok rindzin. from Mengom chöjé, drakkar taso
Trulku received teachings from the field of medicine such as the initiation (rjes
gnang) of a practice of the seven Medicine Buddhas (sman bla mched bdun) and
the oral transmission of a Medicine Buddha practice that drakkarwa attributes to
the fifth dalai lama (Mdo chog yid bzhin dbang rgyal).34 drakkar taso trulku
describes Mengom chöjé as a “bearer of authentic practical instructions” who
had memorized the first, second and last of the Four tantras with the teacher
drangsong könchok chöpel.35 According to a biography of Mengom chöjé that
drakkarwa wrote in 1807, this teacher famously treated the tenth Zhamarpa, as
well as certain representatives of the lhasa government and its major monasteries
that had been taken hostage during the course of the sino-nepalese war.36 But
in Music to Delight All the sages Mengom chöjé is also credited with treating
many people of high, low and middling status, and having many students.
Besides performing the large Accomplishing Medicine ceremony with drakkar
taso trulku mentioned above, Mengom chöjé wrote three medical practice texts
that covered topics such as treating poison (dug bcos) and venereal disease (reg
dug gi bcos).37
In 1793, drakkar taso trulku met his third major teacher, tsewang chimé
gönpo (1755-1807) of the gur family lineage.38 tsewang chimé gönpo was
31
32
33
34
35
36
37
ehrhard 2004, p.90.
Brag dkar ba 2012, p.90.
See Ehrhard 2007 for a detailed discussion of the biography of this figure.
Brag dkar ba 2012, p.90.
“Man ngag phyag bzhes tshul bzhin ’dzin pa po,” Brag dkar ba 2012, p.88.
ehrhard 2007, p.125-126.
A collection of sman sgom chos rje’s medical works, gso ba rig pa’i lag len gces rigs
phyogs gcig tu sdebs pa gnad don gsal ba nor bu’i ’phreng ba, has been published as
volume 85 of the series smanrtsis shesrig spendzod, leh 1977.
38 ehrhard 2004, p.93.
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another disciple of katok rindzin. he carried on a branch tradition of the drukpa
kagyü school known as the dochen kagyü, traced to the 13th century figure
Madün rechen or Madünpa who had meditated in kyirong. drakkarwa does not
mention studying medicine with tsewang chimé gönpo in his medical history,
although elsewhere he states that this teacher had learned medicine and astrology
himself, and that his uncle had attained fame in the field of medicine before
passing away at age 47.39 Besides teachings of the dochen kagyü, drakkarwa
received Mahamudra and great Perfection (rdzogs chen) instructions from
Tsewang Chimé Gönpo. Great Perfection doctrine figures significantly within
Music to Delight All the sages, as will be discussed below.
Within his medical history, drakkar taso trulku honors one other teacher
particularly significant to his study of medicine. Drupwang [Kunpang] Namkha
samten (18-19th centuries) was a disciple of Mengom chöjé and another
practitioner of Great Perfection teachings who specialized in the field of medicine.
drakkarwa emphasizes drupwang namkha samten’s medical lineage, which is
traced directly to darmo Menrampa lobzang chödrak (1638-1710).40 darmo
Menrampa was the main disciple of the fifth dalai lama’s teacher from the Zur
medical tradition. drakkar taso trulku also describes darmo Menrampa as one
of desi sanggyé gyatso’s two primary medical teachers, along with lhundingpa
namgyel dorjé of the Jang medical tradition (although the regent himself
downplayed these relationships in his medical history, presenting himself as selftaught).41 over the 18th century, darmo Menrampa’s texts, disciples and their
disciples had spread widely within and beyond tibet along with the medical texts
attributed to desi sanggyé gyatso.42 Within the context of drakkar taso trulku’s
39 ehrhard 2008, p.89, 84.
40 Brag dkar ba (2012, p.89) writes that dar mo sman rams pa’s student Mer mo ba Blo
gros [Blo bzang] chos ’phel in turn had Zhal ngo dar rgyas from lho pha phrug as a
student, whose medical teachings became a family lineage passed through his son to
his grandson sngags sman ’chang ba Zhal ngo lhun grub, teacher of nam mkha’ bsam
gtan. nam mkha’ bstam gtan was from Pha phrug gi yul stod sgrags kyi grong stod,
and was born into the Mes clan.
41 Meyer 2003, Brag dkar ba 2012, p.83.
42 the fifth dalai lama appointed dar mo sman rams pa as teacher at lha dbang lcog
[mchog], a medical school at the Potala palace, and commissioned him to edit and
complete the biographies of the elder and younger g.yu thog yon tan mgon po, as
well as a major medical commentary of the Zur tradition, oral transmission of the
Ancestors (Mes po’i zhal lung). dar mo sman rams pa’s texts were consulted by si
tu pan chen and his lineage in khams, and by tibetan and Mongolian students from
many of the A mdo medical colleges. dar mo’s student Be ri sman rams pa became
the first teacher at the medical college of Gser khog btsan po dgon (Gdugs dkar 1990).
two more branches of dar mo sman rams pa’s lineage also appeared in A mdo reb
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writing, it is noteworthy that he traces this medical lineage not to sanggyé gyatso
himself but to his important medical contemporary.
drupwang namkha samten’s own six-year medical training included study
of the complete Four tantras, Additional instructions by desi sanggyé gyatso,
ten Million relics (Bye ba ring bsrel) by Zurkhar nyamnyi dorjé (progenitor
of the Zur tradition, 1439-75), the Yutok heart essence, and certain practical
instructions on body measurements (lus thig gi man ngag phyag len).43 drakkar
taso trulku received empowerments from drupwang namkha samten for the
Additional instructions and a brief version of the Yutok heart essence. drakkarwa
also mentions that in studying the Four tantras with this teacher, they consulted
Desi Sanggyé Gyatso’s Potala edition for the first three sections, but the Jonang
Puntsokling edition for the final section [phyi ma rgyud].44 this Jonang print had
likely been made available through the efforts of katok rindzin. In Mengom
chöjé’s biography, one of namkha samten’s medical treatments is compared to
one from the great Jonang hierarch Tāranātha’s teacher.45 If drupwang namkha
samten’s medical lineage had begun with close connections to the gelukpa
institution of Chakpori, it had drifted towards other influences over the next
hundred years.
finally, during his pilgrimage to central tibet, drakkar taso trulku received
the extended Yutok heart essence transmission and empowerment from the
throne-holder of Mindrölling monastery, Pema Wanggyel (18th century).46 the
teachings of Terdak Lingpa, first master of this monastery and Nyingma tutor
of the fifth dalai lama, had disseminated in kyirong since the teacher’s own
lifetime.47 terdak lingpa had also transmitted the Yutok heart essence practice
to desi sanggyé gyatso, meaning that drakkar taso trulku shared his Yutok
heart essence tradition with the founder of chakpori.48 By the time drakkarwa
visited Mindrölling around 1817, the nyingma monastery had remained a center
43
44
45
46
47
48
gong (rma lho khul tshan rtsal bcu’u dang rma lho khul mang tshogs sgyu rtsal
khang 2009).
Brag dkar ba 2012, p.89.
Brag dkar ba (2012) discusses printed editions of the Four tantras and other medical
texts on p.92.
ehrhard 2007, p.123.
Brag dkar ba 2012, p.90.
ehrhard 2008.
desi sangye gyatso and kilty 2010, p.318. According to Brag dkar rta so sprul sku’s
biography, kah thog rig ’dzin also studied with two sons of gter bdag gling pa (ronis
2009, p.93). Brag dkar rta so sprul sku calls one of these sons the manifestation (rnam
sprul) of Vimalamitra, a figure considered central to both the Rnying ma and medical
traditions (Garrett 2009). Gene Smith notes however that these names are difficult to
identify with the known sons of gter bdag gling pa [tBrc P676].
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of Yutok heart essence practice for more than a century after the time of desi
sanggyé gyatso.
drakkar taso trulku gives special emphasis in his medical history to the Zur
tradition, giving us an idea of this tradition’s fortunes after the time of sanggyé
Gyatso. In a list of several figures besides his own teachers whom he considers
significant to the field of medicine, Drakkarwa links Zur contemporaries of
sanggyé gyatso (including darmo Menrampa, his teachers and others) to later
figures such as Situ Panchen Chökyi Jungné and Deumar Geshé Tendzin Puntsok
from kham.49 during the course of his narrative drakkar taso trulku also
repeatedly defends the Zur tradition, and in particular the scholar and historian
Zurkhar lodrö gyelpo (b. 1509), who had received harsh criticism from desi
sanggyé gyatso.
At the same time, drakkar taso trulku conspicuously does not include any
Jang medical tradition scholars or texts within his received lineages. he even rather
summarily dismisses the two Jang medical transmissions of the Four tantras
presented by desi sanggyé gyatso, calling them contradictory and ahistorical.50
Sanggyé Gyatso had particularly identified with the Jang medical transmission
that included the tibetan king Muné tsenpo, whom the regent counted as one
of his previous incarnations.51 drakkar taso trulku’s rejection of this lineage
can thus be taken as a particularly stark rebuttal of sanggyé gyatso’s legacy
reconciling the Zur and Jang medical traditions. the reason for this rejection is
less clear, and is surprising in light of the close relationship of the Jang medical
tradition to the Jonang tradition. But in fact, both the Jang medical and Jang
treasure traditions (portrayed as entirely separate in both sanggyé gyatso’s and
49 Brag dkar ba 2012, p.78-88. Brag dkar ba provides a short biography of sangs rgyas
rgya mtsho himself, as well as details regarding his students. Besides the well-known
chags pa chos ’phel, he mentions A bo sman blo don grub and Mkhas grub ratna bha
dra/rin chen bzang po, as well as the latter’s student ’tsho byed ’phrin las rab rgyas.
The figures that Brag dkar ba connects directly and indirectly to the Zur lugs also
include Byang ngos Bstan ’dzin rgyal po, Byang ngos nang so dar rgyas, rnam gling
pan chen dkon mchog chos grags, Bod mkhas pa Mi pham dge legs rnam rgyal, shrI
mda’ pa gzhan phan rgya mtsho (another of katok rindzin’s collaborators) and sde
pa tshe brtan lha skyabs.
50 rgyud srol gnyis ka go rim mi mthun par ma zad lo rgyus rnams dang yang ’gal bas
’thad par ma mthong (Brag dkar ba 2012, p.91).
51 In the unique Byang bka’ ma lineage the Four tantras are never hidden or rediscovered
as a treasure text. Instead they pass through direct and unbroken oral transmission
from two Indian masters to Padmasambhava to the tibetan prince Mu ne btsan po (8th
century) and down through later Byang lugs figures (Desi Sangye Gyatso and Kilty
2010, p.291). Both Byang lugs historians and sde srid sangs rgyas rgya mtsho use this
lineage to assert exceptional legitimacy for their medical tradition.
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drakkar taso trulku’s accounts) originate in the Jang ngamring area and have
ties to the Jonang tradition.52 Moreover, since the circumstances surrounding the
rise in repute of Jangdak tashi topgyel’s great Vase and small Vase of Nectar
roughly coincide with the waning of the Jang medical tradition, there may be
some further connection with the regent’s later appropriation (and possible
reworking) of these traditions within A Feast to Delight the sages. A comparison
of these traditions and their histories begs further research.
through his account of his medical teachers and lineages, drakkar taso trulku
illustrates some relationship to the legacy of chakpori, but also the increasing
distance between this institution and its own inclusive (or appropriating) roots.
this distance seems to have widened especially during the late 18th century, as
illustrated in the description of ‘precious pills’ (rin chen ril bu) within Music
to Delight All the sages (the only extended description of a specific medicine).
drakkar taso trulku recounts how the notoriously laborious, arcane and
expensive production of precious pills, once associated with the karmapa and
Zhamarpa incarnation lineages of the kagyü tradition and particularly with
yargyappa, drigung and tsechen monasteries, came to be practiced in 1783 by
the ganden tripa in lhasa, head of the gelukpa tradition.53 Although he writes of
this event with some admiration, the gold, silver and other precious ingredients
collected for the pills clearly represent a transfer of great wealth and the prestige
deriving from the author’s medical tradition to a government that did not continue
the Fifth Dalai Lama’s support for ecumenicalism at that time.
It is therefore especially significant that Drakkar Taso Trulku’s medical
network existed largely outside of large monastic institutions. drakkarwa levels
criticism against those “haughty people puffed up with pride” who brag about
secret instructions or are “so intent on becoming great court physicians (bla sman)
of higher and higher levels that they despise the protectorless poor and humble
types, seeing them like leper corpses.”54 this description sounds suspiciously akin
to the degree-granting system of chakpori and other gelukpa medical colleges
of the period. By the early 19th century chakpori had produced court physicians
for emperors, princes and great lamas, and its medical degree (sman rams pa)
52 In addition to the Byang lugs physician lhun sdings Bdud rtsi ’gyur med who was
court physician to the Jonang hierarch Tāranātha, there are many other connections
between the Byang medical and Jonang traditions (desi sangye gyatso and kilty
2010, p.289 and passim); the Byang gter tradition is tied to the Jonang through Byang
bdag Bkra shis stobs rgyal’s Jonang teacher rje btsun grol mchog (dalton 2002,
p.193).
53 Brag dkar ba 2012, p.93-94. yar rgyab pa monastery is where Zur mkhar Blo gros
rgyal po printed the grwa thang edition of the Four tantras.
54 Brag dkar ba 2012, p.98.
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system had been replicated within subsequent gelukpa medical colleges.55 While
medical history authors from earlier periods had articulated a tension between
textual scholars of medicine and those who prioritized experiential learning from
the instruction of teachers, drakkar taso trulku – who sought both types of
training – alludes to a further tension ensuing from the attempted systematization
of medical learning by the highly institutionalized gelukpa tradition.56 this
tension is negotiated within Music to Delight All the sages during the course of
drakkarwa’s argument regarding the origin of the Four tantras.
drAkkAr tAso trulku And the Word of the BuddhA deBAte
the question of the origin and authority of tibetan medical teachings, and in
particular whether and how the Four tantras derived from the word of the Buddha
(bka’), shapes the structure of all tibetan works of medical history. several recent
studies have examined the nature of this debate and how it developed, mainly from
the earliest available works (12-13th century) through desi sanggyé gyatso’s A
Feast to Delight the sages.57 tibetan canonical literature distinguishes between
Buddha-word (sutra) and the treatises of later Indian and tibetan authors (śāstra),
but because the Four tantras are not included in the canon, medical history authors
have almost always appealed instead to what Janet gyatso has called the “logic
of legitimation” of the treasure tradition.58 Zurkhar lodrö gyelpo, desi sanggyé
gyatso and drakkar taso trulku appeal to this logic in various ways, constructing
“elaborate conceptions of lineage” that all seem to conceal evidence of tibetan
authorship and attribute the Four tantras as the subsequently revealed but ultimate
word of the Buddha.59 the difference between these authors, it seems, is a matter
of emphasis and devilish detail. later scholars have noted Zurkhar lodrö gyelpo’s
rationalization of the Four tantras as a tibetan-authored śāstra, vis-à-vis sanggyé
gyatso’s insistence in arguing for the text essentially as Buddha-word despite his
acceptance of many arguments regarding its tibetan character.60 Just as desi sanggyé
gyatso both criticized Zurkhar and incorporated this predecessor’s historical
55 Including, but not limited to, the medical colleges of sku ’bum and Bla brang bkra
shis ’khyil monasteries (gdugs dkar 1990).
56 schaeffer 2003, gyatso 2004.
57 karmay 1998, schaeffer 2003, gyatso 2004 & 2011, czaja 2005-06a & 2005-06b,
garrett 2006 & 2007, Martin 2007, and yangga 2010.
58 gyatso 1993.
59 gyatso 2004, p.91.
60 see gyatso 2004 and yangga 2010 for a fuller discussion of Zur mkhar Blo gros rgyal
po’s position, which he stated more and less obliquely over the course of his works.
c.f. czaja 2005-2006a.
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evidence into his own argument, drakkar taso trulku quotes long passages from
sanggyé gyatso’s text and compares it to “the sun and the moon,” before eventually
faulting it for confusion and omissions in need of correction.61 Music to Delight
All the sages ultimately defends the contentious position that medicine is “only
nyingma,” presenting a new and unique “extraordinary lineage” (thun mong ma
yin pa’i rgyud pa) as the basis of the case.62 not only does drakkarwa cite katok
rindzin tsewang norbu on the history of this transmission, he also admits “daring
to add” some of his own remarks.63
In fact drakkar taso trulku presents two transmissions of the Four tantras
as authoritative. Although they differ, both classify the text as an 8th century
revealed treasure ultimately attributable to the Medicine Buddha. The first
is drakkarwa’s canonical transmission (bka’ ma) lineage, which is based in
the Zur tradition and emphasizes early Indian roots. this lineage is based on
terdak lingpa’s record of received teachings (gsan yig), which desi sanggyé
gyatso also used as his source for listing the Zur lineage.64 It is the second
“extraordinary lineage” that drakkar taso trulku uses to build his case for the
nyingma character of medicine, however. this lineage hinges on none other
than Padmasambhava (8th century), the tantric adept credited with the early
transmission conversion of tibet to Buddhism during the imperial period. citing
katok rindzin’s biography of Padmasambhava, drakkar taso trulku argues that
the Four tantras were requested by the tibetan king tri songdeutsen (8th century)
at samyé monastery, which was like an emanation of the medical city tanaduk,
and that Padmasambhava taught the text in the form of the Medicine Buddha.65
since this lineage does not include any Indian adepts prior to Padmasambhava, it
61
62
63
64
Brag dkar ba 2012, p.105-6.
see fn. 27.
Brag dkar ba 2012, p.105-6.
desi sangye gyatso and kilty 2010, p.316-318. Brag dkar ba makes clear that bka’
ma here alludes to the Nyingma tantric classification of canonical teachings rather
than to a continuous “oral” transmission. Brag dkar rta so sprul sku’s full bka’ ma
lineage is given as: sangs rgyas sman bla/ rig pa’i ye shes lnga/ yid las skyes/ ’tsho
byed gzhon nu/ mgon po klu sgrub/ dpal ldan dpa’ bo/ kha che zla dga’/ lo chen bai
ro/ chos rgyal khri srong/ grwa pa mngon shes/ dbus pa dar grags/ rog ston dkon
mchog skyabs/ g.yu thog pa chen po nas rim par brgyud cing/ (2012, p.90). he does
not follow the lineage past g.yu thog.
65 Brag dkar rta so sprul sku actually repeats this kah thog rig ’dzin quotation from a
work by sman sgom chos rje (2012, p.29-31). Brag dkar ba lists his “extraordinary
lineage” as follows: sangs rgyas sman bla/ slob dpon sangs rgyas gnyis pa/ lo chen
bai ro/ mnga’ bdag khri srong/ grwa pa mngon shes nas g.yu thog pa rje btsun gu
Na nA tha/ des sum ston ye shes gzungs nas rim par brgyud pa’o/ (Brag dkar ba
2012, p.91).
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deemphasizes Indian influence on the Four tantras. furthermore, drakkar taso
trulku claims that Padmasambhava actually taught various medical methods
according to the necessities of taming each place in tibet where he travelled
to spread Buddhism. these methods eventually appeared in the Four tantras
and other medical treasure texts, and later yutok yönten gönpo gathered these
methods as additions (kha skong) within his redaction of the Four tantras. In
doing so, drakkarwa writes, yutok is “undifferentiated from the Medicine Buddha
and from Padmasambhava.”66 drakkar taso trulku contends that at the time of
treasure-revealer drapa ngonshé it was not suitable to say the Four tantras was
a treasure of Padmasambhava, so it falsely became known as the composition
of yutok yönten gönpo.67 distancing himself from Zurkhar lodrö gyelpo’s
attribution of Tibetan authorship, Drakkar Taso Trulku thus finds his own solution
to the problem of the Four tantras’ tibetan characteristics.
The figure of Padmasambhava serves within Music to Delight All the sages to
legitimize not just the Four treasures as both Buddha-word and treasure text, but
also the author’s own medical treasure text tradition, the great Vase and small
Vase of Nectar. Drakkar Taso Trulku points to specific content from the Four
tantras, including healing mantras (sngags) to protect from poison and infectious
diseases (nad rims), mantras for the practice of ‘essence extraction’ (bcud len),
and the nectar of Immortality “dharma medicine” (Bdud rtsi a mri ta chos sman)
as examples of the kinds of medical practices that count as “only nyingma.”68
he declares that these “antidotes for all the illnesses that quickly rob the life of
beings in these degenerate times” originate within medical treasure texts such as
the great Vase of Nectar and its Jang treasure tradition supplements, as well as
many instructional texts (man ngag) such as the ten Million relics “text from
experience” (nyams yig) of the Zur tradition.69 not only the great Vase and small
Vase of Nectar corpus, but also a range of old and new medical practices are
therefore legitimized within the rubric of treasure literature and its “instructions.”
66 Brag dkar ba 2012, p.43-5. Attributing the Four tantras’ authorship to Padmasambhava
is not a new development among tibetan medical histories. Zur mkhar Blo gros rgyal
po also mentions scholars taking this approach (yangga 2010, p.10).
67 on the issue of the elder and younger g.yu thog yon tan mgon po (see yangga
2010), Brag dkar rta so sprul sku closely follows sde srid sangs rgyas rgya mtsho’s
presentation, which is in turn based on the biographies edited by dar mo sman rams
pa. neither Brag dkar rta so sprul sku nor sangs rgyas rgya mtsho includes the elder
G.yu thog as a main figure within the Four tantras’ transmission.
68 According to Brag dkar ba (2012, p.95), these mantras and medicines are found within
the Man ngag rgyud chapter 87 and Phyi ma rgyud chapter 26. for a discussion of
bcud len, see Barbara gerke’s forthcoming work.
69 Brag dkar ba 2012, p.95-96.
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Despite his polemic that the field of medicine is “only Nyingma,” Drakkar
taso trulku does seek to reconcile the medical with other traditions. he begins
with a claim attributed to Desi Sanggyé Gyatso that if classified according to
the treasure system, the Four tantras are the type of ancillary practice (cha lag
nyams len) known as heart essence (snying thig), and therefore “nothing other
than great Perfection,” the most complete of all teachings.70 great Perfection
teachings, while most strongly associated with the nyingma and Bön traditions,
had also been practiced in the kagyü tradition since the 12th century and
championed along with medicine by the fifth dalai lama. drakkar taso trulku’s
appeal to great Perfection doctrine not only bridges his nyingma and kagyü
lineages, he also takes it further, equating great Perfection teachings with the
Jonang “other-emptiness” view re-popularized by katok rindzin.71
According to drakkar taso trulku, the “calamity of bickering” between
the views of “self-emptiness” (rang stong, associated with the gelukpa) and
“other-emptiness” (associated, at times, with all non-gelukpa traditions) has
obstructed the ultimate essence (don gyi ngo bo) of the Middle Way teachings in
the snowland.72 In order to harmonize with temporary circumstances, he contends,
the Middle Way teachings of the “other-emptiness” view may be considered in
accordance with early transmission great Perfection practice. he then cites an
unimpeachable gelukpa authority – kedrup Jé, disciple of the tradition’s progenitor
tsongkhapa – to further argue that the views of great Perfection and Middle Way
practice are “almost without difference.”73 to his own mind, any contradictions
between the “other-emptiness” view and great Perfection teachings (and perhaps
by extension the “other-emptiness” and “self-emptiness” views, and the gelukpa
and non-gelukpa traditions) are thus effectively resolved. In turn, resolving
these hermeneutical contradictions allows drakkar taso trulku to integrate all
the medical teachings from his various sources and lineages without incongruity,
including the Potala and Jonang Puntsokling prints of the Four tantras, many
practical instructions passed on from individual teachers or associated with the
Zur tradition, the crystal Beads and crystal rosary, the Yutok heart essence, and
the great Vase and small Vase of Nectar, as well as a long list of other medical
treasure texts cited by both drakkarwa and desi sanggyé gyatso.74
70 Brag dkar ba 2012, p.94.
71 Dge rtse paN chen ’Gyur med tshe dbang mchog grub (1761-1829), an influential
figure at KaH thog monastery in his own time, takes a similar position in his defense
of gzhan stong (ronis p.236, n. 432).
72 Brag dkar ba 2012, p.95.
73 Ibid.
74 Medical gter ma are discussed in Brag dkar ba 2012, p.34-36. see garrett 2009 and
2010 on related rnying ma tantric and medical literature.
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tIBetAn MedIcIne, InstItutIonAlIZAtIon,
And InnoVAtIon on the MArgIns
Music to Delight All the sages is a work of significance for understanding the
legacy of perhaps the most pivotal point in the history of tibetan medicine, under
the fifth dalai lama and desi sanggyé gyatso. the connection drakkar taso
Trulku draws between the field of medicine and the Great Perfection tradition
sheds light on the significance of medical activity for these Gelukpa leaders
beyond the obvious potential of medicine as a resource for moral legitimacy.
We are obliquely reminded that medicine is one of two noted specialties of
the nyingma great Perfection tradition – along with the highly controversial
practice of tantric war magic, which the fifth dalai lama had ambivalently
assented to during the Mongol campaign to depose the rulers of tsang and their
kagyüpa, Bönpo and Jonangpa allies.75 Indeed this latter association could be
considered the key context for desi sanggyé gyatso’s urgent praise of great
Perfection practices within A Feast to Delight the sages, which imposes on
the text a convoluted organization and a long exegesis reconciling Pratimokṣa,
Bodhisattva, and Vidyādhara tantric vows that otherwise makes little sense to
include within a medical history. discussing his own life during the course of the
text, the regent takes pains to describe his personal practice of the tantric vows,
explaining that although “I had a great liking for the pratimokṣa vows, … they
did not come my way,” and making the extraordinary statement that although “I
have maintained the bodhicitta dedication, keeping my vow of not taking the life
of a human except when powerless to do otherwise, … in order to maintain the
rule of law when governing the country, I have come close to harming the mind of
compassion, but it is difficult to be of help in every case.”76 later, however, after
describing his medical activities to benefit his subjects, Desi Sanggyé Gyatso is
able to conclude the main body of his text with the words, “In this way I think
I have followed the great waves of bodhisattva conduct.”77 the placement of
sanggyé gyatso’s new medical monastery at chakpori, which on its hilltop perch
opposite the dalai lama’s palace became a focal point of the city of lhasa, serves
as a strong indication of the importance to the regent of legitimizing both his
government and his reliance on the great Perfection tradition.
throughout Music to Delight All the sages, drakkar taso trulku wrestles
with the particular legacy of the fifth dalai lama and desi sanggyé gyatso’s
political, doctrinal, and medical syncretism. despite the regent’s incorporation
of the great Vase and small Vase of Nectar cycle and other great Perfection
75 see dalton 2011, pp.136-143.
76 desi sangye gyatso and kilty 2010, p.332.
77 desi sangye gyatso and kilty 2010, p.489.
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traditions into his charter for chakpori, drakkarwa and his teachers had remained
outside the orbit of this gelukpa institution. drawing on katok rindzin tsewang
norbu’s critique of 18th century gelukpa sectarianism based on the Jonang
“other-emptiness” view, and foreshadowing similar arguments among the wellknown latter-19th century “nonsectarian” (ris med) movement, drakkar taso
trulku’s medical history reconciles his various medical lineages and provides a
historical and hermeneutical rationale for reclaiming the great Vase and small
Vase of Nectar as a regional medical system. his argument links the origin of
the Four tantras with the early transmission of Buddhism in tibet, therefore
more closely associating the field of medicine in general with his teachers’
nyingma and kagyü traditions. drakkarwa’s medical activities, along with those
of his teachers and students, also provide a notable example of innovation on the
margins of the tibetan world, outside (but not entirely disconnected from) the
powerful Gelukpa institutional network that benefitted considerably during this
time from its ties to the Mongols and to the Qing empire.
In fact, the pattern of tibetan knowledge circulation that emerges in
drakkarwa’s historical account is one of innovation repeatedly spreading
from the margins to centers, as larger institutions coaxed eremitic teachers to
teach monastic students, or acquired rare manuscripts and republished them as
xylographic prints. As an institution-builder himself, drakkar taso trulku carried
medical knowledge and practice forward with the specific goal to heal, influence,
and bind together the western tibetan regions injured in the sino-nepalese war.
the productive tension evident in his writing points toward the vitality of tibetan
medicine at this moment preceding the global “rise of science,” its flexibility
to negotiate new theories and practices, and the confidence of its practitioners
regarding their influence within regional networks of knowledge circulation.
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glossAry of tIBetAn terMs
thl phonetics
Wylie transliteration
Amdo
A mdo
Bön
Bon
chakpori
lcags po ri
chonggyé
’Phyong rgyas
chöwang gyeltsen
chos dbang rgyal mtshan
darmo Menrampa lobzang chödrak
dar mo sman rams pa Blo bzang chos grags
desi sanggyé gyatso
sde srid sangs rgyas rgya mtsho
deumar geshé tendzin Puntsok
de’u dmar dge bshes bstan ’dzin phun tshogs
dorbum chödrak
rdor ’bum chos grags
dorjé drak
rdo rje brag
drakkar taso trulku [or drakkarwa] chökyi
Wangchuk
Brag dkar rta so sprul sku [Brag dkar ba] chos kyi
dbang phyug
drangsong könchok chöpel
drang srong dkon mchog chos ’phel
drapa ngonshé
grwa pa mngon shes
drigung
’Bri khung [gung]
drotang
gro thang
drupwang [kunpang] namkha samten
grub dbang [kun spangs] nam mkha’ bsam gtan
ganden Puntsokling
dga’ ldan phun tshogs gling
ganden tripa
dga’ ldan khri pa
garwang dorjé nyingpo
gar dbang rdo rje snying po
gelukpa
dge lugs pa
gur
gur
Jamtrin
Byams sprin
Jamyang
’Jam dbyangs
Jangdak tashi topgyel
Byang bdag Bkra shis stobs rgyal
Jonang
Jo nang
kagyü [karma, Barawa, drukpa, dochen]
Bka’ brgyud [kar+ma, ’Ba’ ra ba, ’Brug pa, Mdo
chen]
karmapa düdül dorjé
kar+ma pa Bdud ’dul rdo rje
katok rindzin tsewang norbu
kah thog rig ’dzin tshe dbang nor bu
kedrup Jé
Mkhas grub rje
kham
khams
kharbang
Mkhar bang
kyirong
skyid grong
ladep
la ldebs
lhundingpa namgyel dorjé
lhun sdings pa rnam rgyal rdo rje
Madün rechen / Madünpa
Ma bdun ras chen / Ma bdun pa
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Mangyül
Mang yul
Mengom chöjé kunga [trinlé] Penden
sman sgom chos rje kun dga’ [‘phrin las] dpal ldan
Mentsikhang
sman rtsis khang
[Jetsün] Milarepa
[rje btsun] Mi la ras pa
Mindrölling
smin grol gling
Muné tsenpo
Mu ne btsan po
ngakwang lobzang gyatso [fifth dalai lama]
ngag dbang Blo bzang rgya mtsho
ngamring
ngam ring
ngari
Mnga’ ris
nyingma
rnying ma
Pakpa
’Phags pa
Pema Wanggyel
Pad+ma dbang rgyal
Polhané sönam topgyé
Pho lha nas Bsod nams stobs rgyas
rindzin tennyi lingpa
rig ’dzin Bstan gnyis gling pa
rindzin [karma] trinlé düjom
rig ’dzin [kar+ma] ’phrin las bdud ’joms
riwo Pembar
ri bo dpal ’bar
samyé
Bsam yas
situ Panchen chökyi Jungné
si tu pan chen chos kyi ’byung gnas
tanaduk
lta na sdug
terdak lingpa
gter bdag gling pa
tri songdeutsen
khri srong de’u btsan
tsechen
rtse chen
tsewang chimé gönpo
tshe dbang ’chi med mgon po
tsongkhapa
tsong kha pa
yargyappa
yar rgyab pa
yolmowa trulku tendzin norbu
yol mo ba sprul sku Bstan ’dzin nor bu
yutok yönten gönpo
g.yu thog yon tan mgon po
Zhamarpa
Zhwa dmar pa
Zhapkar tsokdruk rangdröl
Zhabs dkar tshogs drug rang grol
Zurkhar lodrö gyelpo
Zur mkhar Blo gros rgyal po
Zurkhar nyamnyi dorjé
Zur mkhar Mnyam nyid rdo rje
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