Bodhisattvas

    

 

Bodhisattvas are enlightened beings who have put off entering paradise in order to help others attain enlightenment. There are many different Bodhisattvas, but the most famous in China is Avalokitesvara, known in Chinese as Guanyin.

Bodhisattvas are usually depicted as less austere or inward than the Buddha. Renouncing their own salvation and immediate entrance into nirvana, they devote all their power and energy to saving suffering beings in this world. As deities of compassion, Bodhisattvas are typically represented with precious jewelry, elegant garments and graceful postures.

 

To the left is a clay statue from Maijishan from the Northern Wei period.

 

What about this figure strikes you as being markedly different from the Buddha images you've seen?

 

 

SOME THOUGHTS:  Besides the additional ornamentation, this Bodhisattva figure is depicted in a more active pose to reflect his more active role in helping others attain salvation.

Clay Bodhisattva from Maijishan, 5th c 

Height: 142 cm (4 ft 7 in)

SOURCE:  Zhongguo meishu quanji, Diaosu bian, v. 8 (Beijing: Renmin meishu chubanshe, 1988), p. 95.

Below are two Bodhisattva stone reliefs, one (left) from Yungang and the other (right) from Majishan (both Northern Wei period, 5th century).

What differences between the two figures do you observe? Does one or the other seem to better represent the idea of the Bodhisattva?

Stone relief of Bodhisattva 

from Yungang, 5th c.

Height: 127 cm (4 ft 2 in) 

SOURCE:  Zhongguo meishu quanji, Diaosu bian, v. 10 (Beijing: Wenwu chubanshe, 1988), p. 159.

Stone relief of Bodhisattva 

from Maijishan, 5th c. 

Height: 155 cm (5ft 1 in)  

SOURCE:  Zhongguo meishu quanji, Diaosu bian, v. 8 (Beijing: Renmin meishu chubanshe, 1988), p. 89. 

The Tang dynasty ushered in a period of growth and prosperity, during which  Buddhism flourished. Buddhist beliefs, temples, and art permeated almost all levels of Tang life. Surviving Buddhist sculpture reflects the wealth of the great Buddhist monasteries.

Many of these sculptures were decorated with rich, painted colors, which have faded with time. Try to imagine how these may have appeared when first made.

Below are two Tang Bodhisattvas, both from Dunhuang. One (left) was dated back to ca. 700, the other (right) to ca. 800. 

Do you remember the Tang Buddha sculpture from Dunhuang? 

 

Do these two Tang Bodhisattvas share characteristics with the Dunhuang Tang Buddha? 

 

Painted clay Bodhisattva from Dunhuang, ca. 700

Height: 143 cm (4 ft 7 in)    

SOURCE:  Zhongguo meishu quanji (diaosu) v. 7 (Shanghai: Shanghai renmin meishu chubanshe, 1987), p. 160. 

Painted clay Bodhisattva from 

Dunhuang, ca. 800

Height: 159 cm (5 ft 3 inch)

SOURCE:  Zhongguo meishu quanji, Diaosu bian, v. 7 (Shanghai: Shanghai renmin meishu chubanshe, 1987), p. 178. 

The Tang Buddha Sculpture from Dunhuang

Height: 167 cm (5 ft 5 in)

One of the Bodhisattva figures below is an early Tang example and the other is a Sui example. 

Can you tell which one is the Tang example?

What helps you identify it?  

Stone relief of Bodhisattva 

Height: 43 cm (1 ft 5 in)  

SOURCE:  Zhongguo meishu quanji (diaosu) v. 7 (Shanghai: Shanghairenmin meishu chubanshe, 1987), p. 160. 

Painted clay Bodhisattva

Height: 258 cm (8 ft 5 in)

SOURCE:  Zhongguo meishu quanji, Diaosu bian, v. 4 (Beijing: Renmin meishu chubanshe, 1988), p. 61. 
ANSWER:  The image on the right is an early Tang (682) Bodhisattva from Mount Wutai in Shanxi Province. The image on the left is a Sui (581-618) clay Bodhisattva from Majishan.

 

The image of Guanyin was traditionally depicted as a young Indian prince, but during the Tang the feminine characteristics of Guanyin became more prominent. To the left and below we have four Guanyin from the Sui and Tang periods. Try and see if you can follow this transformation from the images provided.

 

 

To the left is a Sui (581-618) Guanyin.

Guanyin statue, ca. 600   

Height: 249 cm (8 ft 2 in)

SOURCE:  Zhongguo meishu quanji, Diaosu bian, v. 4 (Beijing: Renmin meishu chubanshe, 1988), p. 12.

Below are two Tang images of Guanyin. One (left) is from Fengxian Monastery at Longmen, the other (right) from Dunhuang.

Do you see the roots of Guanyin's manifestation as the Chinese Goddess of Mercy in these images?

Stone Guanyin at Longmen                         

Height: 13.3 cm (43 ft 7 in)

SOURCE:  Zhongguo meishu quanji , Diaosu bian, v. 11 (Shanghai: Shanghai renmin meishu chubanshe, 1988), p. 160.

Wall painting of Guanyin, 8th c. Height: 190 cm (6 ft 3 in)

SOURCE:  Zhongguo meishu quanji, Huihua bian, v. 15 (Shanghai: Shanghai renmin meishu chubanshe, 1985), p. 117. 

After the Tang, the cult of Guanyin grew in popularity largely due to popular literature, folk stories, and artistic images. By the sixteenth century Guanyin had become a Chinese goddess figure. In some folk religions she had become independent from her Buddhist origins. 

Below are two later examples of Guanyin images. The one on the left is from the Song and the one on the right is from the Ming.

What makes these figures appear more feminine than the previous images of Guanyin?

 

 

Song stone Guanyin from Majishan 

(Cave 165)

SOURCE:  Buddhists in New China. Chinese Buddhist Association, ed. (Peking: Nationalities Publishing House, 1956), p. 55.

Ming painting of Guanyin    

SOURCE:  Zhongguo meishu quanji, Huihua bian, v. 8 (Beijing: Renmin meishu chubanshe, 1988), p. 81.

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