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CHINESE
ARCHITECTURE
Nathan Faller
HSTARC 3
DAR 1
CHINESE ARCHITECTURE
 Styles of Chinese ancient architecture are rich and varied, such as temples, imperial palaces, altars,
pavilions, official residencies and folk houses, which greatly reflect Chinese ancient thought - the
harmonious unity of human beings with nature.
 Since ancient times, Chinese culture has been heavily influenced by conservative philosophies like
Confucianism, Taoism etc. Over the centuries, the structural principles of Chinese architecture have
remained largely unchanged, the main changes being on the decorative details.
 Traditional Chinese buildings are always found in pairs or groups, whether they are residences, temples or
palaces. Traditional Chinese architecture, unlike that of other cultures, uses wood-frame construction as
one of its most distinctive features.
HISTORICAL BACKGROUND
CHINESE DYNASTY TIMELINE
THE CHARACTER AND
MEANING OF CLASSICAL
CHINESE ARCHITECTURE
THE AXIAL CITY PLAN AND
SITE PLAN
• One of the great religious beliefs that
influenced the design of the classical
Chinese city and Chinese architecture
is Confucianism. In order to create a
stable social order, Confucianism
established the strict doctrines putting
the society in order with rules and filial
piety.
THE MODULAR SYSTEM
• One of the basic principles of classical
Chinese buildings is the USE OF A
MODULE, much like the modular
concept of prefabrication in
contemporary architecture.
• Traditional Chinese carpenters used
“JIAN” – a structured bay as a
standard unit to construct all
buildings. “Jian” was a rectangular
space marked by adjacent structural
frames. “Jian”, as the basic interior
unit, can be expanded or repeated
along the architectural plan axis to
join together to create a hall, then a
building.
• Odd numbers of Jian are allowed.
Even numbers are considered unlucky.
THE EXPOSED STRUCTURE
• In ancient China, almost all of the
main structures of classical Chinese
architecture were made of wood.
Thus, the art of traditional Chinese
architecture may be seen as the
aesthetic of wood.
ARCHITECTURAL FEATURES
DOUGONG
 Bracket sets
MUGUIJA
 Timber Frames
ARCHITECTURAL FEATURES
TAIZI
 Podium
COURTYARD
ARCHITECTURAL FEATURES
WU’ DING
 Roof
1) Renzi Xuan Shan
2) Renzi Yin Shan
3) Juan Peng
4) Lu Ding
5) Fudian
6) Xie Shan
7) Conical Cuan Jian
8) Pyramidial Cuan Jian
9) Renzi with Parapet Wall
METHOD OF CONSTRUCTION
TAI-LIANG
 Pillars and Beam
CHUAN DUO
 Pillar and Transverse Tie Beam
FENG SHUI
Qi(气), the energy of the universe, is
carried in the wind and retained within
water. Both elements were used as a way of
directing Qi
Feng shui is not only a practice that is
related to physical space, but also to the
inhabitants of the space itself, as both are
interconnected.
The goal of feng shui guidelines is to locate
and orient dwellings, possessions, land and
landscaping, etc., so as to be attuned with
the flow of qi.
YIN AND YANG
• Fundamental to feng shui is the idea
that yin and yang are the two basic
principles underlying all matter and
energy in the universe. These forces are
opposites, but are not in opposition.
Rather, they are complementary and
need each other to exist and flourish.
The constantly changing interactions of
yin and yang give rise to the infinite
variety of patterns in life.
• Widely used in Taoism Architecture.
BAGUA
The bagua (or pa kua) of the I Ching (Book of Changes) is an octagonal diagram used in feng shui analysis. Each direction on the octagon (north,
northeast, etc.) is associated with certain significant aspects. When one maps the bagua onto a home, village, cemetery, etc., information about
correct orientation and placement can allegedly be gleaned.
RELIGIOUS BUILDINGS
BUDDHISM
• Buddhism was introduced to China from
India around the first century AD, since the
fourth century AD, it was widely spread
and gradually became the most influential
religion in China.
• Because of varied introduction time and
channel as well as regional, historic and
social backgrounds, Buddhism in China is
divided into three branches, namely
Chinese Buddhism, Tibetan Buddhism and
Pali Buddhism.
PAGODA
• Pagoda, symbol of Buddhism is often
erected in temples.
• Pagodas were made of stone, wood, colored
glaze or metal.
• Pagodas have an odd number of layers.
Seven-layer and Nine-layer pagodas are
commonly built.
• The shape of cross-section is rectangular,
eight-sided or even circular.
• Initially, the pagoda served as the central
axis alongside which rows of halls and
monks' rooms spread out.Later, pagodas
were built near the main palace hall.
• Chinese pagodas, in short, are a significant
part of the country's cultural heritage -with
their beautiful shapes, bas-relief carvings,
dougong brackets and upturned eaves.
GROTTOES
• Grotto, another type of Buddhist
architecture, is often chiseled into cliffs. In
the 3rd century, Chinese Buddhists began
to build grottoes and Xinjiang is the first
area where grottoes were hewn.
• Grottoes are decorated with painted
sculptures, carvings and frescos.
• Craftsmen revealed real life pictures and
their understanding of society in these art
works, which gave them great historical
and cultural value.
• The four famous grottoes in China are:
Mogao Caves, Longmen Grottoes,
Yungang Grottoes and Maiji Caves.
TEMPLE
• Buddhist temples tend to be decorated in
red or black, and there is a main hall for a
statue of a Bodhisattva, followed by a
smaller hall with statues of other Buddha's
and deities.
• Buddhist Temples are called Miao
STUPA
• Stupas appeared in China with the import of
Buddhism and, during a long history of
well over a thousand years, have become a
valued part of the national Buddhist art.
• Stupa, a word from ancient Sanskrit
meaning a square or round tomb or a 'soul
shrine’.
• The perfect proportions of the Buddha’s
body corresponds to the design of religious
monuments - STUPAS
• Its architecture developed from the pre-
Buddhist Indian grave-mound.
• Under these mounds the saintly ascetic
were buried; their bodies were seated on the
ground and covered with earth.
• These dome-shaped graves, or tumuli, of
the saints were regarded as holy places.
• And were destinations for pilgrimage for
the devotional and places of practice for
meditators.
LAMA TEMPLES
• Lama Temples are Buddhism temple
found in Tibet.
• It is where the seat of the Dalai Lama
is situated.
CONFUCIANISM
• Confucius (551-479 BC) established the
Confucian school of thought around 500
BC, during China's Spring and Autumn
Period (770-476BC).
• Confucianism became one of the pillars of
Chinese culture, and was named China's
official state ideology around 100 BC,
during the Han Dynasty (206BC-220AD)
by Emperor Han Wudi, who reigned from
140-87 BC.
CONFUCIAN IDEOLOGY
• Confucian ideology was the core of feudal
China's hierarchical social system.
• Traditional courtyard residences drew strict
distinctions between interior and exterior,
superior and inferior, and male and female;
internal affairs and external affairs, the
honorable (master) and humble (maid)
ranking.
• The compounds were enclosed and isolated
from the outside world, and serving as
material expressions of Confucian ideology.
• The chinese quadrangle buildings (known
as “Si He Yuan") was highly influenced by
Confucanism's rite.
TAOISM
• Taoism is a religion native to China.
Laozi, a famous thinker living in 6th
Century BC, established this philosophy
and came to be regarded as the father of
Taoism.
• It formed mainly during Eastern Han
Dynasty (25-220). Many Taoist ideas and
thoughts are greatly reflected in Taoist
architecture.
TEMPLE
• Taoist architecture applies two architectural
styles - traditional style and Ba-gua style.
• In the traditional style, traditional
architectural layout, which is symmetric,
was applied.
• The second is the Bagua style in which all
structures surround the Danlu (stove to
make pills of immortality) in the center
according to Bagua's position request.
• A Statue of Dragon and Lion guards the
gates of a Taoist temple;
• In the main hall, the four Heavenly
Emperors in Taoism replace the Buddha
trinity and four Heavenly Kings in
Buddhism
FUNERAL BUILDINGS
QIN LING TOMB
• The Mausoleum of the First Qin
Emperor. This mausoleum was
constructed over 38 years, from 246 to
208 BCE, and is situated underneath a
76-meter-tall tomb mound.
• A terracotta army guards the complex.
IMPERIAL PALACE
FORBIDDEN CITY
• Situated in the heart of Beijing, the
Forbidden City is the world's largest
palace complex. It has lavishly
decorated ceremonial halls and royal
palaces. All the gates, palace and
other structures of the Forbidden City
were arranged about the north-south
central axis of old Beijing
OTHER NOTABLE
STRUCTURES
GREAT WALL OF CHINA
The Great Wall of China is a series of
stone and earthen fortifications built by a
number of emperors to protect the
northern borders against nomadic tribes.
TEMPLE OF HEAVEN
Temple of Heaven is not a single building
but a complex located in the southern
end of central Beijing.
The temple was used by the emperor to
make offerings to the heaven and to prey
for a good harvest.
SUMMER PALACE
Situated 13 Km northwest of central
Beijing, the Summer Palace is one of the
largest, best preserved, and most
interesting royal gardens in the world.
CLASSIFICATION BY STRUCTURES
 Lou- Multistory Buildings
 Tai- Terraces
 Ting- Pavillions
 Ge- Multistory Pavillion
 Ta- Pagodas
 Xuan- Verandas with Windows
 Xie- Pavilions or Houses in Terraces
 Wu- Rooms along roofed corridors
 Gong- Palaces

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CHINESE ARCHITECTURE STYLES

  • 2. CHINESE ARCHITECTURE  Styles of Chinese ancient architecture are rich and varied, such as temples, imperial palaces, altars, pavilions, official residencies and folk houses, which greatly reflect Chinese ancient thought - the harmonious unity of human beings with nature.  Since ancient times, Chinese culture has been heavily influenced by conservative philosophies like Confucianism, Taoism etc. Over the centuries, the structural principles of Chinese architecture have remained largely unchanged, the main changes being on the decorative details.  Traditional Chinese buildings are always found in pairs or groups, whether they are residences, temples or palaces. Traditional Chinese architecture, unlike that of other cultures, uses wood-frame construction as one of its most distinctive features.
  • 5. THE CHARACTER AND MEANING OF CLASSICAL CHINESE ARCHITECTURE
  • 6. THE AXIAL CITY PLAN AND SITE PLAN • One of the great religious beliefs that influenced the design of the classical Chinese city and Chinese architecture is Confucianism. In order to create a stable social order, Confucianism established the strict doctrines putting the society in order with rules and filial piety.
  • 7. THE MODULAR SYSTEM • One of the basic principles of classical Chinese buildings is the USE OF A MODULE, much like the modular concept of prefabrication in contemporary architecture. • Traditional Chinese carpenters used “JIAN” – a structured bay as a standard unit to construct all buildings. “Jian” was a rectangular space marked by adjacent structural frames. “Jian”, as the basic interior unit, can be expanded or repeated along the architectural plan axis to join together to create a hall, then a building. • Odd numbers of Jian are allowed. Even numbers are considered unlucky.
  • 8. THE EXPOSED STRUCTURE • In ancient China, almost all of the main structures of classical Chinese architecture were made of wood. Thus, the art of traditional Chinese architecture may be seen as the aesthetic of wood.
  • 9. ARCHITECTURAL FEATURES DOUGONG  Bracket sets MUGUIJA  Timber Frames
  • 11. ARCHITECTURAL FEATURES WU’ DING  Roof 1) Renzi Xuan Shan 2) Renzi Yin Shan 3) Juan Peng 4) Lu Ding 5) Fudian 6) Xie Shan 7) Conical Cuan Jian 8) Pyramidial Cuan Jian 9) Renzi with Parapet Wall
  • 12. METHOD OF CONSTRUCTION TAI-LIANG  Pillars and Beam CHUAN DUO  Pillar and Transverse Tie Beam
  • 13. FENG SHUI Qi(气), the energy of the universe, is carried in the wind and retained within water. Both elements were used as a way of directing Qi Feng shui is not only a practice that is related to physical space, but also to the inhabitants of the space itself, as both are interconnected. The goal of feng shui guidelines is to locate and orient dwellings, possessions, land and landscaping, etc., so as to be attuned with the flow of qi.
  • 14. YIN AND YANG • Fundamental to feng shui is the idea that yin and yang are the two basic principles underlying all matter and energy in the universe. These forces are opposites, but are not in opposition. Rather, they are complementary and need each other to exist and flourish. The constantly changing interactions of yin and yang give rise to the infinite variety of patterns in life. • Widely used in Taoism Architecture.
  • 15. BAGUA The bagua (or pa kua) of the I Ching (Book of Changes) is an octagonal diagram used in feng shui analysis. Each direction on the octagon (north, northeast, etc.) is associated with certain significant aspects. When one maps the bagua onto a home, village, cemetery, etc., information about correct orientation and placement can allegedly be gleaned.
  • 17. BUDDHISM • Buddhism was introduced to China from India around the first century AD, since the fourth century AD, it was widely spread and gradually became the most influential religion in China. • Because of varied introduction time and channel as well as regional, historic and social backgrounds, Buddhism in China is divided into three branches, namely Chinese Buddhism, Tibetan Buddhism and Pali Buddhism.
  • 18. PAGODA • Pagoda, symbol of Buddhism is often erected in temples. • Pagodas were made of stone, wood, colored glaze or metal. • Pagodas have an odd number of layers. Seven-layer and Nine-layer pagodas are commonly built. • The shape of cross-section is rectangular, eight-sided or even circular. • Initially, the pagoda served as the central axis alongside which rows of halls and monks' rooms spread out.Later, pagodas were built near the main palace hall. • Chinese pagodas, in short, are a significant part of the country's cultural heritage -with their beautiful shapes, bas-relief carvings, dougong brackets and upturned eaves.
  • 19. GROTTOES • Grotto, another type of Buddhist architecture, is often chiseled into cliffs. In the 3rd century, Chinese Buddhists began to build grottoes and Xinjiang is the first area where grottoes were hewn. • Grottoes are decorated with painted sculptures, carvings and frescos. • Craftsmen revealed real life pictures and their understanding of society in these art works, which gave them great historical and cultural value. • The four famous grottoes in China are: Mogao Caves, Longmen Grottoes, Yungang Grottoes and Maiji Caves.
  • 20. TEMPLE • Buddhist temples tend to be decorated in red or black, and there is a main hall for a statue of a Bodhisattva, followed by a smaller hall with statues of other Buddha's and deities. • Buddhist Temples are called Miao
  • 21. STUPA • Stupas appeared in China with the import of Buddhism and, during a long history of well over a thousand years, have become a valued part of the national Buddhist art. • Stupa, a word from ancient Sanskrit meaning a square or round tomb or a 'soul shrine’. • The perfect proportions of the Buddha’s body corresponds to the design of religious monuments - STUPAS • Its architecture developed from the pre- Buddhist Indian grave-mound. • Under these mounds the saintly ascetic were buried; their bodies were seated on the ground and covered with earth. • These dome-shaped graves, or tumuli, of the saints were regarded as holy places. • And were destinations for pilgrimage for the devotional and places of practice for meditators.
  • 22. LAMA TEMPLES • Lama Temples are Buddhism temple found in Tibet. • It is where the seat of the Dalai Lama is situated.
  • 23. CONFUCIANISM • Confucius (551-479 BC) established the Confucian school of thought around 500 BC, during China's Spring and Autumn Period (770-476BC). • Confucianism became one of the pillars of Chinese culture, and was named China's official state ideology around 100 BC, during the Han Dynasty (206BC-220AD) by Emperor Han Wudi, who reigned from 140-87 BC.
  • 24. CONFUCIAN IDEOLOGY • Confucian ideology was the core of feudal China's hierarchical social system. • Traditional courtyard residences drew strict distinctions between interior and exterior, superior and inferior, and male and female; internal affairs and external affairs, the honorable (master) and humble (maid) ranking. • The compounds were enclosed and isolated from the outside world, and serving as material expressions of Confucian ideology. • The chinese quadrangle buildings (known as “Si He Yuan") was highly influenced by Confucanism's rite.
  • 25. TAOISM • Taoism is a religion native to China. Laozi, a famous thinker living in 6th Century BC, established this philosophy and came to be regarded as the father of Taoism. • It formed mainly during Eastern Han Dynasty (25-220). Many Taoist ideas and thoughts are greatly reflected in Taoist architecture.
  • 26. TEMPLE • Taoist architecture applies two architectural styles - traditional style and Ba-gua style. • In the traditional style, traditional architectural layout, which is symmetric, was applied. • The second is the Bagua style in which all structures surround the Danlu (stove to make pills of immortality) in the center according to Bagua's position request. • A Statue of Dragon and Lion guards the gates of a Taoist temple; • In the main hall, the four Heavenly Emperors in Taoism replace the Buddha trinity and four Heavenly Kings in Buddhism
  • 28. QIN LING TOMB • The Mausoleum of the First Qin Emperor. This mausoleum was constructed over 38 years, from 246 to 208 BCE, and is situated underneath a 76-meter-tall tomb mound. • A terracotta army guards the complex.
  • 30. FORBIDDEN CITY • Situated in the heart of Beijing, the Forbidden City is the world's largest palace complex. It has lavishly decorated ceremonial halls and royal palaces. All the gates, palace and other structures of the Forbidden City were arranged about the north-south central axis of old Beijing
  • 32. GREAT WALL OF CHINA The Great Wall of China is a series of stone and earthen fortifications built by a number of emperors to protect the northern borders against nomadic tribes.
  • 33. TEMPLE OF HEAVEN Temple of Heaven is not a single building but a complex located in the southern end of central Beijing. The temple was used by the emperor to make offerings to the heaven and to prey for a good harvest.
  • 34. SUMMER PALACE Situated 13 Km northwest of central Beijing, the Summer Palace is one of the largest, best preserved, and most interesting royal gardens in the world.
  • 35. CLASSIFICATION BY STRUCTURES  Lou- Multistory Buildings  Tai- Terraces  Ting- Pavillions  Ge- Multistory Pavillion  Ta- Pagodas  Xuan- Verandas with Windows  Xie- Pavilions or Houses in Terraces  Wu- Rooms along roofed corridors  Gong- Palaces