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Difference between revisions of "Kasina"

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In [[Buddhism]], '''[[Kasiṇa]]''' ([[Pali]]; [[Sanskrit]]: kṛtsna) refers to a class of basic visual objects of [[Meditation]]. There are ten [[Kasiṇa]] mentioned in the [[Pali]] [[Tipitaka]]:
 
  
#    earth (paṭhavī [[Kasiṇa]]),
 
#    water (āpo [[Kasiṇa]]),
 
#    air, wind (vāyo [[Kasiṇa]]),
 
#    [[Fire]] (tejo [[Kasiṇa]]),
 
#    blue, green (nīla [[Kasiṇa]]),
 
#    yellow (pīta [[Kasiṇa]]),
 
#    red (lohita [[Kasiṇa]]),
 
#    white (odāta [[Kasiṇa]]),
 
#    enclosed space, hole, aperture (ākāsa [[Kasiṇa]]),
 
#    bright [[Light]] (ā[[Loka]] [[Kasiṇa]]).
 
  
The [[Kasiṇa]] are typically described as a colored disk, with the particular color, properties, dimensions and medium often specified according to the type of [[Kasiṇa]]. The earth [[Kasiṇa]], for instance, is a disk in a red-brown color formed by spreading earth or clay (or another medium producing similar color and texture) on a screen of canvas or another backing material.
 
  
[[Kasiṇa]] [[Meditation]] is a [[Concentration]] [[Meditation]] (variously known in different traditions as [[Samatha]], [[Dhyana]], or [[Jhana]] meditations), intended to settle the [[Mind]] of the practitioner and create a foundation for further practices of [[Meditation]]. In the early stages of [[Kasiṇa]] [[Meditation]], a physical object is used as the object of [[Meditation]], being focused upon by the practitioner until an eidetic image of the object forms in the practitioners [[Mind]]. In more advanced levels of [[Kasiṇa]] [[Meditation]], only a [[Mental]] image of the [[Kasiṇa]] is used as an object of [[Meditation]]. Unlike the [[Breath]], Buddhist tradition indicates that some [[Kasiṇa]] are not appropriate objects for certain higher levels of [[Meditation]], nor for [[Meditation]] of the vipassana ([[Insight]]) type.
 
  
The ten [[Kasiṇa]] are part of the forty [[Kammatthana]]: objects of [[Meditation]]. They are described in detail by [[Buddhaghosa]] in the [[Meditation]] section of the [[Visuddhimagga]]. A survey of [[Meditation]] techniques in the UK found that those who do [[Kasiṇa]] practice [[Form]] about 3-15% of total meditators
 
  
Although practice with kasiṇas is associated with the [[Theravāda]] tradition, it appears to have been more widely known among various Buddhist schools in [[India]] at one time. [[Asanga]] makes reference to kasiṇas in the Samāhitabhūmi section of his Yogācārabhūmi.
+
 
 +
In [[Buddhism]], '''[[Kasiṇa]]''' ([[Pali]]; [[Sanskrit]]: [[kṛtsna]]) refers to a class of basic [[visual objects of Meditation]].
 +
 
 +
There are [[ten Kasiṇa]] mentioned in the [[Pali]] [[Tipitaka]]:
 +
 
 +
#    [[earth Kasina]] ([[paṭhavī Kasiṇa]]),
 +
#    [[water Kasina]] ([[āpo Kasiṇa]]),
 +
#    [[air Kasina]], [[wind]] ([[vāyo Kasiṇa]]),
 +
#    [[Fire Kasina]] ([[tejo Kasiṇa]]),
 +
#    [[blue, green Kasina]] ([[nīla Kasiṇa]]),
 +
#    [[yellow Kasina]] ([[pīta Kasiṇa]]),
 +
#    [[red Kasina]] ([[lohita Kasiṇa]]),
 +
#    [[white Kasina]] ([[odāta Kasiṇa]]),
 +
#    [[enclosed space Kasina]], hole, aperture ([[ākāsa Kasiṇa]]),
 +
#    [[bright Light Kasina]] ([[ā Loka Kasiṇa]]).
 +
 
 +
The [[Kasiṇa]] are typically described as a colored disk, with the particular {{Wiki|color}}, properties, {{Wiki|dimensions}} and {{Wiki|medium}} often specified according to the type of [[Kasiṇa]].
 +
 
 +
The [[earth Kasiṇa]], for instance, is a disk in a red-brown {{Wiki|color}} formed by spreading [[earth]] or clay (or another {{Wiki|medium}} producing similar {{Wiki|color}} and {{Wiki|texture}}) on a screen of canvas or another backing material.
 +
 
 +
[[Kasiṇa Meditation]] is a [[Concentration Meditation]] (variously known in different [[traditions]] as [[Samatha]], [[Dhyana]], or [[Jhana meditations]]), intended to settle the [[Mind]] of the [[practitioner]] and create a foundation for further [[practices of Meditation]].
 +
 
 +
In the early stages of [[Kasiṇa Meditation]], a [[physical object]] is used as the [[object of Meditation]], being focused upon by the [[practitioner]] until an [[eidetic image of the object forms in the practitioners Mind]].
 +
 
 +
In more advanced levels of [[Kasiṇa Meditation]], only a [[Mental image of the Kasiṇa]] is used as an [[object of Meditation]].
 +
 
 +
Unlike the [[Breath]], [[Buddhist tradition]] indicates that some [[Kasiṇa]] are not appropriate [[objects]] for certain higher levels of [[Meditation]], nor for [[Meditation of the vipassana]] ([[Insight]]) type.
 +
 
 +
 
 +
The [[ten Kasiṇa]] are part of the forty [[Kammatthana]]: [[objects of Meditation]].
 +
 
 +
 
 +
 
 +
They are described in detail by [[Buddhaghosa]] in the [[Meditation]] section of the [[Visuddhimagga]].
 +
 
 +
 
 +
A survey of [[Meditation]] techniques in the UK found that those who do [[Kasiṇa practice Form]] about 3-15% of total [[meditators]]
 +
 
 +
Although [[practice with kasiṇas]] is associated with the [[Theravāda tradition]], it appears to have been more widely known among various [[Buddhist]] schools in [[India]] at one time.  
 +
 
 +
[[Asanga]] makes reference to [[kasiṇas]] in the [[Samāhitabhūmi]] section of his [[Yogācārabhūmi]].
 +
 
 +
 
  
 
=From Palikanon.com=
 
=From Palikanon.com=
(perhaps related to [[Sanskrit]] krtsna, 'all, complete, whole'), is the name for a purely external device to produce and develop [[Concentration]] of [[Mind]] and attain the 4 absorptions ([[Jhāna]] q.v.).
 
  
It consists in concentrating one's full and undivided attention on one visible object as preparatory image (parikamma-nimitta), e.g. a colored spot or disc, or a piece of earth, or a pond at some distance, etc., until at last one perceives, even with the eyes closed, a [[Mental]] reflex, the acquired image (uggaha-nimitta). Now, while continuing to direct one's attention to this image, there may arise the spotless and immovable counter-image (patibhāga-nimitta), and together with it the neighbourhood-[[Concentration]] (upacāra-[[Samādhi]]) will have been reached. While still persevering in the [[Concentration]] on the object, one finally will reach a state of [[Mind]] where all sense-activity is suspended, where there is no more seeing and hearing, no more [[Perception]] of bodily impression and [[Feeling]], i.e. the state of the 1st [[Mental]] absorption ([[Jhāna]], q.v.).
 
  
The 10 kasinas mentioned in the Suttas are: earth-kasina, water, [[Fire]], wind, blue, yellow, red, white, space, and [[Consciousness]]. "There are 10 kasina-spheres: someone sees the earth kasina, above, below, on all sides, undivided, unbounded .... someone see the water-kasina, above, below, etc." (M. 77; D. 33) Cf. abhibhāyatan, bhāvanā; further s. Fund. IV.
+
(perhaps related to [[Sanskrit]] [[krtsna]], 'all, complete, whole'), is the [[name]] for a purely external device to produce and develop [[Concentration of Mind]] and attain the [[4 absorptions]] ([[Jhāna]] q.v.).
  
For space and [[Consciousness]]-kasina we find in Vis.M. V the names limited space-kasina (paricchinnākāsa-kasina; . . . s. App. ) and [[Light]]-kasina (ā[[Loka]]-kasina).
+
It consists in {{Wiki|concentrating}} one's full and undivided [[attention]] on one [[visible object as preparatory image]] ([[parikamma-nimitta]]), e.g. a colored spot or disc, or a piece of [[earth]], or a pond at some distance, etc.,
  
For full description see Vis.M. IV-V; also Atthasālini Tr. I, 248.
+
until at last one [[perceives]], even with the [[eyes]] closed, a [[Mental]] reflex, the [[acquired image]] ([[uggaha-nimitta]]).
 +
 
 +
Now, while continuing to direct one's [[attention]] to this image, there may arise the spotless and [[immovable]] [[counter-image]] ([[patibhāga-nimitta]]), and together with it the [[neighbourhood-Concentration]] ([[upacāra-Samādhi]]) will have been reached.
 +
 
 +
While still persevering in the [[Concentration on the object]], one finally will reach a [[state of Mind]] where all sense-activity is suspended,
 +
 
 +
where there is no more [[seeing]] and hearing, no more [[Perception of bodily impression and Feeling]], i.e. the [[state]] of the [[1st Mental absorption]] ([[Jhāna]], q.v.).
 +
 
 +
 
 +
 
 +
The [[10 kasinas]] mentioned in the [[Suttas]] are:
 +
 
 +
 
 +
 
 +
[[earth-kasina]],
 +
 
 +
[[water]],
 +
 
 +
[[Fire]],
 +
 
 +
[[wind]],
 +
 
 +
[[blue]],
 +
 
 +
[[yellow]],
 +
 
 +
[[red]],
 +
 
 +
[[white]],
 +
 
 +
[[space]], and
 +
 
 +
[[Consciousness]].
 +
 
 +
 
 +
"There are [[10 kasina-spheres]]: someone sees the [[earth kasina]], above, below, on all sides, undivided, unbounded .... someone see the [[water-kasina]], above, below, etc." (M. 77; D. 33) Cf. [[abhibhāyatan]], [[bhāvanā]]; further s. Fund. IV.
 +
 
 +
For [[space]] and [[Consciousness-kasina]] we find in Vis.M. V the names limited [[space-kasina]] ([[paricchinnākāsa-kasina]]; . . . s. App. ) and [[Light-kasina]] ([[ā Loka-kasina]]).
 +
 
 +
For full description see Vis.M. IV-V; also [[Atthasālini]] Tr. I, 248.
  
 
{{W}}
 
{{W}}
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{{PaliTerminology}}
 
{{PaliTerminology}}
 
[[Category:Buddhist Terms]]
 
[[Category:Buddhist Terms]]
[[Category:Meditation]]
+
 
 +
[[Category:Kasina]]

Latest revision as of 02:00, 7 March 2016

Gold-buddha-3.jpg




In Buddhism, Kasiṇa (Pali; Sanskrit: kṛtsna) refers to a class of basic visual objects of Meditation.

There are ten Kasiṇa mentioned in the Pali Tipitaka:

  1. earth Kasina (paṭhavī Kasiṇa),
  2. water Kasina (āpo Kasiṇa),
  3. air Kasina, wind (vāyo Kasiṇa),
  4. Fire Kasina (tejo Kasiṇa),
  5. blue, green Kasina (nīla Kasiṇa),
  6. yellow Kasina (pīta Kasiṇa),
  7. red Kasina (lohita Kasiṇa),
  8. white Kasina (odāta Kasiṇa),
  9. enclosed space Kasina, hole, aperture (ākāsa Kasiṇa),
  10. bright Light Kasina (ā Loka Kasiṇa).

The Kasiṇa are typically described as a colored disk, with the particular color, properties, dimensions and medium often specified according to the type of Kasiṇa.

The earth Kasiṇa, for instance, is a disk in a red-brown color formed by spreading earth or clay (or another medium producing similar color and texture) on a screen of canvas or another backing material.

Kasiṇa Meditation is a Concentration Meditation (variously known in different traditions as Samatha, Dhyana, or Jhana meditations), intended to settle the Mind of the practitioner and create a foundation for further practices of Meditation.

In the early stages of Kasiṇa Meditation, a physical object is used as the object of Meditation, being focused upon by the practitioner until an eidetic image of the object forms in the practitioners Mind.

In more advanced levels of Kasiṇa Meditation, only a Mental image of the Kasiṇa is used as an object of Meditation.

Unlike the Breath, Buddhist tradition indicates that some Kasiṇa are not appropriate objects for certain higher levels of Meditation, nor for Meditation of the vipassana (Insight) type.


The ten Kasiṇa are part of the forty Kammatthana: objects of Meditation.


They are described in detail by Buddhaghosa in the Meditation section of the Visuddhimagga.


A survey of Meditation techniques in the UK found that those who do Kasiṇa practice Form about 3-15% of total meditators

Although practice with kasiṇas is associated with the Theravāda tradition, it appears to have been more widely known among various Buddhist schools in India at one time.

Asanga makes reference to kasiṇas in the Samāhitabhūmi section of his Yogācārabhūmi.


From Palikanon.com

(perhaps related to Sanskrit krtsna, 'all, complete, whole'), is the name for a purely external device to produce and develop Concentration of Mind and attain the 4 absorptions (Jhāna q.v.).

It consists in concentrating one's full and undivided attention on one visible object as preparatory image (parikamma-nimitta), e.g. a colored spot or disc, or a piece of earth, or a pond at some distance, etc.,

until at last one perceives, even with the eyes closed, a Mental reflex, the acquired image (uggaha-nimitta).

Now, while continuing to direct one's attention to this image, there may arise the spotless and immovable counter-image (patibhāga-nimitta), and together with it the neighbourhood-Concentration (upacāra-Samādhi) will have been reached.

While still persevering in the Concentration on the object, one finally will reach a state of Mind where all sense-activity is suspended,

where there is no more seeing and hearing, no more Perception of bodily impression and Feeling, i.e. the state of the 1st Mental absorption (Jhāna, q.v.).


The 10 kasinas mentioned in the Suttas are:


earth-kasina,

water,

Fire,

wind,

blue,

yellow,

red,

white,

space, and

Consciousness.


"There are 10 kasina-spheres: someone sees the earth kasina, above, below, on all sides, undivided, unbounded .... someone see the water-kasina, above, below, etc." (M. 77; D. 33) Cf. abhibhāyatan, bhāvanā; further s. Fund. IV.

For space and Consciousness-kasina we find in Vis.M. V the names limited space-kasina (paricchinnākāsa-kasina; . . . s. App. ) and Light-kasina (ā Loka-kasina).

For full description see Vis.M. IV-V; also Atthasālini Tr. I, 248.

Source

Wikipedia:Kasina

palikanon.com