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Difference between revisions of "Sparśa"

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[[File:Fitn r-Mind.jpg|thumb|250px|]]
 
[[File:Fitn r-Mind.jpg|thumb|250px|]]
[[Sparśa]] ([[Sanskrit]]; [[Pali]]: [[Phassa]]) is a [[Buddhist]] term that is translated as "[[contact]]", "[[touching]]", "[[sense impression]]", etc. It is defined as the coming together of three factors: the [[sense organ]], the [[sense object]], and [[sense]] [[consciousness]] ([[Vijnana]]). For example, [[contact]] ([[Sparsha]]) is said to occur at the coming together of the [[eye]] {{Wiki|organ}}, a [[visual]] [[object]], and the [[visual]] [[sense]] [[consciousness]].
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[[Sparśa]] ([[Sanskrit]]; [[Pali]]: [[Phassa]]) is a [[Buddhist]] term that is translated as "[[contact]]", "[[touching]]", "[[sense impression]]", etc.  
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It is defined as the coming together of three factors:  
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 +
the [[sense organ]], the [[sense object]], and [[sense]] [[consciousness]] ([[Vijnana]]).  
 +
 
 +
For example, [[contact]] ([[Sparsha]]) is said to occur at the coming together of the [[eye]] {{Wiki|organ}}, a [[visual]] [[object]], and the [[visual]] [[sense]] [[consciousness]].
 +
 
 +
 
  
 
[[Sparśa]] is identified within the [[Buddhist teachings]] as:
 
[[Sparśa]] is identified within the [[Buddhist teachings]] as:
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* One of the [[Mental_factors#Seven_universal_mental_factors|''seven universal mental factors'']] in the [[Theravada]] [[Abhidharma]].
 
* One of the [[Mental_factors#Seven_universal_mental_factors|''seven universal mental factors'']] in the [[Theravada]] [[Abhidharma]].
 
* One of the [[Mental_factors#Five_universal_mental_factors|''five universal mental factors'']] in the [[Mahayana]] [[Abhidharma]]
 
* One of the [[Mental_factors#Five_universal_mental_factors|''five universal mental factors'']] in the [[Mahayana]] [[Abhidharma]]
 
* The sixth link in the [[Twelve Nidanas|twelve links of dependent origination]]
 
* The sixth link in the [[Twelve Nidanas|twelve links of dependent origination]]
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==Explanation==
 
==Explanation==
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===[[Theravada]]===
 
===[[Theravada]]===
The [[Atthasālinī]] (Expositor, Part IV, [[Chapter]] I, [[108]]) states:
 
  
: [[Contact]] means “it touches”. It has {{Wiki|touching}} as its salient [[characteristic]], impact as its [[function]], “coinciding” (of the [[physical]] base, [[object]] and [[consciousness]]) as its [[manifestation]], and the [[object]] which has entered the avenue (of [[awareness]]) as proximate [[cause]].
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The [[Atthasālinī]] ([[Expositor]], Part IV, [[Chapter]] I, [[108]]) states:
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: [[Contact]] means “it touches”.  
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It has {{Wiki|touching}} as its salient [[characteristic]], impact as its [[function]], “coinciding” (of the [[physical]] base, [[object]] and [[consciousness]]) as its [[manifestation]], and the [[object]] which has entered the avenue (of [[awareness]]) as proximate [[cause]].
  
 
[[Nina van Gorkom]] explains:
 
[[Nina van Gorkom]] explains:
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:    When there is [[seeing]], there is the coinciding of [[eye]] (the eyebase), [[visible]] [[object]] and [[seeing-consciousness]]; through this concurrence [[Phassa]], which is in this case [[eye-contact]], is [[manifested]].
 
:    When there is [[seeing]], there is the coinciding of [[eye]] (the eyebase), [[visible]] [[object]] and [[seeing-consciousness]]; through this concurrence [[Phassa]], which is in this case [[eye-contact]], is [[manifested]].
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[[Nina van Gorkom]] also explains:
 
[[Nina van Gorkom]] also explains:
  
:    [[Phassa]] is different from what we mean in [[Wikipedia:Convention (norm)|conventional]] [[language]] by [[physical]] [[contact]] or {{Wiki|touch}}. When we use the [[word]] [[contact]] in [[Wikipedia:Convention (norm)|conventional]] [[language]] we may think of the impingement of something external on one of the [[senses]], for example the impingement of {{Wiki|hardness}} on the [[body-sense]]. We may use words such as {{Wiki|touching}} or impingement in order to describe [[Phassa]], but we should not forget that [[Phassa]] is [[nāma]], a [[Cetasika]] which arises together with the [[Citta]] and assists the [[Citta]] so that it can [[experience]] the [[object]] which presents itself through the appropriate doorway. When {{Wiki|hardness}} presents itself through the [[body-sense]] there is [[Phassa]], [[contact]], [[arising]] together with the [[Citta]] which [[experiences]] the {{Wiki|hardness}}. [[Phassa]] is not the mere [[collision]] of {{Wiki|hardness}} with the [[body-sense]], it is not {{Wiki|touch}} in the [[physical]] [[sense]]. Impact is the [[function]] of [[Phassa]] in the [[sense]] that it assists the [[Citta]] so that it can {{Wiki|cognize}} the [[object]].
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:    [[Phassa]] is different from what we mean in [[Wikipedia:Convention (norm)|conventional]] [[language]] by [[physical]] [[contact]] or {{Wiki|touch}}.  
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When we use the [[word]] [[contact]] in [[Wikipedia:Convention (norm)|conventional]] [[language]] we may think of the impingement of something external on one of the [[senses]], for example the impingement of {{Wiki|hardness}} on the [[body-sense]].  
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We may use words such as {{Wiki|touching}} or impingement in order to describe [[Phassa]], but we should not forget that [[Phassa]] is [[nāma]],  
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 +
a [[Cetasika]] which arises together with the [[Citta]] and assists the [[Citta]] so that it can [[experience]] the [[object]] which presents itself through the appropriate doorway.  
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 +
When {{Wiki|hardness}} presents itself through the [[body-sense]] there is [[Phassa]], [[contact]], [[arising]] together with the [[Citta]] which [[experiences]] the {{Wiki|hardness}}.  
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[[Phassa]] is not the mere [[collision]] of {{Wiki|hardness}} with the [[body-sense]], it is not {{Wiki|touch}} in the [[physical]] [[sense]].  
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 +
Impact is the [[function]] of [[Phassa]] in the [[sense]] that it assists the [[Citta]] so that it can {{Wiki|cognize}} the [[object]].
 
[[File:For ning.jpg|thumb|250px|]]
 
[[File:For ning.jpg|thumb|250px|]]
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=== [[Mahayana]] ===
 
=== [[Mahayana]] ===
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The [[Abhidharma-samuccaya]] states:
 
The [[Abhidharma-samuccaya]] states:
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{{Wiki|Herbert Guenther}} explains:
 
{{Wiki|Herbert Guenther}} explains:
  
:    It is an [[awareness]] in which a [[pleasant]] [or [[unpleasant]] or [[neutral]]] [[feeling]] is felt when the [[object]], sensory capacity, and [[Wikipedia:cognition|cognitive]] process have come together and which is restricted to the appropriate [[object]]. [[Transformation]] in the controlling [[Power]] means that when the [[visual]] [[sense]] meets a [[pleasant]] [[object]] [for example] and the [[feeling]] becomes the [[cause]] of adhering to this [[pleasure]], rapport [[[sparsha]]] restricts the [[pleasant]] color-form and the [[feeling]] becomes the [[cause]] of [[pleasure]].
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:    It is an [[awareness]] in which a [[pleasant]] [or [[unpleasant]] or [[neutral]]) [[feeling]] is felt when the [[object]], sensory capacity, and  
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[[Wikipedia:cognition|cognitive]] process have come together and which is restricted to the appropriate [[object]].  
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[[Transformation]] in the controlling [[Power]] means that when the [[visual]] [[sense]] meets a [[pleasant]] [[object]] [for example] and the [[feeling]]  
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becomes the [[cause]] of adhering to this [[pleasure]], rapport ([[sparsha]]) restricts the [[pleasant]] color-form and the [[feeling]] becomes the [[cause]] of [[pleasure]].
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=== Six classes ===
 
=== Six classes ===
  
The [[Theravada]] and [[Mahayana]] [[traditions]] both identify six "classes" of [[contact]]:
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The [[Theravada]] and [[Mahayana traditions]] both identify [[six classes of contact]]:
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*    [[eye-contact]]
 
*    [[eye-contact]]
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*    [[mind-contact]]
 
*    [[mind-contact]]
 
[[File:Fre d-mind.jpg|thumb|250px|]]
 
[[File:Fre d-mind.jpg|thumb|250px|]]
For example, when the {{Wiki|ear}} [[sense]] and a [[sound]] [[object]] are {{Wiki|present}}, the associated [[auditory consciousness]] ([[Pali]]: [[Viññāṇa]]) arises. The [[arising]] of these three [[elements]] ([[dhātu]]) – ear-sense, [[sound]] and [[auditory consciousness]] – lead to "[[contact]]" ([[Phassa]]).
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For example, when the {{Wiki|ear}} [[sense]] and a [[sound]] [[object]] are {{Wiki|present}}, the associated [[auditory consciousness]] ([[Pali]]: [[Viññāṇa]]) arises.  
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The [[arising]] of these three [[elements]] ([[dhātu]]) – ear-sense, [[sound]] and [[auditory consciousness]] – lead to "[[contact]]" ([[Phassa]]).
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==Within the [[Twelve Nidanas]]==
 
==Within the [[Twelve Nidanas]]==
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[[Sparśa]] is the sixth of the [[Twelve Nidānas]]. It is [[conditioned]] by the presence of the six sense-openings ([[ṣaḍāyatana]]), and in turn is a [[condition]] for the [[arising]] of [[physical]] [[sensations]] ([[vedanā]]).
 
[[Sparśa]] is the sixth of the [[Twelve Nidānas]]. It is [[conditioned]] by the presence of the six sense-openings ([[ṣaḍāyatana]]), and in turn is a [[condition]] for the [[arising]] of [[physical]] [[sensations]] ([[vedanā]]).
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[[Jeffrey Hopkins]] explains:
 
[[Jeffrey Hopkins]] explains:
  
:    Roughly {{Wiki|speaking}}, [[[sparsha]] refers to] the coming together of an [[object]], a [[sense organ]], and a moment of [[consciousness]]. Hence [[contact]], in the [[twelve links]], refers to [[contact]] with a [[sense-object]] and the subsequent {{Wiki|discrimination}} of the [[object]] as attractive, unattractive, or [[neutral]]. [[Sense objects]] are always {{Wiki|present}}, and thus when a [[sense]] organ—the [[subtle matter]] that allows you to see, hear, and so forth—develops, an [[eye consciousness]], [[ear consciousness]], {{Wiki|nose}} [[consciousness]], {{Wiki|tongue}} [[consciousness]], or [[body]] [[consciousness]] will be produced.
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:    Roughly {{Wiki|speaking}}, ([[sparsha]] refers to] the coming together of an [[object]], a [[sense organ]], and a [[moment]] of [[consciousness]].  
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Hence [[contact]], in the [[twelve links]], refers to [[contact]] with a [[sense-object]] and the subsequent {{Wiki|discrimination}} of the [[object]] as attractive, unattractive, or [[neutral]].  
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[[Sense objects]] are always {{Wiki|present}}, and thus when a [[sense]] organ—the [[subtle matter]] that allows you to see, hear, and so forth—develops, an  
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 +
[[eye consciousness]], [[ear consciousness]], {{Wiki|nose}} [[consciousness]], {{Wiki|tongue}} [[consciousness]], or [[body]] [[consciousness]] will be produced.
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[[Alexander Berzin]] provides an explanation of the sixth link in the context of the [[development]] of the {{Wiki|fetus}}; he states:
 
[[Alexander Berzin]] provides an explanation of the sixth link in the context of the [[development]] of the {{Wiki|fetus}}; he states:
  
:    The sixth of the [[twelve links]] of [[Dependent arising]]. The subsidiary [[awareness]] ([[Mental factor]]) of contacting [[awareness]] [[[sparsha]]] during the period of [[time]] in the [[development]] of a {{Wiki|fetus}} when the distinguishing [[aggregate]] and such other affecting variables as contacting [[awareness]] are functioning, but the [[feeling]] [[aggregate]] is not yet functioning. During this period, one [[experiences]] contacting [[awareness]] of [[objects]] as [[pleasant]], [[unpleasant]], or [[neutral]], but does not [[feel]] [[happy]], [[unhappy]], or [[neutral]] in response to this.
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:    The sixth of the [[twelve links]] of [[Dependent arising]].  
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The subsidiary [[awareness]] ([[Mental factor]]) of contacting [[awareness]] ([[sparsha]]) during the period of [[time]] in the [[development]] of a  
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{{Wiki|fetus}} when the distinguishing [[aggregate]] and such other affecting variables as contacting [[awareness]] are functioning,  
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but the [[feeling]] [[aggregate]] is not yet functioning. During this period, one [[experiences]] contacting [[awareness]] of [[objects]] as [[pleasant]],  
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[[unpleasant]], or [[neutral]], but does not [[feel]] [[happy]], [[unhappy]], or [[neutral]] in response to this.
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== Within the [[five aggregates]] ==
 
== Within the [[five aggregates]] ==
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In terms of the [[five aggregates]], [[sparśa]] is the implicit basis by which [[Form]] ([[Rūpa]]) and [[Consciousness]] ([[Viññāna]]) lead to the [[Mental factors]] of [[Feeling]] ([[vedanā]]), [[Perception]] ([[Sañña]]) and [[Formations]] ([[Sankhāra]]).
 
In terms of the [[five aggregates]], [[sparśa]] is the implicit basis by which [[Form]] ([[Rūpa]]) and [[Consciousness]] ([[Viññāna]]) lead to the [[Mental factors]] of [[Feeling]] ([[vedanā]]), [[Perception]] ([[Sañña]]) and [[Formations]] ([[Sankhāra]]).
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== Alternate translations ==
 
== Alternate translations ==
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*    [[Contact]] ([[Erik Pema Kusang]], [[Jeffrey Hopkins]], [[Nina van Gorkom]])
 
*    [[Contact]] ([[Erik Pema Kusang]], [[Jeffrey Hopkins]], [[Nina van Gorkom]])
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*    {{Wiki|Touch}} ([[Jeffrey Hopkins]])
 
*    {{Wiki|Touch}} ([[Jeffrey Hopkins]])
 
*    {{Wiki|Touching}} ([[Jeffrey Hopkins]])
 
*    {{Wiki|Touching}} ([[Jeffrey Hopkins]])
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==See also==
 
==See also==
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*    [[Ayatana]] ([[sense bases]])
 
*    [[Ayatana]] ([[sense bases]])
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[[Category:Buddhist Terms]]
 
[[Category:Buddhist Terms]]
 
[[Category:Five senses‎]]
 
[[Category:Five senses‎]]
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{{SanskritTerminology}}

Latest revision as of 01:17, 5 April 2016

Fitn r-Mind.jpg


Sparśa (Sanskrit; Pali: Phassa) is a Buddhist term that is translated as "contact", "touching", "sense impression", etc.

It is defined as the coming together of three factors:

the sense organ, the sense object, and sense consciousness (Vijnana).

For example, contact (Sparsha) is said to occur at the coming together of the eye organ, a visual object, and the visual sense consciousness.


Sparśa is identified within the Buddhist teachings as:



Explanation

Theravada

The Atthasālinī (Expositor, Part IV, Chapter I, 108) states:

Contact means “it touches”.

It has touching as its salient characteristic, impact as its function, “coinciding” (of the physical base, object and consciousness) as its manifestation, and the object which has entered the avenue (of awareness) as proximate cause.

Nina van Gorkom explains:

Phassa is manifested by coinciding or concurrence, namely, by the coinciding of three factors: physical base (vatthu), object and consciousness.
When there is seeing, there is the coinciding of eye (the eyebase), visible object and seeing-consciousness; through this concurrence Phassa, which is in this case eye-contact, is manifested.


Nina van Gorkom also explains:


Phassa is different from what we mean in conventional language by physical contact or touch.

When we use the word contact in conventional language we may think of the impingement of something external on one of the senses, for example the impingement of hardness on the body-sense.

We may use words such as touching or impingement in order to describe Phassa, but we should not forget that Phassa is nāma,

a Cetasika which arises together with the Citta and assists the Citta so that it can experience the object which presents itself through the appropriate doorway.

When hardness presents itself through the body-sense there is Phassa, contact, arising together with the Citta which experiences the hardness.

Phassa is not the mere collision of hardness with the body-sense, it is not touch in the physical sense.

Impact is the function of Phassa in the sense that it assists the Citta so that it can cognize the object.

For ning.jpg


Mahayana

The Abhidharma-samuccaya states:

What is Sparsha (contact)? It is it determination, a transformation in the controlling Power, which is in accordance with the three factors coming together. Its function is to provide it basis for feeling.

Herbert Guenther explains:

It is an awareness in which a pleasant [or unpleasant or neutral) feeling is felt when the object, sensory capacity, and

cognitive process have come together and which is restricted to the appropriate object.

Transformation in the controlling Power means that when the visual sense meets a pleasant object [for example] and the feeling

becomes the cause of adhering to this pleasure, rapport (sparsha) restricts the pleasant color-form and the feeling becomes the cause of pleasure.


Six classes

The Theravada and Mahayana traditions both identify six classes of contact:


Fre d-mind.jpg

For example, when the ear sense and a sound object are present, the associated auditory consciousness (Pali: Viññāṇa) arises.

The arising of these three elements (dhātu) – ear-sense, sound and auditory consciousness – lead to "contact" (Phassa).


Within the Twelve Nidanas

Sparśa is the sixth of the Twelve Nidānas. It is conditioned by the presence of the six sense-openings (ṣaḍāyatana), and in turn is a condition for the arising of physical sensations (vedanā).


Jeffrey Hopkins explains:

Roughly speaking, (sparsha refers to] the coming together of an object, a sense organ, and a moment of consciousness.

Hence contact, in the twelve links, refers to contact with a sense-object and the subsequent discrimination of the object as attractive, unattractive, or neutral.

Sense objects are always present, and thus when a sense organ—the subtle matter that allows you to see, hear, and so forth—develops, an

eye consciousness, ear consciousness, nose consciousness, tongue consciousness, or body consciousness will be produced.


Alexander Berzin provides an explanation of the sixth link in the context of the development of the fetus; he states:


The sixth of the twelve links of Dependent arising.

The subsidiary awareness (Mental factor) of contacting awareness (sparsha) during the period of time in the development of a

fetus when the distinguishing aggregate and such other affecting variables as contacting awareness are functioning,

but the feeling aggregate is not yet functioning. During this period, one experiences contacting awareness of objects as pleasant,

unpleasant, or neutral, but does not feel happy, unhappy, or neutral in response to this.


Within the five aggregates

In terms of the five aggregates, sparśa is the implicit basis by which Form (Rūpa) and Consciousness (Viññāna) lead to the Mental factors of Feeling (vedanā), Perception (Sañña) and Formations (Sankhāra).

PancaKhandha.jpg


Alternate translations


See also

Source

Wikipedia:Sparśa