Difference between revisions of "Dunhuang"
m (1 revision: Adminos 7 october) |
|||
(One intermediate revision by the same user not shown) | |||
Line 1: | Line 1: | ||
[[File:Sb84.jpg|thumb|250px|]] | [[File:Sb84.jpg|thumb|250px|]] | ||
{{WIKISeealso|Dunhuang}} | {{WIKISeealso|Dunhuang}} | ||
+ | |||
+ | |||
+ | |||
+ | |||
{{Wiki|Dunhuang}}, an oasis situated at the crossroads of the two major [[Silk Routes]] into [[China]], is perhaps the most famous and largest of the [[Buddhist]] {{Wiki|cave}} [[temple]] complexes in the [[world]]. | {{Wiki|Dunhuang}}, an oasis situated at the crossroads of the two major [[Silk Routes]] into [[China]], is perhaps the most famous and largest of the [[Buddhist]] {{Wiki|cave}} [[temple]] complexes in the [[world]]. | ||
− | Originally [[Dunhuang's]] [[name]], which means "[[blazing beacon]]", referred to the {{Wiki|military}} outpost and series of beacon towers built there to watch over the critical trade junction. But each year, as {{Wiki|cave}} after {{Wiki|cave}} was carved, sculpted and painted, the oasis became a major [[pilgrimage]] site; a beacon to the faithful from all across the continent. | + | Originally [[Dunhuang's]] [[name]], which means "[[blazing beacon]]", referred to the {{Wiki|military}} outpost and series of beacon towers built there to watch over the critical trade junction. But each year, as {{Wiki|cave}} after {{Wiki|cave}} was carved, sculpted and painted, the oasis became a major [[pilgrimage]] site; a beacon to the [[faithful]] from all across the continent. |
+ | |||
− | Because of the dry desert climate, [[Dunhuang's]] [[cave temples]] possess some of the world's oldest surviving [[Buddhist]] paintings and documents including the world's oldest printed [[book]], the [[Diamond Sutra]]. | + | Because of the dry desert climate, [[Dunhuang's]] [[cave temples]] possess some of the world's oldest surviving [[Buddhist]] paintings and documents [[including]] the world's oldest printed [[book]], the [[Diamond Sutra]]. |
− | But it is not because of the [[caves]]' age that thousands of [[pilgrims]] and tourists still brave the difficult journey in brutal desert {{Wiki|heat}}. Just like the dusty [[pilgrims]] of a thousand years ago, they come to {{Wiki|witness}} the [[power]] of devotion and [[faith]] to create [[beauty]]. They come to [[experience]] the [[power]] of [[beauty]] to create devotion. | + | But it is not because of the [[caves]]' age that thousands of [[pilgrims]] and tourists still brave the difficult journey in brutal desert {{Wiki|heat}}. Just like the dusty [[pilgrims]] of a thousand years ago, they come to {{Wiki|witness}} the [[power]] of [[devotion]] and [[faith]] to create [[beauty]]. They come to [[experience]] the [[power]] of [[beauty]] to create [[devotion]]. |
The timeless and inspired artist-believers who carved and painted these [[world]] [[treasures]] lived and worked in a [[sacred space]] that blazed with [[faith]] and beckoned with [[beauty]]. | The timeless and inspired artist-believers who carved and painted these [[world]] [[treasures]] lived and worked in a [[sacred space]] that blazed with [[faith]] and beckoned with [[beauty]]. | ||
+ | |||
+ | |||
+ | |||
{{R}} | {{R}} | ||
− | [ | + | [[Category:Buddhist Terms]] |
+ | [[Category:Buddhism]] | ||
[[Category:Dunhuang]] | [[Category:Dunhuang]] |
Latest revision as of 15:11, 18 April 2023
- See Also in Wikipedia :
Dunhuang, an oasis situated at the crossroads of the two major Silk Routes into China, is perhaps the most famous and largest of the Buddhist cave temple complexes in the world.
Originally Dunhuang's name, which means "blazing beacon", referred to the military outpost and series of beacon towers built there to watch over the critical trade junction. But each year, as cave after cave was carved, sculpted and painted, the oasis became a major pilgrimage site; a beacon to the faithful from all across the continent.
Because of the dry desert climate, Dunhuang's cave temples possess some of the world's oldest surviving Buddhist paintings and documents including the world's oldest printed book, the Diamond Sutra.
But it is not because of the caves' age that thousands of pilgrims and tourists still brave the difficult journey in brutal desert heat. Just like the dusty pilgrims of a thousand years ago, they come to witness the power of devotion and faith to create beauty. They come to experience the power of beauty to create devotion.
The timeless and inspired artist-believers who carved and painted these world treasures lived and worked in a sacred space that blazed with faith and beckoned with beauty.