Difference between revisions of "Cham"
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[[File:ChamDance.jpg|thumb|250px|]] | [[File:ChamDance.jpg|thumb|250px|]] | ||
| − | The cham dance (Tibetan and Dzongkha: འཆམ་; Wylie: 'cham), also spelled tscham or chaam, is a lively masked and costumed dance associated with some sects of Buddhism, and is part of Buddhist festivals. The dance is accompanied by music played by monks using traditional Tibetan instruments. The dances often offer moral instruction relating to compassion for sentient beings and are held to bring merit to all who perceive them. | + | The [[cham]] dance ([[Tibetan]] and Dzongkha: འཆམ་; Wylie: '[[cham]]), also spelled tscham or chaam, is a lively masked and costumed dance associated with some sects of [[Buddhism]], and is part of [[Buddhist]] festivals. The dance is accompanied by {{Wiki|music}} played by [[monks]] using [[traditional]] [[Tibetan]] instruments. The dances often offer [[moral]] instruction relating to [[compassion]] for [[sentient beings]] and are held to bring [[merit]] to all who perceive them. |
| − | Cham dances are considered a form of meditation, and an offering to the gods. The leader of the cham is typically a musician, keeping time using some percussion instrument like cymbals, the one exception being Dramyin Cham - where time is kept using dramyin. | + | [[Cham]] dances are considered a [[form]] of [[meditation]], and an [[offering]] to the [[gods]]. The leader of the [[cham]] is typically a musician, keeping [[time]] using some percussion instrument like cymbals, the one exception [[being]] Dramyin [[Cham]] - where [[time]] is kept using dramyin. |
| − | Cham content | + | [[Cham]] content |
| − | Chams often depict incidents from the life of Padmasambhava, the 9th century Nyingmapa teacher and other saints. | + | Chams often depict incidents from the [[life]] of [[Padmasambhava]], the 9th century [[Nyingmapa]] [[teacher]] and other {{Wiki|saints}}. |
| − | The great debate of the Council of Lhasa between the two principal debators or dialecticians, Mo Ho Yen and Kamalaśīla is narrated and depicted in a specific cham dance once held annually at Kum-Bum Dshamba Ling, Tibet. | + | The great [[debate]] of the [[Council]] of [[Lhasa]] between the two principal debators or dialecticians, Mo Ho Yen and [[Kamalaśīla]] is narrated and depicted in a specific [[cham]] dance once held annually at Kum-Bum Dshamba Ling, [[Tibet]]. |
Localities | Localities | ||
| − | Bhutan | + | [[Bhutan]] |
| − | In Bhutan, the dances are performed during an annual religious festival known as Tsechu, which is held in each district. Only monks or male members of the Royal Academy of Performing Arts are allowed to perform a cham dance in Bhutan. | + | In [[Bhutan]], the dances are performed during an annual [[religious]] [[festival]] known as Tsechu, which is held in each district. Only [[monks]] or {{Wiki|male}} members of the {{Wiki|Royal}} Academy of Performing Arts are allowed to perform a [[cham]] dance in [[Bhutan]]. |
| − | China | + | [[China]] |
| − | Tibetans in China usually perform the cham dance to large audiences during the Monlam Prayer Festival. | + | [[Tibetans]] in [[China]] usually perform the [[cham]] dance to large audiences during the [[Monlam Prayer Festival]]. |
| − | India | + | [[India]] |
| − | Dances are performed in Sikkim, Dharamsala and Ladakh during cultural and religious festivals. | + | Dances are performed in [[Sikkim]], [[Dharamsala]] and [[Ladakh]] during cultural and [[religious]] festivals. |
{{R}} | {{R}} | ||
[http://en.wikipedia.org/wiki/Cham_dance en.wikipedia.org] | [http://en.wikipedia.org/wiki/Cham_dance en.wikipedia.org] | ||
[[Category:Buddhist Terms]] | [[Category:Buddhist Terms]] | ||
[[Category:Tibetan Buddhism]] | [[Category:Tibetan Buddhism]] | ||
Revision as of 22:15, 5 September 2013
The cham dance (Tibetan and Dzongkha: འཆམ་; Wylie: 'cham), also spelled tscham or chaam, is a lively masked and costumed dance associated with some sects of Buddhism, and is part of Buddhist festivals. The dance is accompanied by music played by monks using traditional Tibetan instruments. The dances often offer moral instruction relating to compassion for sentient beings and are held to bring merit to all who perceive them.
Cham dances are considered a form of meditation, and an offering to the gods. The leader of the cham is typically a musician, keeping time using some percussion instrument like cymbals, the one exception being Dramyin Cham - where time is kept using dramyin.
Cham content
Chams often depict incidents from the life of Padmasambhava, the 9th century Nyingmapa teacher and other saints.
The great debate of the Council of Lhasa between the two principal debators or dialecticians, Mo Ho Yen and Kamalaśīla is narrated and depicted in a specific cham dance once held annually at Kum-Bum Dshamba Ling, Tibet. Localities
In Bhutan, the dances are performed during an annual religious festival known as Tsechu, which is held in each district. Only monks or male members of the Royal Academy of Performing Arts are allowed to perform a cham dance in Bhutan.
Tibetans in China usually perform the cham dance to large audiences during the Monlam Prayer Festival. India
Dances are performed in Sikkim, Dharamsala and Ladakh during cultural and religious festivals.
