Difference between revisions of "A mandala is a geometric meditation map"
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| − | A [[mandala]] is a geometric meditation map made of nested squares and circles, typically organized around a central axis and symbolically oriented to the east, south, west, and north. | + | A [[mandala]] is a geometric [[meditation]] map made of nested squares and circles, typically organized around a central axis and [[symbolically]] oriented to the [[east]], [[south]], [[west]], and [[north]]. |
| − | Most painted [[mandalas]] are two-dimensional representations of three dimensional palaces or structures. [[Mandalas]] are designed to be entered in full three-dimensional detail in the mind’s eye during meditation. View a video of a three-dimensional representation of a mandala. | + | Most painted [[mandalas]] are two-dimensional {{Wiki|representations}} of three dimensional {{Wiki|palaces}} or structures. [[Mandalas]] are designed to be entered in full three-dimensional detail in the [[mind’s]] [[eye]] during [[meditation]]. View a video of a three-dimensional [[representation]] of a [[mandala]]. |
| − | The diagram above is an imaginative version of a standard mandala form. While it may initially appear complex, the structure of this [[mandala]] is actually quite simple once you see it. | + | The diagram above is an imaginative version of a standard [[mandala]] [[form]]. While it may initially appear complex, the {{Wiki|structure}} of this [[mandala]] is actually quite simple once you see it. |
| − | The outer circle of flames symbolically separates the visionary world of the [[mandala]] from the ordinary subject-object world. Just inside the flames is a circle of stylized lightning bolts ([[vajras]]). Next, a circle of [[lotus]] petals surrounds four arched structures. | + | The outer circle of flames [[symbolically]] separates the [[visionary]] [[world]] of the [[mandala]] from the ordinary subject-object [[world]]. Just inside the flames is a circle of stylized {{Wiki|lightning}} bolts ([[vajras]]). Next, a circle of [[lotus]] petals surrounds four arched structures. |
| − | The square walls of the [[mandala]] palace lie upon the foundation of the crossed [[vajras]]. At the east, south, west, and north are the directional [[Buddhas]] surrounding [[Vairochana]], the [[Buddh]]a of the central axis. | + | The square walls of the [[mandala]] palace lie upon the foundation of the crossed [[vajras]]. At the [[east]], [[south]], [[west]], and [[north]] are the directional [[Buddhas]] surrounding [[Vairochana]], the [[Buddh]]a of the central axis. |
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| − | + | “{{Wiki|Lightning}} [[Vehicle]]” is one translation of [[Vajrayana]], a [[form]] of [[Buddhism]], and mandala-related artworks belong especially to this way of [[enlightenment]] (or “[[vehicle]]”). “{{Wiki|Lightning}}” is one common [[translation of the word]] [[vajra]]. Also rendered as “[[diamond]],” [[vajra]] is translated as “{{Wiki|lightning}}” to {{Wiki|emphasize}} the power and swiftness of the {{Wiki|Lightning}} Vehicle’s [[art]] and [[philosophy]]. | |
| − | Although especially associated with Himalayan regions, mandala-related artworks appear throughout much of Asia. | + | Although especially associated with [[Himalayan]] regions, mandala-related artworks appear throughout much of {{Wiki|Asia}}. |
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| − | Five directional Buddhas are found throughout regions of Asia influenced by Lightning Vehicle thought. Where did they come from, and what do they do? Some early schools of Buddhism developed the theory that there were many Buddhas throughout the universe. Among these Buddhas were yellow Ratnasambhava of the south, blue Akshobhya of the east, white Vairochana of the center, red Amitabha of the west, and green Amoghasiddhi of the north; in the image above (second from left), you see the five directional Buddhas arranged left to right in a linear format. | + | Five directional [[Buddhas]] are found throughout regions of {{Wiki|Asia}} influenced by {{Wiki|Lightning}} [[Vehicle]] [[thought]]. Where did they come from, and what do they do? Some [[early schools of Buddhism]] developed the {{Wiki|theory}} that there were many [[Buddhas]] throughout the [[universe]]. Among these [[Buddhas]] were [[yellow]] [[Ratnasambhava]] of the [[south]], blue [[Akshobhya]] of the [[east]], white [[Vairochana]] of the center, [[red]] [[Amitabha]] of the [[west]], and [[green]] [[Amoghasiddhi]] of the [[north]]; in the image above (second from left), you see the five directional [[Buddhas]] arranged left to right in a linear format. |
| − | Given this profusion of Buddhas, philosophers adopted the graphic form of the mandala—a series of nested squares and circles—as a framework for organizing and guiding complex meditation. They then mapped an older Buddhist psychological system, focused on | + | Given this profusion of [[Buddhas]], [[philosophers]] adopted the graphic [[form]] of the mandala—a series of nested squares and circles—as a framework for organizing and guiding complex [[meditation]]. They then mapped an older [[Buddhist psychological]] system, focused on “[[poisons]]” ([[klesha]]), onto the [[mandala]]. In the resultant mandala-based system, every being is dominated by one of five “[[poisons]]”: [[aversion]] ([[east]]), [[attraction]] ([[west]]), [[pride]] ([[south]]), [[jealousy]] ([[north]]), and [[delusion]] (center). |
| − | The predominance of a poison in any person’s psychological makeup determines that being’s Buddha family; each family is headed by the directional Buddha best tuned to transmute the poison into a corresponding “wisdom”—respectively, the mirror-like wisdom, penetrating wisdom, equality wisdom, accomplishment wisdom, and vision-of-reality wisdom. | + | The predominance of a [[poison]] in any person’s [[psychological]] [[makeup]] determines that being’s [[Buddha family]]; each [[family]] is headed by the directional [[Buddha]] best tuned to transmute the [[poison]] into a [[corresponding]] “wisdom”—respectively, the [[mirror-like wisdom]], [[penetrating wisdom]], [[equality wisdom]], [[accomplishment]] [[wisdom]], and vision-of-reality [[wisdom]]. |
Revision as of 15:02, 8 February 2020
A mandala is a geometric meditation map made of nested squares and circles, typically organized around a central axis and symbolically oriented to the east, south, west, and north.
Most painted mandalas are two-dimensional representations of three dimensional palaces or structures. Mandalas are designed to be entered in full three-dimensional detail in the mind’s eye during meditation. View a video of a three-dimensional representation of a mandala.
The diagram above is an imaginative version of a standard mandala form. While it may initially appear complex, the structure of this mandala is actually quite simple once you see it.
The outer circle of flames symbolically separates the visionary world of the mandala from the ordinary subject-object world. Just inside the flames is a circle of stylized lightning bolts (vajras). Next, a circle of lotus petals surrounds four arched structures.
The square walls of the mandala palace lie upon the foundation of the crossed vajras. At the east, south, west, and north are the directional Buddhas surrounding Vairochana, the Buddha of the central axis.
The “Lightning Vehicle” of Buddhism and Mandala-Related Art
“Lightning Vehicle” is one translation of Vajrayana, a form of Buddhism, and mandala-related artworks belong especially to this way of enlightenment (or “vehicle”). “Lightning” is one common translation of the word vajra. Also rendered as “diamond,” vajra is translated as “lightning” to emphasize the power and swiftness of the Lightning Vehicle’s art and philosophy.
Although especially associated with Himalayan regions, mandala-related artworks appear throughout much of Asia.
Who Are the Five Directional Buddhas?
Five directional Buddhas are found throughout regions of Asia influenced by Lightning Vehicle thought. Where did they come from, and what do they do? Some early schools of Buddhism developed the theory that there were many Buddhas throughout the universe. Among these Buddhas were yellow Ratnasambhava of the south, blue Akshobhya of the east, white Vairochana of the center, red Amitabha of the west, and green Amoghasiddhi of the north; in the image above (second from left), you see the five directional Buddhas arranged left to right in a linear format.
Given this profusion of Buddhas, philosophers adopted the graphic form of the mandala—a series of nested squares and circles—as a framework for organizing and guiding complex meditation. They then mapped an older Buddhist psychological system, focused on “poisons” (klesha), onto the mandala. In the resultant mandala-based system, every being is dominated by one of five “poisons”: aversion (east), attraction (west), pride (south), jealousy (north), and delusion (center).
The predominance of a poison in any person’s psychological makeup determines that being’s Buddha family; each family is headed by the directional Buddha best tuned to transmute the poison into a corresponding “wisdom”—respectively, the mirror-like wisdom, penetrating wisdom, equality wisdom, accomplishment wisdom, and vision-of-reality wisdom.
