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Difference between revisions of "Chorten"

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{{Seealso|Stupa}}
 
[[File:Paldemo stupa.jpg|thumb|250px|]]
 
[[File:Paldemo stupa.jpg|thumb|250px|]]
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The perfect proportions of The [[Buddha]]’s [[Body]] corresponds to the design of [[religious]] monuments. Its architecture developed from the pre-[[Buddhist]] [[Indian]] grave-mound. Under these mounds the saintly [[ascetic]] were buried; their [[bodies]] were seated on the ground and covered with [[earth]]. These dome-shaped graves, or {{Wiki|tumuli}}, of the {{Wiki|saints}} were regarded as holy places. And were destinations for [[pilgrimage]] for the devotional and places of practice for [[meditators]]. [[Ruwanweliseya]], or the "[[Great Stupa]]", above, is regarded as the most important of the [[stupas]] at [[Anuradhapura]], [[Sri Lanka]]. Standing at 300 feet, it is the oldest but smallest of the three giant edifices in brick in the [[world]]. The [[Stupa]], decorated by coral brought from the Mediterranean by an envoy of the [[Sri Lankan]] [[king]] who had an audience with the {{Wiki|Roman}} Emporer {{Wiki|Caesar Augustus}}, was restored by successive rulers. The [[Stupa]] built by [[King]] Duttugamunu, is surrounded by an [[elephant]] wall, a restored design of an earlier expression. This design has been repeated in [[Thailand]], [[Burma]], and other countries where [[Buddhism]] was taught by [[monks]] from [[Sri Lanka]].The basic structure of a [[Chorten]] consist of a square foundation symbolizing the [[earth]], a dome symbolizing [[water]], and thirteen tapering steps of [[Enlightenment]] symbolizing the [[element]] of [[Fire]]. These steps lead to a stylized [[parasol]], the [[symbol]] of wind, which is topped in the ethereal [[sphere]] by the well-known ‘twin-symbol’ uniting {{Wiki|sun}} and {{Wiki|moon}}, which is the shimmering crown of the [[Chorten]].
 
The perfect proportions of The [[Buddha]]’s [[Body]] corresponds to the design of [[religious]] monuments. Its architecture developed from the pre-[[Buddhist]] [[Indian]] grave-mound. Under these mounds the saintly [[ascetic]] were buried; their [[bodies]] were seated on the ground and covered with [[earth]]. These dome-shaped graves, or {{Wiki|tumuli}}, of the {{Wiki|saints}} were regarded as holy places. And were destinations for [[pilgrimage]] for the devotional and places of practice for [[meditators]]. [[Ruwanweliseya]], or the "[[Great Stupa]]", above, is regarded as the most important of the [[stupas]] at [[Anuradhapura]], [[Sri Lanka]]. Standing at 300 feet, it is the oldest but smallest of the three giant edifices in brick in the [[world]]. The [[Stupa]], decorated by coral brought from the Mediterranean by an envoy of the [[Sri Lankan]] [[king]] who had an audience with the {{Wiki|Roman}} Emporer {{Wiki|Caesar Augustus}}, was restored by successive rulers. The [[Stupa]] built by [[King]] Duttugamunu, is surrounded by an [[elephant]] wall, a restored design of an earlier expression. This design has been repeated in [[Thailand]], [[Burma]], and other countries where [[Buddhism]] was taught by [[monks]] from [[Sri Lanka]].The basic structure of a [[Chorten]] consist of a square foundation symbolizing the [[earth]], a dome symbolizing [[water]], and thirteen tapering steps of [[Enlightenment]] symbolizing the [[element]] of [[Fire]]. These steps lead to a stylized [[parasol]], the [[symbol]] of wind, which is topped in the ethereal [[sphere]] by the well-known ‘twin-symbol’ uniting {{Wiki|sun}} and {{Wiki|moon}}, which is the shimmering crown of the [[Chorten]].
The Analogy with the [[Symbolism]] of the [[Stupa]]
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===The Analogy with the [[Symbolism]] of the [[Stupa]]===
  
 
The Seed of Highest [[Enlightenment]], also depicted as a {{Wiki|Tongue}} of Flame ([[Bindu]]) to be [[realized]] above the double [[symbol]] crowning [[Chorten]].
 
The Seed of Highest [[Enlightenment]], also depicted as a {{Wiki|Tongue}} of Flame ([[Bindu]]) to be [[realized]] above the double [[symbol]] crowning [[Chorten]].
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The thirteen Steps of [[Enlightenment]], i.e. the first ten Steps of [[Enlightenment]] ([[Dasha-Bhumi]]) and the three higher levels of supraconsciousness ([[Avenika-smrityupashthana]]).
 
The thirteen Steps of [[Enlightenment]], i.e. the first ten Steps of [[Enlightenment]] ([[Dasha-Bhumi]]) and the three higher levels of supraconsciousness ([[Avenika-smrityupashthana]]).
  
The dome, corresponding to the primeval mound, as Receptacle of [[Relics]] or [[offerings]] ([[Dhatu-Garbha]]); the dome-line edifices of Old [[Indian]] [[Stupas]] were also called egg or [[water-bubble]] ([[Budbuda]]).
+
The dome, corresponding to the primeval mound, as Receptacle of [[Relics]] or [[offerings]] ([[Dhatu-Garbha]]); the dome-line edifices of Old [[Indian]] [[Stupas]] were also called egg or water-bubble ([[Budbuda]]).
  
 
The base ([[Parishada]]) is square and four-stepped, its sides facing the four [[directions]]. Analogous to the underworld.
 
The base ([[Parishada]]) is square and four-stepped, its sides facing the four [[directions]]. Analogous to the underworld.
  
What is the basic [[information]] of the [[Buddhist Architecture]]?
+
{{R}}
The [[Buddhist Architecture]] has its [[root]] deeply implanted in the [[Indian]] soil- the birthplace of The [[Buddha]]'s teachings. The [[Buddhist Architecture]] began with the development of various [[symbols]], representing aspects of The [[Buddha]]'s [[Life]]. For the first [[time]], it was the [[Indian]] emperor [[Ashoka]], who not only established [[Buddhism]] as the state [[religion]] of his large [[Magadha]] {{Wiki|empire}}, but also opted for the architectural monuments to spread [[Buddhism]] in different places. Distinctive [[Buddhist]] architectural structures and sculptures such as [[Stupas]], [[Pagodas]], [[monasteries]] and [[Caves]], which have been mere spectators of different eras quietly speaks about the phases of the [[Buddhist]] stages.
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[http://www.buddhanet.net/stupa.htm buddhanet.net]
 
 
What are different types of architectures of the [[Buddhist Architecture]]?
 
[[File:Stupas, Erdene Zuu.JPG|thumb|250px|]]
 
[[Caves]] ([[Grottoes]])
 
[[Caves]] are another type of [[Buddhist Architecture]], which is often chiseled into cliffs. In the 3rd century, {{Wiki|Chinese}} [[Buddhists]] began to build grottoes and [[Xinjiang]] is the first area where [[Caves]] were used. [[Grottoes]] are decorated with painted sculptures, carvings and frescos. Craftsmen revealed real [[Life]] pictures and their understanding of {{Wiki|society}} in these [[Art]] works, which gave them great historical and cultural value. The four famous [[grottoes]] in [[China]] are: [[Mogao]] [[Caves]], [[Longmen Grottoes]], [[Yungang Grottoes]] and [[Maiji]] [[Caves]].
 
 
 
[[Stupas]]
 
 
 
The [[Stupas]] holds the most important place among all the earliest [[Buddhist]] sculptures. A [[Stupa]] is a dome-shaped monument, used to house [[Buddhists]]' [[relics]] or to commemorate significant facts of [[Buddhism]].
 
Pagodas
 
 
 
[[Pagodas]] are the principle [[form]] of [[Buddhist Architecture]], which are used as [[religious]] multistory [[Buddhist]] towers, erected as a memorial or [[shrine]]. They are [[symbols]] of [[five elements]] of the [[universe]] - [[earth]], [[water]], [[Fire]], [[air]] and {{Wiki|ether}}, and along with them, the most important factor - [[Consciousness]], which is the [[ultimate]] reality.
 
 
  
 
[[Temples]] and [[Monasteries]]
 
The [[Buddhist]] [[temple]] is the holy place where [[Buddhist]] [[Doctrine]] is maintained. Differing from other [[religions]]' [[temples]], {{Wiki|Chinese}} [[Buddhist]] [[temples]] have many characteristics of their own. The oldest [[temple]] in [[China]] - [[White Horse Temple]] is a typical example of this. The architectural styles of [[Buddhist]] [[temples]] in [[China]] were mainly formed in three periods: {{Wiki|Han Dynasty}} (206BC-220), Northern and Southern Dynasties (386-589), and {{Wiki|Tang Dynasty}} (618-907). The first period sees the retention of [[Indian]] styles. In the second period, wooden framework was added to the original styles. In the third period, the styles of [[Buddhist]] [[temples]] were totally Sinicized and the pavilion-like [[Pagoda]], which is unique to [[China]], became popular.
 
[[Buddhist Architecture]]
 
[[File:StupaSumeru.jpg|thumb|250px|]]
 
 
[[Tibetan Buddhist architecture]], in the cultural regions of the {{Wiki|Tibetan people}}, has been highly influenced by [[China]] and [[India]]. Many of the houses and [[monasteries]] are typically built on elevated, sunny sites facing the {{Wiki|south}}. Rocks, wood, cement and [[earth]] are the [[primary]] building materials. Flat roofs are built to conserve heat and multiple windows are [[constructed]] to let in the sunlight. Due to frequent earthquakes, walls are usually sloped inward at 10 degrees. The [[Potala Palace]] is considered the most important example of [[Tibetan]] architecture. [[Temples]] and [[monasteries]] were all built by [[Tibetan Buddhist]] followers. All decorations--plated [[statues]], elaborate frescoes, and expensive silk hangings--were all bought and paid for by donations.
 
 
[[Buddhist Architecture]] is a representative of the [[religious]] {{Wiki|culture}} in [[China]], also a wealthy of {{Wiki|Chinese}} ancient {{Wiki|culture}}. To protect those ancient brilliant wealthy is an urgent task for a large amount of damages happened on the [[Buddhist Architecture]] during going for a tourism. Therefore, it is important to call up tourists to protect [[Buddhist]] architectures.
 
Ancient [[Indian]] {{Wiki|Cave}} Architecture
 
[[Ajanta]]
 
 
The [[Ajanta]] [[Caves]] {{Wiki|Maharashtra}} [[India]], are 29 rock-cut {{Wiki|cave}} monuments which date from the 2nd century B.C. The [[Caves]] include paintings and sculptures considered to be masterpieces of both [[Buddhist]] [[religious]] [[Art]] (which depict the [[Jataka tales]]) as well as frescos which are reminiscent of the Sigiriya paintings in [[Sri Lanka]]. The [[Caves]] were built in two phases starting around 200 B.C, with the second group of [[Caves]] built around 600 A.D.
 
[[Wikipedia:Ellora Caves|Ellora]]
 
 
[[Wikipedia:Ellora Caves|Ellora]] is an archaeological site, 30 km from the city of [[Aurangabad]] in the [[Indian]] state of {{Wiki|Maharashtra}}, built by the Rashtrakuta rulers. [[Wikipedia:Ellora Caves|Ellora]] represents the {{Wiki|epitome}} of [[Indian]] rock-cut architecture. The 34 "[[Caves]]" actually structures excavated out of the vertical face of the Charanandri hills: [[being]] [[Buddhist]], [[Hindu]] and [[Jain]] rock-cut [[temples]] and [[monasteries]], were built between the 5th century and 10th century. The 12 [[Buddhist]] [[Caves]], 17 [[Hindu]] [[Caves]], and 5 [[Jain]] [[Caves]], built in proximity, demonstrate the [[religious]] [[Harmony]] prevalent during this period of [[Indian]] {{Wiki|history}}. These structures consist mostly of [[viharas]] or [[monasteries]]: large, multi-storeyed buildings carved into the mountain face, including living quarters, [[sleeping]] quarters, kitchens, and other rooms. Some of these [[monastery]] [[Caves]] have [[shrines]] including carvings of [[Buddha]], [[bodhisattvas]] and {{Wiki|saints}}. In many of these [[Caves]], sculptors have endeavoured to give the stone the look of wood.
 
[[Wikipedia:Elephanta Caves|Elephanta]]
 
 
The [[Wikipedia:Elephanta Caves|Elephanta]] [[Caves]] are a network of sculpted [[Caves]] located on Elephanta Island, or Gharapuri (literally "the city of [[Caves]]") in Mumbai Harbour. The island, located on an arm of the Arabian Sea, consists of two groups of [[Caves]]: the first is a large group of five [[Hindu]] [[Caves]], the second, a smaller group of two [[Buddhist]] [[Caves]]. The [[Hindu]] [[Caves]] contain rock cut stone sculptures, representing the Shaiva [[Hindu]] sect, dedicated to the [[God]] [[Shiva]]. The rock cut architecture of the [[Caves]] has been dated to between the 5th and 8th centuries, although the identity of the original builders is still a [[subject]] of [[debate]]. The [[Caves]] are hewn from solid basalt rock. All the [[Caves]] were also originally painted in the past, but now only traces remain.
 
 
[[Category:Buddhist Terms]]
 
 
[[Category:Stupas]]
 
[[Category:Stupas]]
{{R}}
 
[http://realhistoryww.com/world_history/ancient/Misc/India/Ancient_Indian_Cave_Architecture.htm realhistoryww.com]
 

Revision as of 12:05, 25 October 2013

See also  :


Paldemo stupa.jpg

The perfect proportions of The Buddha’s Body corresponds to the design of religious monuments. Its architecture developed from the pre-Buddhist Indian grave-mound. Under these mounds the saintly ascetic were buried; their bodies were seated on the ground and covered with earth. These dome-shaped graves, or tumuli, of the saints were regarded as holy places. And were destinations for pilgrimage for the devotional and places of practice for meditators. Ruwanweliseya, or the "Great Stupa", above, is regarded as the most important of the stupas at Anuradhapura, Sri Lanka. Standing at 300 feet, it is the oldest but smallest of the three giant edifices in brick in the world. The Stupa, decorated by coral brought from the Mediterranean by an envoy of the Sri Lankan king who had an audience with the Roman Emporer Caesar Augustus, was restored by successive rulers. The Stupa built by King Duttugamunu, is surrounded by an elephant wall, a restored design of an earlier expression. This design has been repeated in Thailand, Burma, and other countries where Buddhism was taught by monks from Sri Lanka.The basic structure of a Chorten consist of a square foundation symbolizing the earth, a dome symbolizing water, and thirteen tapering steps of Enlightenment symbolizing the element of Fire. These steps lead to a stylized parasol, the symbol of wind, which is topped in the ethereal sphere by the well-known ‘twin-symbol’ uniting sun and moon, which is the shimmering crown of the Chorten.

The Analogy with the Symbolism of the Stupa

The Seed of Highest Enlightenment, also depicted as a Tongue of Flame (Bindu) to be realized above the double symbol crowning Chorten.

The double symbol (Surya Chandra) of Sun and Rising Moon is an emblem of the Twin-unity of the Absolute Truth (of the sphere beyond normal comprehension) and the Relative Truth (of the worldly sphere).

The stylized Parasol (Chattra) symbolically giving protection from all Evil. The thirteen Steps of Enlightenment, i.e. the first ten Steps of Enlightenment (Dasha-Bhumi) and the three higher levels of supraconsciousness (Avenika-smrityupashthana).

The dome, corresponding to the primeval mound, as Receptacle of Relics or offerings (Dhatu-Garbha); the dome-line edifices of Old Indian Stupas were also called egg or water-bubble (Budbuda).

The base (Parishada) is square and four-stepped, its sides facing the four directions. Analogous to the underworld.

Source

buddhanet.net