Category:Art
Revision as of 08:19, 6 April 2013 by VTao (talk | contribs) (Created page with "Category:Buddhist Art and Culture")
Subcategories
This category has the following 2 subcategories, out of 2 total.
Pages in category "Art"
The following 189 pages are in this category, out of 189 total.
1
A
- A brief account of the founder of the Karma Gardri tradition and of the recent masters
- A Historical and Cultural Study of Buddhist Art in Early South-East Asia
- A History of Tibetan Painting: The Great Tibetan Painters and Their Traditions
- A Sakya Painting: Panjarnata Mahakala
- Amitabha Thangka Karma Gadri style
- Ananda K. Coomaraswamy - Elements of Buddhist Iconography
- Ancient Chinese Buddhist Sculpture
- Animal Relationships Guide/Glossary
- Architectural Panels from a Buddhist Temple
- Art from the Roof of the World
- Art, Archaeology, and saving images from Auctions.
- Artists Have a Small Problem
- Asian Deities: a Primer to Religious Figures in Sculpture with a Focus on Gilt Bronze
B
- Bentor, 1996. Consecration of Images and Stūpas in Indo-Tibetan Tantric Buddhism, 415p.
- Bhīmasena as Bhairava in Nepal
- Buddha statues in East and West
- Buddhism and Buddhist Art
- BUDDHIST ART IN EAST ASIA: THREE INTRODUCTORY LESSONS TOWARDS VISUAL LITERACY
- Buddhist Art in India
- Buddhist art in Myanmar - British Museum
- BUDDHIST ART IN NEF AL
- Buddhist Art in Nepal
- Buddhist Art of India Dr Radha Banerjee Sarkar
- Buddhist Art Styles and Cultural Exchange Along the Silk Road
- Buddhist Arts in Thailand
- Buddhist Elements in Early Chinese Art - Humanities Division
- Buddhist Iconography and Religious Symbolism in different Buddhist Statues
- Buddhist images and art
- Buddhist Paintings Coloring Book
- Buddhist Sculpture in Clay
- BURYAT BUDDHIST ICONOGRAPHY THE END OF XVIII - THE FIRST QUARTER OF XX CENTURY.
- Buryat Buddhist sculpture in the works of Maxim Tsoktoevich Gomboev
C
D
E
F
G
H
I
- I . Pre- Karma Encampment styles (twelfth until the mid- or late fifteenth century)
- Iconography of Mahākāla
- Icons of cultural linkage
- Illustrating Iconography of Buddhism
- Images of Devotion and Power in South and Southeast Bengal
- Images of Enlightenment: Tibetan Art in Practice
- IMAGES OF POWER: BUDDHIST ART and ARCHITECTURE (Buddhism on the Silk Road)
- Important Cultural Property Fugen (Samantabhadra) and Ten Rasetsunyo (Rākṣasis)
- Incarnations of Devotion
- INFINITE VARIETY: FORM AND APPEARANCE IN TIBETAN BUDDHIST ART
- Introduction Tibetan Medicine, Buddhism, and the Visual Arts Nurturing Perseverant
K
M
- MAITREYA IMAGES IN ASIAN BUDDHIST FINE ARTS
- Mandala Influence on Twentieth Century Abstract Paintings
- Masterpiece: The Buddhist Deity Simhavaktra Dakini (Video)
- Masterpieces of Himalayan Art From a European Private Colection
- Masterpieces of Himalayan Art From a European Private Collection
- Materialising the sacred
- May it be of benefit in preserving and reviving interest in Tibetan art
- Meeting Green Tara Face-to-Face: How to Visualize the Deity by Artist and Teacher Jampay Dorje
- Meeting the Deity Step-by-Step
- Men-ri style – artist Menla Dondrup
- Myanmar Arts and Crafts - Pansemyo and Architecture - Southeast Asian Arts - Grade 8 - Arts (Video)
N
- Nam mkha’ grags and the Three Silver Brothers: A Sixteenth-Century ‘Divine Artist’ from Western Tibet and His Artistic Legacy (2020)
- Nepal: The Great Plunder (Video)
- Nicholas Roerich & art (1874-1947)
- Nishpannayogavali, Niṣpannayogāvalī, Nishpanna-yogavali: 2 definitions
- Notes on the Technique of Tibetan Thangkas
O
P
- Painting Dzambala and Vajrayogini
- Painting of a Buddhist Figure Accompanied by a Tiger on the Silk Road: Itinerant Monk, Arhat (Nahan) and Sansin
- Painting Tradition: Karma Gar-ri
- Painting Traditions of the Drigung Kagyu
- Paubha or Thanka Painting of Nepal
- Pilgrimage and Buddhist Art
- Principles of Tibetan Art 2011 edition
- Principles of Tibetan Art – Volume 1 1983
- Principles of Tibetan Art – Volume 2 1983
R
S
- Sacred Arts of Tibet - Art from the Roof of the World
- Sacred symbols The ritual Art of Tibet
- Sahil Bhopal: Karma Gadri Thangka Artist
- Sample Student Responses
- Socio-Religious Background of Early Medieval Buddhist art ( 700 A.D. to 1200 A.D.)
- Some aspects of Jataka paintings in Indian and Chinese (Central Asian) art
- Stabilizing Multinational Relationships Through Buddhist Art
- Supplication to Padmasambhava - Illuminated Iconographic Tibetan Calligraphy
- Surviving Nirvana Death of the Buddha in Chinese Visual Culture
- Symbols of Tibetan Buddhist Art
- Symbols, representation in Buddhist
T
- Tara’s Colouring Book
- Tathagata Buddhas by the artist Zanabazar (1635-1723): Ratnasambhava, Amitabha, Amoghasiddhi, Vairochana
- Thai-Cambodian Culture - Relationship through Arts
- The 17th Karmapa continued with the third ‘great style’ of artist Jeyu (Byed’u):
- The 17th Karmapa then described the work of the Terton Ngonshe (1012 -1090) at Pal Dratang Monastery:
- The 17th Karmapa then gave the example of the famous Tibetan artist, Khyura Lhachen:
- The Art of Buddhism. A Teacher's Guide.
- The Art of Thangka Painting
- The Art That Illustrates Another Reality
- The Bell-maker’s Daughter: A Journey in Dharma Art
- The Deity Enters the Image
- The Eight Manifestations of the Precious Teacher - Padmasambhava in Art and Ritual in the Himalayas
- The Encyclopedia of Tibetan Symbols and Motifs
- The Global Connections of Gandhāran Art
- The harmful demons in Tibetan folk religion
- The Iconography of Nepalese Buddhism — Min Bahadur Shakya.
- THE JONGEN-SCHLEIPER COLLECTION OF FINE THANGKAS
- The Karma Encampment and 8th Karmapa
- The Karma Gar-ri style can be divided into two main categories, the old and new styles:
- The Mystical Arts of Tibet Featuring the Tibetan Monks from Drepung Loseling Monastery
- The Nyingma Icons: A Collection of Line Drawings of 94 Deities and Divinities of Tibet
- The old Encampment styles (sgar bris rnying pa); late sixteenth century through early eighteenth century, a period witnessing the successive two artists named Namkha Tashi (fl. late sixteenth century) and Cho Tashi (fl. early eighteenth century)
- The Power of Collection: Impressions of Buddhism through the Museum Lens
- The Power of Compassion – Bodhisattvas in Art
- The Queen Turns Red…
- The Relationship Between the Tangut Art and Textual Heritage: Some Observations
- The Sacred Geometry of Perfect Forms in East and West
- THE SPIRIT KINGS IN SIXTH CENTURY CHINESE BUDDHIST SCULPTURE
- The Techniques of Tibetan Paintings
- The Xi Xia Legacy in Sino-Tibetan Art of the Yuan Dynasty
- Tibet - Asian Art
- TIBETAN ART
- TIBETAN ART, PRE-GREAT ENCAMPMENT (KARMA GAR-RI) : Indian, Newar and the ‘Three Great Tibetan Styles’ of Men-ri, Khyen-ri and Jeyu-ri (7th -15th Century) by 17th Karmapa
- Tibetan Artists and Tibetan identity: who's who and since when ?
- Tibetan Black Thangkas
- Tibetan Buddhist and Newari Tantric Art: The Robert Beer
- Tibetan Buddhist Art: Padmasambhava and the Wrathful Deities
- Tibetan Painted Scrolls – Vol 1
- Tibetan Painted Scrolls – Vol 2
- Tibetan Painted Scrolls – Vol 3
- TIBETAN SACRED ART - THE HERITAGE OF TANTRA
- Tibetan Symbols and Designs Coloring Book
- Tibetan Thangka painting
- Tibetan Thangka Painting: Methods and Materials 1984
- Tibetan Thangka Painting: Methods and Materials 2006
- Two Main Periods : Pre-Encampment and Encampment
- Two main time periods of Tibetan Buddhist art
- Typology And Iconography In The Esoteric Buddhist Art Of Dunhuang
W
- We can have a vision
- We can meet them in a dream
- We can meet them through the medium of another person
- We can see a depiction of their Body in the form of a painted image or statue
- We meet them face to face
- What is Shambhala Art? (Video)
- What is the definition of Himalayan Art? (Video)
- Why are there so many images of buddhas, godlike creatures, and demons in Tibetan art and temples?