Difference between revisions of "Menngagde"
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− | In Tibetan Buddhism and Bön, | + | [[File:Dao-Phat-va.jpg|thumb|250px|]] |
− | + | In [[Tibetan Buddhism]] and [[Bön]], [[Menngagde]] ([[Wylie]]: [[man ngag sde]], Tib. {{BigTibetan|[[མན་ངག་སྡེ]]}}; THDL phonetics: [[men-ngak-dé]]), | |
+ | |||
+ | ([[Sanskrit]]: [[upadeshavarga]]), is the [[name]] of one of three [[scriptural]] and [[lineage]] divisions within [[Dzogchen]], | ||
+ | (Skt. [[Atiyoga]], [[Great Perfection]]) teachings. | ||
+ | |||
+ | [[Dzogchen]] is itself the pinnacle of the [[ninefold division]] of [[practice]] according to the [[Nyingma school]] of [[Tibetan Buddhism]]. | ||
+ | |||
+ | [[Menngagde]] focuses on the [[knowledge]] of [[trekchö]] and the basis ([[gzhi]]). | ||
+ | |||
+ | [[Menngagde]] is also variously glossed as | ||
+ | |||
+ | "[[Secret oral instruction division]]", | ||
+ | "[[Secret oral instruction series]]," | ||
+ | "[[Secret oral school]]", or | ||
+ | "[[Quintessential Instructions Series]]", or | ||
+ | "The [[Category of Direct Transmission]]". | ||
+ | |||
==Practice== | ==Practice== | ||
− | |||
− | "...the Seminal Heart or Nyingthik (snying thig) form of the Great Perfection (rdzogs-chen) movement, ...a syncretic Tantric tradition consisting of Chan-like practices of formless meditation combined with exercises that cultivated spontaneous visions of buddhas." | + | For general purposes, [[Menngagde]] may also be known as [[Nyingthik]]. |
+ | |||
+ | [[Germano]] & Gyatso (2000: p. 240) note a similarity of [[practice]] between [[Chan]]-like [[formless meditations]] and [[Nyingthik]]/[[Menngagde]]: | ||
+ | |||
+ | "...the [[Seminal Heart]] or [[Nyingthik]] ([[snying thig]]) [[form]] of the [[Great Perfection]] ([[rdzogs-chen]]) {{Wiki|movement}}, ...a {{Wiki|syncretic}} [[Tantric tradition]] consisting of [[Chan]]-like practices of [[formless meditation]] combined with exercises that cultivated spontaneous [[visions]] of [[buddhas]]." | ||
+ | |||
+ | |||
+ | ==[[Menngagde]] in the [[Dzogchen]] textual [[tradition]]== | ||
+ | |||
+ | |||
+ | [[Traditionally]], [[Mañjushrīmītra]] (Tib. '[[jam dpal bshes gnyen]]) is said to have classified all the [[Dzogchen]] teachings transmitted by his [[teacher]] [[Prahevajra]] (Tib. [[Garab Dorje]]) into three series: [[Semde]] ([[Wylie]]: [[sems sde]]), [[Longde]] ([[Wylie]]: [[klong sde]]), and [[Menngagde]]. | ||
+ | |||
+ | |||
+ | [[Mañjushrīmītra]]’s [[student]] [[Shri simha]] re-edited the [[oral instruction]] class/cycle, and in this [[form]] the [[teaching]] was transmitted to [[Jñānasūtra]] and [[Vimalamitra]]. | ||
+ | |||
+ | [[Vimalamitra]] is said to have taken the [[Menngagde]] teachings to [[Tibet]] in the 8th Century. | ||
+ | |||
+ | The [http://www.rangjung.com/rootfiles/ryp-glossary.htm Glossary for [[Rangjung Yeshe]] [[books]]) (2004) described [[Menngagde]] as: | ||
+ | [[File:0054.gif|thumb|250px|]] | ||
+ | |||
+ | ::The third of the [[Three Sections of Dzogchen]], as arranged by [[Manjushrimitra]]. | ||
+ | |||
+ | [[In Tibet]] [[three lineages]] are represented: through [[Padmasambhava]] and [[Vairotsana]] who both received [[transmission]] from [[Shri Singha]], and through [[Vimalamitra]] who received [[transmission]] partly from [[Shri Singha]] and partly from [[Jnanasutra]]. | ||
+ | |||
+ | The two former [[lineages]] were continued only as [[termas]] while [[Vimalamitra]]'s was passed on both as [[terma]] and as [[oral transmission]]. | ||
+ | |||
+ | In the following millennium, {{Wiki|innumerable}} [[terma]]s have been revealed containing the [[precious]] instructions of these three great [[masters]]. | ||
+ | |||
+ | The most important of these [[terma]] [[treasures]] are included in the [[Rinchen Terdzo]], a collection of [[terma]]s by [[Jamgon Kongtrul]] covering the [[Three Inner Tantras]] and in [[Nyingtig Yabzhi]]. | ||
+ | |||
+ | |||
+ | The three series do not represent different schools of [[Dzogchen]] [[practice]] as much as different approaches. | ||
+ | |||
+ | As is common throughout much [[Buddhist]] {{Wiki|literature}}, [[Tibetan Buddhism]] in particular, the divisions are sometimes said to represent gradations in the [[faculties]] of the students for whom the practices are appropriate; practitioners of low, middling, and high [[faculties]], respectively. | ||
+ | |||
+ | |||
+ | ==Distinguishing Features of the [[Menngagde]] ([[Oral Instruction Series]])== | ||
+ | |||
+ | |||
+ | The distinguishing features of [[Menngagde]] are the practices of [[Lhündrub Tögal]] and [[Kadag Trekchö]]. | ||
+ | |||
+ | [[Tsoknyi Rinpoche]] explains: | ||
+ | |||
+ | ::Within the [[instruction]] section there are two aspects: [[kadag trekchö]], the [[cutting through of primordial purity]], and [[lhündrub tögal]], the [[direct crossing]] of [[spontaneous presence]]. | ||
+ | |||
+ | Another feature of the [[Menngagde]] is the [[sadhana]] of the "[[Seven Mind Training]]s" ([[Lojong dön dünma]], [[Wylie]]: [[blo-sbyong don-bdun-ma]]) Capriles (2003: p. 103) identifies the [[sadhana]] of the '[[Seven Lojong]]' ([[Wylie]]: [[blo-sbyong don-bdun-ma]]). | ||
+ | |||
+ | As [[Buddhist]] [[scholar]] [[Elias Capriles]], notes, | ||
+ | |||
+ | |||
+ | ::In the cycle of [[Dzogchen]] [[Nyingthik]] teachings, there is a series of successive reflections called “the [[seven mind trainings]]” or [[seven lojong]], the effect of which is similar to the one attributed to the “four reflections:” that of causing one’s [[mind]] to become integrated with the [[meaning]] of the [[teaching]]. | ||
+ | |||
+ | |||
+ | ==[[Four divisions of Menngagde]]== | ||
+ | |||
+ | |||
+ | [[Menngagde]] itself is sometimes said to have been further divided by [[Sri Singha]] into four categories, called the "[[Four Cycles of Nyingtig]]" ([[Wylie]]: [[snying thig skor bzhi]]). | ||
+ | |||
+ | They are the: | ||
+ | |||
+ | ::1. [[Outer Cycle]] | ||
+ | ::2. [[Inner Cycle]] | ||
+ | ::3. [[Secret Cycle]] | ||
+ | ::4. [[Innermost Unexcelled Cycle]] ([[Wylie]]: [[yang gsang bla na med pa'i snying thig gi skor]]) | ||
+ | |||
+ | |||
+ | Variations of the [[name]] of the fourth section include the | ||
− | + | [[Secret Heart Essence]] ([[gsang ba snying thig]]), | |
+ | the [[Most Secret Unexcelled Nyingtig]] ([[yang gsang bla na med pa snying tig]]), | ||
+ | the [[Innermost Unexcelled Cycle of Nyingtig]] ([[yang gsang bla na med pa'i snying thig skor]]), | ||
+ | the [[Most Secret and Unexcelled Great Perfection]] ([[yang gsang bla na med pa rdzogs pa chen po]]), | ||
+ | the [[Most Secret Heart Essence]] ([[yang gsang snying thig]]), | ||
+ | the [[Most Secret Unsurpassable Cycle]] ([[yang gsang bla na med pa'i sde]]) and | ||
+ | the [[Vajra Heart Essence]]. | ||
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− | + | === [[Seventeen tantras]] === | |
− | |||
− | + | This fourth section of [[Menngagde]] is said to contain [[Seventeen Tantras]], although there are eighteen when the [[Ngagsung Tromay Tantra]] (focused on [[protective]] [[rites]] of [[Ekajati]]) is added; and nineteen including the [[Longsel Barwey Tantra]] ([[Tantra of the Blazing Space of Luminosity]]. | |
− | |||
− | + | # '[[Self-existing Perfection]] ([[rdzogs pa rang byung]]) [[Self-existing Perfection]]' {{BigTibetan|[[རྫོགས་པ་རང་བྱུང]]}} [[rdzogs pa rang byung]] | |
+ | # '[[Without Letters]] ([[yi ge med pa]]) [[Without Letters]]' {{BigTibetan|[[ཡི་གེ་མེད་པ]]}} [[yi ge med pa]] | ||
− | + | # '[[Self-arising Primordial Awareness]] ([[rig pa rang shar]]) [[Self-arising Primordial Awareness]]' {{BigTibetan|[[རིག་པ་རང་ཤར]]}} [[rig pa rang shar]])] | |
+ | # '[[Self-liberated Primordial Awareness]] ([[rig pa rang grol]]) [[Self-liberated Primordial Awareness]]' {{BigTibetan|[[རིག་པ་རང་གྲོལ]]}} [[rig pa rang grol]] | ||
+ | # '[[Piled Gems]] ([[rin po che spung ba]]) [[Piled Gems]]' {{BigTibetan|[[རིན་པོ་ཆེ་སྤུང་བ]]}} [[rin po che spung ba]] | ||
− | + | # '[[Shining Relics of Enlightened Body]]' {{BigTibetan|[[སྐུ་གདུང་འབར་བ]]}} [[sku gdung 'bar ba]] | |
+ | # '[[Reverberation of Sound]]' {{BigTibetan|[[སྒྲ་ཐལ་འགྱུར]]}} [[sgra thal 'gyur]] | ||
+ | # '[[Great Auspicious Beauty]] ([[bkra shis mdzes ldan]]) [[Great Auspicious Beauty]]' {{BigTibetan|[[བཀྲ་ཤིས་མཛེས་ལྡན]]}} [[bkra shis mdzes ldan]] | ||
+ | # '[[The Mirror of the Heart of Vajrasattva]]' {{BigTibetan|[[རྡོ་རྗེ་སེམས་དཔའ་སྙིང་གི་མེ་ལོང]]}} [[rdo rje sems dpa' snying gi me long]] | ||
− | + | # '[[The Mirror of the Mind of Samantabhadra]] ([[kun tu bzang po thugs kyi me long]]) [[The Mirror of the Mind of Samantabhadra]]' {{BigTibetan|[[ཀུན་ཏུ་བཟང་པོ་ཐུགས་ཀྱི་མེ་ལོང]]}} [[kun tu bzang po thugs kyi me long]] | |
− | + | # '[[Direct Introduction]] ([[ngo sprod spras pa]])|Direct Introduction]]' {{BigTibetan|[[ངོ་སྤྲོད་སྤྲས་པ]]}} [[ngo sprod spras pa]]) | |
− | + | # '[[Necklace of Precious Pearls]] ([[mu tig rin po che'i phreng ba]] [[Necklace of Precious Pearls]]' {{BigTibetan|[[མུ་ཏིག་རིན་པོ་ཆེའི་ཕྲེང་བ]]}} [[tig rin po che'i phreng ba]] | |
− | + | # '[[Sixfold Expanse of Samantabhadra]] ([[kun tu bzang po klong drug]]) [[Sixfold Expanse of Samantabhadra]]' {{BigTibetan|[[ཀུན་ཏུ་བཟང་པོ་ཀློང་དྲུག]]}} [[kun tu bzang po klong drug]] | |
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− | + | # '[[Blazing Lamp]] ([[sgron ma 'bar ba]]) [[Blazing Lamp]]' ( {{BigTibetan|[[སྒྲོན་མ་འབར་བ]]}} [[sgron ma 'bar ba]] | |
+ | # '[[Union of the Sun and Moon]]' {{BigTibetan|[[ཉི་ཟླ་ཁ་སྦྱོར]]}} [[nyi zla kha sbyor]] | ||
− | + | # '[[Lion's Perfect Expressive Power]] ([[seng ge rtsal rdzogs]]) [[Lion's Perfect Expressive Power]]' {{BigTibetan|[[སེང་གེ་རྩལ་རྫོགས]]}} [[seng ge rtsal rdzogs]] | |
+ | # '[[Array of Jewels]] ([[nor bu phra bkod]]) [[Array of Jewels]]' {{BigTibetan|[[ནོར་བུ་ཕྲ་བཀོད]]}} [[nor bu phra bkod]] | ||
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{{W}} | {{W}} | ||
− | [[Category:Nyingma]] | + | [[Category:Dzogchen]] |
+ | [[Category:Nyingma Texts]] | ||
+ | [[Category:Menngagde]] |
Latest revision as of 19:31, 24 November 2019
In Tibetan Buddhism and Bön, Menngagde (Wylie: man ngag sde, Tib. མན་ངག་སྡེ; THDL phonetics: men-ngak-dé),
(Sanskrit: upadeshavarga), is the name of one of three scriptural and lineage divisions within Dzogchen, (Skt. Atiyoga, Great Perfection) teachings.
Dzogchen is itself the pinnacle of the ninefold division of practice according to the Nyingma school of Tibetan Buddhism.
Menngagde focuses on the knowledge of trekchö and the basis (gzhi).
Menngagde is also variously glossed as
"Secret oral instruction division", "Secret oral instruction series," "Secret oral school", or "Quintessential Instructions Series", or "The Category of Direct Transmission".
Practice
For general purposes, Menngagde may also be known as Nyingthik.
Germano & Gyatso (2000: p. 240) note a similarity of practice between Chan-like formless meditations and Nyingthik/Menngagde:
"...the Seminal Heart or Nyingthik (snying thig) form of the Great Perfection (rdzogs-chen) movement, ...a syncretic Tantric tradition consisting of Chan-like practices of formless meditation combined with exercises that cultivated spontaneous visions of buddhas."
Menngagde in the Dzogchen textual tradition
Traditionally, Mañjushrīmītra (Tib. 'jam dpal bshes gnyen) is said to have classified all the Dzogchen teachings transmitted by his teacher Prahevajra (Tib. Garab Dorje) into three series: Semde (Wylie: sems sde), Longde (Wylie: klong sde), and Menngagde.
Mañjushrīmītra’s student Shri simha re-edited the oral instruction class/cycle, and in this form the teaching was transmitted to Jñānasūtra and Vimalamitra.
Vimalamitra is said to have taken the Menngagde teachings to Tibet in the 8th Century.
The [http://www.rangjung.com/rootfiles/ryp-glossary.htm Glossary for Rangjung Yeshe books) (2004) described Menngagde as:
- The third of the Three Sections of Dzogchen, as arranged by Manjushrimitra.
In Tibet three lineages are represented: through Padmasambhava and Vairotsana who both received transmission from Shri Singha, and through Vimalamitra who received transmission partly from Shri Singha and partly from Jnanasutra.
The two former lineages were continued only as termas while Vimalamitra's was passed on both as terma and as oral transmission.
In the following millennium, innumerable termas have been revealed containing the precious instructions of these three great masters.
The most important of these terma treasures are included in the Rinchen Terdzo, a collection of termas by Jamgon Kongtrul covering the Three Inner Tantras and in Nyingtig Yabzhi.
The three series do not represent different schools of Dzogchen practice as much as different approaches.
As is common throughout much Buddhist literature, Tibetan Buddhism in particular, the divisions are sometimes said to represent gradations in the faculties of the students for whom the practices are appropriate; practitioners of low, middling, and high faculties, respectively.
Distinguishing Features of the Menngagde (Oral Instruction Series)
The distinguishing features of Menngagde are the practices of Lhündrub Tögal and Kadag Trekchö.
Tsoknyi Rinpoche explains:
- Within the instruction section there are two aspects: kadag trekchö, the cutting through of primordial purity, and lhündrub tögal, the direct crossing of spontaneous presence.
Another feature of the Menngagde is the sadhana of the "Seven Mind Trainings" (Lojong dön dünma, Wylie: blo-sbyong don-bdun-ma) Capriles (2003: p. 103) identifies the sadhana of the 'Seven Lojong' (Wylie: blo-sbyong don-bdun-ma).
As Buddhist scholar Elias Capriles, notes,
- In the cycle of Dzogchen Nyingthik teachings, there is a series of successive reflections called “the seven mind trainings” or seven lojong, the effect of which is similar to the one attributed to the “four reflections:” that of causing one’s mind to become integrated with the meaning of the teaching.
Four divisions of Menngagde
Menngagde itself is sometimes said to have been further divided by Sri Singha into four categories, called the "Four Cycles of Nyingtig" (Wylie: snying thig skor bzhi).
They are the:
Variations of the name of the fourth section include the
Secret Heart Essence (gsang ba snying thig), the Most Secret Unexcelled Nyingtig (yang gsang bla na med pa snying tig), the Innermost Unexcelled Cycle of Nyingtig (yang gsang bla na med pa'i snying thig skor), the Most Secret and Unexcelled Great Perfection (yang gsang bla na med pa rdzogs pa chen po), the Most Secret Heart Essence (yang gsang snying thig), the Most Secret Unsurpassable Cycle (yang gsang bla na med pa'i sde) and the Vajra Heart Essence.
Seventeen tantras
This fourth section of Menngagde is said to contain Seventeen Tantras, although there are eighteen when the Ngagsung Tromay Tantra (focused on protective rites of Ekajati) is added; and nineteen including the Longsel Barwey Tantra (Tantra of the Blazing Space of Luminosity.
- 'Self-existing Perfection (rdzogs pa rang byung) Self-existing Perfection' རྫོགས་པ་རང་བྱུང rdzogs pa rang byung
- 'Without Letters (yi ge med pa) Without Letters' ཡི་གེ་མེད་པ yi ge med pa
- 'Self-arising Primordial Awareness (rig pa rang shar) Self-arising Primordial Awareness' རིག་པ་རང་ཤར rig pa rang shar)]
- 'Self-liberated Primordial Awareness (rig pa rang grol) Self-liberated Primordial Awareness' རིག་པ་རང་གྲོལ rig pa rang grol
- 'Piled Gems (rin po che spung ba) Piled Gems' རིན་པོ་ཆེ་སྤུང་བ rin po che spung ba
- 'Shining Relics of Enlightened Body' སྐུ་གདུང་འབར་བ sku gdung 'bar ba
- 'Reverberation of Sound' སྒྲ་ཐལ་འགྱུར sgra thal 'gyur
- 'Great Auspicious Beauty (bkra shis mdzes ldan) Great Auspicious Beauty' བཀྲ་ཤིས་མཛེས་ལྡན bkra shis mdzes ldan
- 'The Mirror of the Heart of Vajrasattva' རྡོ་རྗེ་སེམས་དཔའ་སྙིང་གི་མེ་ལོང rdo rje sems dpa' snying gi me long
- 'The Mirror of the Mind of Samantabhadra (kun tu bzang po thugs kyi me long) The Mirror of the Mind of Samantabhadra' ཀུན་ཏུ་བཟང་པོ་ཐུགས་ཀྱི་མེ་ལོང kun tu bzang po thugs kyi me long
- 'Direct Introduction (ngo sprod spras pa)|Direct Introduction]]' ངོ་སྤྲོད་སྤྲས་པ ngo sprod spras pa)
- 'Necklace of Precious Pearls (mu tig rin po che'i phreng ba Necklace of Precious Pearls' མུ་ཏིག་རིན་པོ་ཆེའི་ཕྲེང་བ tig rin po che'i phreng ba
- 'Sixfold Expanse of Samantabhadra (kun tu bzang po klong drug) Sixfold Expanse of Samantabhadra' ཀུན་ཏུ་བཟང་པོ་ཀློང་དྲུག kun tu bzang po klong drug
- 'Blazing Lamp (sgron ma 'bar ba) Blazing Lamp' ( སྒྲོན་མ་འབར་བ sgron ma 'bar ba
- 'Union of the Sun and Moon' ཉི་ཟླ་ཁ་སྦྱོར nyi zla kha sbyor
- 'Lion's Perfect Expressive Power (seng ge rtsal rdzogs) Lion's Perfect Expressive Power' སེང་གེ་རྩལ་རྫོགས seng ge rtsal rdzogs
- 'Array of Jewels (nor bu phra bkod) Array of Jewels' ནོར་བུ་ཕྲ་བཀོད nor bu phra bkod