Difference between revisions of "Achala"
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| + | [[Acalanatha]] (a [[Vidyarajas]]) ({{Wiki|Chinese}}: [[Pu tung]]; [[Japanese]]: [[Fudo]]) | ||
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| + | [[Fudō]] Jap. [[name]] for [[Acala]] (q.v.), a [[manifestation]] of [[Dainichi]] ([[Vairocana]], q.v.). Popular [[subject]] for Jap. painting and {{Wiki|sculpture}}, adopted into Bsm. as one of [[five Myōō]], [[manifestations]] of the [[five Nyorai]] (q.v.). | ||
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| + | -------------<br/><br/> | ||
| + | '''[[Achala]]''' ([[Wyl.]] ''[[mi g.yo ba]]'') is one of the [[ten wrathful kings]] and one of the main [[meditational]] [[deities]] of the [[Kadampa]] school. | ||
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| + | [[Achala]]<br/> | ||
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[[不動明王]] (Skt; Jpn [[Fudo-myo’o]]) | [[不動明王]] (Skt; Jpn [[Fudo-myo’o]]) | ||
| − | + | The [[wisdom]] [[king]] [[Immovable]], regarded as the head of the [[five great wisdom kings]]. | |
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| + | [http://www.sgilibrary.org/search_dict.php?id=11 sgilibrary.org] | ||
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| + | [[Immovable]]<br/> | ||
| + | [[不動明王]] (Skt [[Achala]] or [[Achalanatha]]; Jpn [[Fudo-myo’o]]) | ||
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| + | (1) The [[wisdom king]] [[Immovable]]. [[Immovable]] is a main [[deity]] among the [[wisdom kings]], a group of [[deities]] who are said to remove all [[obstacles]] and defeat all [[devils]] that hinder [[Buddhist]] practice.He is regarded as the leader of the [[five great wisdom kings]], the other four being | ||
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| + | [[Conqueror of the Threefold World]], [[Kundali]], [[Great Awesome Virtue]], and [[Diamond Yaksha]], as well as of the [[eight great wisdom kings]] (the above [[five deities]] plus [[Ucchushma]], Unconquerable, and Horse-Headed).It is said that he enters the [[flame-emitting meditation]] in which he emits flames that | ||
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| + | destroy all [[karmic]] hindrances.Because he remains [[unperturbed]] by [[obstacles]], he is called Immovable.He is popularly depicted as an [[angry]] figure surrounded by flames, holding a rope and a sword.The [[Sanskrit]] [[name]] [[achala]] means [[immovable]], and [[natha]] means a [[lord]] or a protector.See also [[flame-emitting meditation]]. | ||
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| + | (2)[[不動仏]](Jpn [[Fudo-butsu]]): The [[Buddha Immovable]], also known as [[Akshobhya Buddha]]. See [[Akshobhya]]. | ||
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| + | (3)[[不動智仏]](Jpn [[Fudochi-butsu]]): The [[Buddha Immovable]]. A shortened [[name]] for the [[Buddha Immovable Wisdom]]. | ||
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| + | See [[Immovable Wisdom]] | ||
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| + | {{R}} | ||
| + | [http://www.sgilibrary.org/search_dict.php?id=1056 sgilibrary.org] | ||
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| + | [[Fudo Myoo]] has the power to destroy {{Wiki|obstacles}} to [[Buddhism]] and acts under orders from [[Dainishi Nyorai]]. Therefore, it is also known as [[Fudo Shisha]] (envoy). [[Fudo Myoo]] also has envoys known as [[Hachidai Doji]] ([[eight Doji]]) [[including]] two [[Doji]], [[Kongara]] and [[Seitaka]]. The [[Fudo]] in this painting is considered to have been established by [[Gensho]] from [[Asukadera]] [[Temple]] in the {{Wiki|Heian period}} and the styles follow those that became popular thereafter. [[Hachidai Doji]] is a set of [[Doji]] that was newly created by adding some changes to each one from various origins. The compositions created by these combined {{Wiki|features}} seem to be original. Halos with flames of [[Fudo]] are skillfully designed and shaped in three [[sacred]] birds called [[Karura]] and the [[characteristic]] of [[Fudo]] that burns down all {{Wiki|obstacles}} is enhanced by using the twist of surrounding everything, [[including]] the [[Hachidai Doji]], with flames. As there is no {{Wiki|evidence}} of drafting the part of the flames surrounding [[Doji]], they are | ||
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| + | considered to have been added at the [[time]] of coloring along with the intended {{Wiki|expressions}}. This is one of the indications of the {{Wiki|creativity}} of this painting. The images are drawn with accurate brush strokes in ink and a careful attempt was made to keep these {{Wiki|features}} relatively simple by coloring them without applying many {{Wiki|gold}} or {{Wiki|silver}} patterns, which makes this painting {{Wiki|distinctive}}. | ||
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| + | {{R}} | ||
| + | [http://www.emuseum.jp/detail/100091 emuseum.jp] | ||
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| + | [[Ācala]] or [[Achala]] ([[Sanskrit]]: [[Achala]] or [[Acalanātha]] ([[अचलनाथ]]) in; [[Āryācalanātha]], [[Ācala-vidyā-rāja]] and [[Caṇḍamahāroṣaṇa]]; {{Wiki|Chinese}}:[[不動明王]], [[Búdòng Míngwáng]]; [[Japanese]]: [[不動明王]], [[Fudo Myo-O]], [[Joju Kongo]], {{Wiki|Mongolian}}: [[Хөдөлшгүй]]: [[Tibetan]]: {{BigTibetan|[[མི་གཡོ་བ]]}} refers to the “[[Immovable Wisdom King]]“, and is the best known of the [[Five Vidyarajas]] ([[Wisdom Kings]], [[Kings]] of | ||
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| + | [[Mystical]] [[Knowledge]], [[Kings]] of [[Light]]) of the [[Womb Realm]]. The [[Sanskrit]] term [[ācala]] means “[[immovable]]”; [[Ācala]] is also the [[name]] of the eighth of the ten completion stages of the [[Bodhisattva path]] (the [[Eighth Bhumi]]). His [[siddham]] seed-syllabe is “[[hāṃ]]”. He is one of the [[Krodharajas]], the [[Lords]] of [[Wrath]]. | ||
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| + | He is considered as a [[body]] of {{Wiki|metamorphosis}} ([[Nirmanakaya]]) of [[Vairocana]] [[Buddha]]. He is the [[symbolic]] [[protector]] of [[Buddhism]], [[essentially]] [[incarnating]] [[Prajna]] [[Immovable]] for [[sentient beings]]. | ||
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| + | [[Ācala]] is a [[principal]] [[protector]] of [[Buddhism]] as the destroyer of [[delusion]] and [[passion]]. His [[immovability]] refers to that aspect of [[mind]] ([[Buddha Nature]]) which is forever unmoved, perfectly {{Wiki|stable}} and [[unchanging]]. Despite his fearsome [[appearance]], his role is to aid all [[beings]] by showing them the true [[essence]] of the teachings of the [[Buddha]], leading them into {{Wiki|perfect}} [[mental]] [[discipline]]. | ||
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| + | He is seen as a [[protector]] and aide in [[attaining]] goals, efficacious in [[overcoming]] {{Wiki|disease}}, [[poison]] and [[fire]], conquering enemies and tempters, and bringing [[wealth]] and [[peace]] to his {{Wiki|devotees}}. [[Shingon]] [[Buddhist]] [[temples]] dedicated to [[Ācala]] perform a periodic [[fire]] [[ritual]] in [[devotion]] to him. | ||
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| + | [[Acala]] is mentioned extensively in The [[Vairocanābhisaṃbodhi Sutra]] ([[Mahāvairocana-abhisaṃbodhi-tantra]]), as follows: | ||
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| + | : Fascicle One, “Below the mantra-lord (i.e., [[Vairocana]]), in the [[direction]] of [[Nairṛti]] (i.e., [[southwest]]), Is [[Acala]], the [[Tathāgata’s]] servant: he holds a [[wisdom]] sword and a noose, The [[hair]] from the top of his head hangs down on his left shoulder, and with one [[eye]] he looks fixedly; Awesomely [[wrathful]], his [[body]] [is enveloped in] fierce flames, and he rests on a rock; His face is marked with [a frown like] waves on [[water]], and he has the figure of a stout young boy.” | ||
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| + | : Fascicle Two, “Next, I shall now explain the quelling of all {{Wiki|obstacles}}. One [[thinks]] on the ferocious and very {{Wiki|powerful}} [[Acala]] with his [[mantra]] Dwelling in his [[own]] [[maṇḍala]], or else the [[practitioner]] [himself] dwells therein. He [[visualizes]] an effigy [of the [[obstacle]]) with [Acala’s or his [[own]]) left foot placed on its head: The [[obstacle]] will be eliminated and [[extinguished]], not to arise [again].” | ||
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| + | : Fascicle Three, “[[Acalananta]], seated on a stone, holding a noose and a [[wisdom]] sword in his hands, encircled by a wreath of flames, and threatening obstructors; alternatively, he places his {{Wiki|seal}} or writes his {{Wiki|syllable}}, namely, the [[letter]] Hāṃ.” | ||
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| + | : Fascicle Four, “Make a fist with the left hand, extend the middle finger and forefinger, and place the thumb on top of the little and ring fingers; extend the forefinger and middle finger of the right hand, insert them in the left palm, and again place the thumb on top of the little and ring fingers, just like in the sheath of a sword: this is the {{Wiki|seal}} of [[Acalanātha]].” | ||
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| + | : Fascicle Five, “The [[maṇḍala]] of [[Acala]] has both a circle of [[wind]] and of [[fire]]; He is in the [[direction]] of [[Nairṛti]] (i.e., [[southwest]]), below the [[Tathāgata]] [[Vairocana]], Surrounded by seed[-{{Wiki|syllables}}], and a [[sublime]] great [[wisdom]] sword, Or a noose {{Wiki|seal}} he who possesses [[wisdom]] lays out.” | ||
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| + | : According to http://www.onmarkproductions.com, ([[Fudo Myo-o]] ([[Fudou Myou-ou]]) – [[Wrathful]] Messenger Who Protects & Serves [[Dainichi]] [[Buddha]], [[Japanese Buddhism]] [[Art]] History), “[[Fudō]] converts [[anger]] into {{Wiki|salvation}}; has [[furious]], glaring face, as [[Fudō]] seeks to frighten [[people]] into accepting the teachings of [[Dainichi]] [[Buddha]]; carries “[[kurikara]]” or [[devil-subduing sword]] in right hand (representing [[wisdom]] | ||
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| + | [[cutting through]] [[ignorance]]); holds rope in left hand (to catch and bind up {{Wiki|demons}}); often has [[third eye]] in {{Wiki|forehead}} ({{Wiki|all-seeing}}); often seated or [[standing]] on rock (because [[Fudō]] is “[[immovable]]” in his [[faith]]). [[Fudō]] is also worshipped as a [[deity]] who can bring monetary [[fortune]]. Also, Fudō’s left [[eye]] is often closed, and the {{Wiki|teeth}} bite the upper lip; alternatively, [[Fudō]] is shown with two | ||
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| + | fangs, one pointing upward and other pointing downward. Fudō’s aureole is typically the flames of [[fire]], which according to [[Buddhist]] lore, represent the [[purification]] of the [[mind]] by the burning away of all {{Wiki|material}} [[desires]]. In some [[Japanese]] {{Wiki|sculpture}}, [[Fudō]] is flanked by two {{Wiki|attendants}}, [[Kongara Dōji]] and [[Seitaka Dōji]].” | ||
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| + | ====[[Mantra]]==== | ||
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| + | Fascicle Two, “[[Acalanātha]]: [[Namaḥ]] [[samanta]] vajrāṇāṃ, [[caṇḍamahāroṣaṇa]] spho-ṭaya [[hūṃ]] traka [[hāṃ]] māṃ. (Homage to all [[Vajras]]! O you who are [[violent]] andvery [[wrathful]]! rend! [[hūṃ]] traka [[hāṃ]] māṃ!)” | ||
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| + | The [[mantra]] of [[Acalanātha]]: [[Namaḥ samantavajrāṇāṃ, hāṃ]]. (Homage to all [[Vajras]]! Hāṃ!) | ||
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| + | ===About [[Kumaras]] === | ||
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| + | [[Acala]] or [[Kulikah]] is usually flanked by two [[kumaras]] or mahakumaras (child {{Wiki|attendants}} or {{Wiki|acolytes}}), [[Kimkara]] ([[Kinkara]], [[Japanese]]: [[Kongara Doji]]) and [[Cetaka]] ([[Japanese]]: [[Seitaka]] [[Doji]]). [[Kumaras]] are [[divine]] boys between the ages of 8 and 20, who serve as | ||
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| + | {{Wiki|attendants}} to other [[deities]], notably [[Acala]]. Some [[art]] show [[Acala]] attended by 2, 3, 5, 8 (Eight Great Youths), 36 and even 48 [[kumaras]]. | ||
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| + | Usually, on Acala’s left stands [[Kimkara]], with his palms closed, holding a single-pronged pestle between his hands and dressed in cascading [[heavenly]] [[robes]]. [[Cetaka]], on the other hand, the child {{Wiki|attendant}} depicted on his right, is holding onto a [[vajra]] [[staff]] and dressed in the same | ||
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| + | [[heavenly]] [[robes]]. [[Kimkara]] is usually depicted in pale white {{Wiki|skin}} {{Wiki|colour}}, [[an embodiment]] of [[compassion]] to worshippers of [[Acalanatha]], while [[Cetaka]] is depicted in [[red]] {{Wiki|skin}} {{Wiki|colour}}, an indication of his [[wrath]] to [[discipline]] erring followers in mending their ways. | ||
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| − | + | ====[[Art]]==== | |
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| − | He | + | He usually holds in his right hand a double-edged sword with a three-pointed [[vajra]] handle vertically (to combat the 3 [[poisons]] – [[greed]], [[anger]] and [[ignorance]]) which [[winds]] a [[dragon]] surrounded by flames and in his left hand a rope lariat or lasso with a hook or two pointed varja at each end |
| − | + | (to catch and bind [[evil]] forces to prevent them from [[doing harm]]), with a blue [[body]] clad in [[monastic]] rags, a [[wrathful]] face with [[eyes]] glaring angrily, a pronounced squint, {{Wiki|teeth}} are bared, has one fang pointing up and another pointing down, and a braid on the left side of his head. His [[halo]] of flames is to consume [[passion]]. | |
| − | + | His [[statues]] are generally placed near waterfalls and deep in the [[mountains]] and in [[caves]]. [[Acala]] is usually accompanied by eight child {{Wiki|acolytes}}, of whom [[Kongara]] ([[Kinkara]]) and [[Seitaka]] ([[Chetaka]]) are often shown close to him. | |
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| − | + | ===About [[Kulikah]] === | |
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| − | + | [[Acala]] is also represented by his sword of [[wisdom]], [[Kulikah]] ([[Kulika]], [[Japanese]]: [[Kurikara]]) to destroy [[illusions]]; or as a [[naga]] or [[dragon]] coiled around a sword and biting the sword tip, surrounded by flames. The portrayal of [[Acalanatha]] as [[Kulikah]] is derived from the “[[Sutra]] that illustrated the [[Kulikah]] [[Naga]] defeating the [[practitioner]] of [[unorthodox]] ways”. | |
| − | + | During one of the [[rhetoric]] discussions, [[Acalanatha]] [[transformed]] himself into a flaming sword and the [[unorthodox]] [[practitioner]] immediately mimicked him and transferred himself into a similar flaming sword. | |
| − | + | The next thing that happened was that [[Acalanatha]] [[transformed]] again into a [[naga]], completely swallowed his opponent and gave out a cry {{Wiki|equivalent}} of two trillion {{Wiki|thunder}}, sending jolts of panic and {{Wiki|terror}} to the [[evil]] [[beings]] and [[unorthodox]] practitioners and persuaded them to accept [[Buddhist teachings]]. | |
| − | + | [[Kulika]] is also considered one of the Eight [[Nagarajas]] ([[Naga kings]]) | |
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| + | [http://www.btrts.org.sg/temple-first-kulikah btrts.org.sg] | ||
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| − | + | In [[Vajrayana Buddhism]], [[Ācala]] or [[Achala]] ("The [[Immovable One]]" in [[Sanskrit]], [[阿遮羅]], [[Zh Āzhēluó]], Jp [[Achara]]), also known as [[Āryācalanātha]], [[Ācala-vidyā-rāja]] and [[Caṇḍamahāroṣaṇa]] as well as [[Fudō myō-ō]] ([[不動明王]] Zh [[budongmingwang]]) in [[Japanese]], is the best known of the [[Five Wisdom Kings]] of the [[Womb Realm]]. [[Acala]] is also the eighth of the [[ten stages]] towards [[Buddhahood]]. | |
| − | + | [[Acala]] is the destroyer of [[delusion]] and the [[protector]] of [[Buddhism]]. His [[immovability]] refers to his ability to remain unmoved by carnal temptations. Despite his fearsome [[appearance]], his role is to aid all [[beings]] by showing them the teachings of the [[Buddha]], leading them into {{Wiki|self-control}}. | |
| − | + | He is seen as a [[protector]] and aider towards [[attaining]] goals, and [[temples]] dedicated to [[Fudo]] have a periodic [[fire]] [[ritual]] in [[devotion]] to him. | |
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| − | + | The [[Buddha Akshobhya]], whose [[name]] in [[Sanskrit]] also means '[[Immovable One]]', is sometimes merged with [[Acala]]. However, [[Acalanatha]] is not a [[Buddha]], but one of the [[Five Wisdom Kings]] of the [[Womb Realm]] in [[Vajrayana]] as found in the [[Indo-Tibetan]] [[tradition]], as well as the [[Japanese]] [[Shingon]] [[sect]] of [[Buddhism]]. As [[Fudō myō-ō]], [[Acala]] is considered one of the [[Thirteen Buddhas]] in [[Japan]]. | |
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| − | + | ==={{Wiki|Iconography}}=== | |
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| − | + | [[Acala]] is typically depicted with a sword for subduing [[demons]] in his right hand and a rope for catching and binding them in his left hand. He has a fearsome blue visage and is surrounded by flames, representing the [[purification]] of the [[mind]]. He is often depicted seated or [[standing]] on a rock to | |
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| + | show his [[immovability]]. His [[hair]] commonly has seven knots and is draped on his left side, a servant hairstyle in [[Buddhist]] {{Wiki|iconography}}. He is frequently depicted with two protruding fangs. One tooth points down, representing his [[compassion]] to the [[world]], and one tooth points up, representing his [[passion]] for [[truth]]. | ||
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{{R}} | {{R}} | ||
| − | [http://www. | + | [http://www.mauspfeil.net/Acala.html mauspfeil.net] |
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| + | [[Fudō Myō-ō]] is the central [[deity]] in all [[Myō-ō]] groupings, and in artwork is positioned in the center. [[Fudō]] is a {{Wiki|personification}} of [[Dainichi Nyorai]], and the best known of the [[Myō-ō]], who are venerated especially by the [[Shingon]] [[sect]] of [[Japanese]] [[Esoteric Buddhism]] | ||
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| + | ([[Mikkyō]] [[密教]]). [[Fudō]] converts [[anger]] into {{Wiki|salvation}}; has [[furious]], glaring face, as [[Fudō]] seeks to frighten [[people]] into accepting the teachings of [[Dainichi Buddha]]; carries “[[kurikara]]” or [[devil-subduing sword]] in right hand (representing [[wisdom]] [[cutting through]] [[ignorance]]); holds rope in left hand (to catch and bind up {{Wiki|demons}}); often has [[third eye]] in {{Wiki|forehead}} ({{Wiki|all-seeing}}); often | ||
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| + | seated or [[standing]] on rock (because [[Fudō]] is “[[immovable]]” in his [[faith]]). [[Fudō]] is also worshipped as a [[deity]] who can bring monetary [[fortune]]. Also, [[Fudō's]] left [[eye]] is often closed, and the {{Wiki|teeth}} bite the upper lip; alternatively, [[Fudō]] is shown with two fangs, one pointing upward and other pointing downward. Fudō’s aureole is typically the flames of [[fire]], which according to [[Buddhist]] lore, represent the | ||
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| + | [[purification]] of the [[mind]] by the burning away of all {{Wiki|material}} [[desires]]. In some [[Japanese]] {{Wiki|sculpture}}, [[Fudō]] is flanked by two {{Wiki|attendants}}, [[Kongara Dōji]] and [[Seitaka Dōji]]. In artwork, [[Fudō]] is often accompanied by Eight Great Youths. [[Fudō]] is also one of the [[13 | ||
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| + | Deities]] [[十三仏]] ([[Jūsanbutsu]]) of the [[Shingon]] [[Sect]] in [[Japan]]. In this role, [[Fudō]] presides over the memorial service held on the 7th day following one's [[death]]. | ||
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| + | [[Myō-ō]] is the [[Japanese]] term for [[Sanskrit]] "[[Vidyaraja]]," a group of warlike and [[wrathful deities]] known in English as the [[Mantra Kings]], the [[Wisdom Kings]], or the [[Knowledge Kings]]. [[Myō-ō]] [[statues]] appear ferocious and menacing, with threatening [[postures]] and faces designed to subdue | ||
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| + | [[evil]] and frighten unbelievers into accepting[[ Buddhist law]]. They represent the luminescent [[wisdom]] of [[Buddhism]], {{Wiki|protect}} the [[Buddhist teachings]], remove all {{Wiki|obstacles}} to [[enlightenment]], and force [[evil]] to surrender. Introduced to [[Japan]] in 9th century, the [[Myō-ō]] were | ||
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| + | originally [[Hindu]] [[deities]] that were adopted into [[Esoteric Buddhism]] to vanquish [[blind]] [[craving]]. They serve and {{Wiki|protect}} the various | ||
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| + | [[Buddha]], especially [[Dainichi Buddha]]. In most [[traditions]], they are considered [[emanations]] of [[Dainichi Buddha]], and represent [[Dainichi’s]] [[wrath]] against [[evil]] and [[ignorance]]. In [[Japan]], among the {{Wiki|individual}} [[Myō-ō]], [[Fudō]] is the most widely venerated. | ||
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| + | ===[[Sanskrit]] / {{Wiki|Chinese}} Spellings and Translations=== | ||
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| + | * [[Ācala-vidyā-rāja]], [[Acala Vidyaraja]] ([[Sanskrit]] for [[Fudō Myo-o]]) | ||
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| + | * [[Āryācalanātha]] [[阿奢羅曩]], [[Acalanatha]] ([[Sanskrit]] for “Immutable [[Lord]]” or “[[Immovable]] [[Lord]]”) | ||
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| + | * [[阿奢羅曩]] ({{Wiki|Chinese}} for [[Acalanatha]]); also [[不動尊]], [[無動尊]], [[阿奢囉逝吒]], [[不動使者]] | ||
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| + | * [[五明王]] [[Wǔ Míng Wáng]] ({{Wiki|Chinese}} for “Five [[Ming]] Wang” or “[[Five Great Kings]]”) | ||
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| + | * [[不動]] [[Bù Dòng]] ({{Wiki|Chinese}} for [[Fudō]], literally “unmoving, [[immovable]], imperturbable”) | ||
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| + | * [[不動明王]] [[Bù Dòng Míng Wáng]] ({{Wiki|Chinese}} for [[Fudō Myo-o]]) | ||
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| + | * [[不動佛]] ({{Wiki|Chinese}} for the [[Sanskrit]] [[Ācala-vidyā-rāja]]” | ||
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| + | * Central [[deity]] among the Five Great [[Myō-ō]] [[Kings]]; positioned in the center among the five | ||
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| + | ===[[Japanese]] Spellings and Translations=== | ||
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| + | * [[明王]] [[Myō-ō]], [[Myou-ou]], [[Myo-o]], [[Myoo-oo]] (“[[Vidyaraja]]” in [[Sanskrit]]) | ||
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| + | * [[不動明王]] [[Fudō Myō-ō]], [[Fudo Myo-o]], [[Fudou Myou-ou]], [[Fudoo Myoo-oo]] | ||
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| + | * [[不動]] [[Fudō]], [[Fudo]], Fudou, [[Fudoo]] | ||
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| + | * [[常住金剛]] [[Jōjū Kongō]], Fudō’s [[mystic]] [[esoteric]] [[name]]; lit. “[[Eternal]] and Immutable [[Diamond]]” | ||
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| + | * [[五大明王]] [[Godai Myō-ō]], [[Five Great Kings]]; [[Fudō]] is their leader; positioned in center | ||
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| + | * [[Fudō]] is especially important to {{Wiki|Japan’s}} [[Shingon Sect]] of [[Esoteric Buddhism]] | ||
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| + | * [[Fudō]] often appears in [[Japanese]] artwork with two attendants named [[Kongara Dōji]] [[矜羯羅童子]] and [[Seitaka Dōji]] [[制た迦童子]]; sometimes with two messengers named [[Kimkara]] [[矜羯羅]] and [[Cetaka]] [[制吒迦]]; and sometimes with a group of eight messengers called [[Hachidai Dōji]] [[八大童子]] | ||
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| + | ===English Translations and Other Notes=== | ||
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| + | [[Kings]] of Light, [[Kings]] of Luminescent [[Wisdom]], [[Kings]] of [[Mystic Knowledge]], [[Mantra Kings]] | ||
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| + | {{R}} | ||
| + | [http://www.onmarkproductions.com/html/fudo.html onmarkproductions.com] | ||
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| + | [[Shingon Buddhism]] -- [[esoteric Buddhism]] brought to [[Japan]] from [[China]] during the early ninth century -- inspired a new [[spiritual]] [[energy]] that found expression in varied [[forms]], especially in [[art]] and {{Wiki|iconography}}. A radical change occurred with the introduction of new [[deities]], | ||
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| + | among them the [[Five Great Kings]], the most important of them being [[Fudo Myo-o]], the [[conqueror]] of all {{Wiki|disasters}} and [[evil]]. This [[book]] is a study of the {{Wiki|concept}}, {{Wiki|iconography}} and decoction of [[Fudo]] in [[art]]. | ||
| + | |||
| + | Beginning with a detailed account of the origin of [[Buddhism]] and its introduction into [[Japan]], the [[book]] focuses on [[development]] of [[esoteric Buddhism]] in the country. It delves into the [[uniqueness]] of [[Shingon Buddhism]] [[rituals]] which try to evoke the [[vitality]] of the [[three mysteries]] | ||
| + | |||
| + | in the [[body]], [[speech]] and [[thought]], the {{Wiki|mysteries}} being transmitted orally from the [[master]] to the [[disciple]]. Describing [[Fudo Myo-o]] as discussed in [[Buddhist]] {{Wiki|literary}} sources from [[India]], it takes up his [[visual]] [[representation]] in painting and {{Wiki|sculpture}}. It | ||
| + | |||
| + | discusses the [[representation]] of his {{Wiki|attendants}} in [[art]] and {{Wiki|iconography}}, [[symbolic]] instruments associated with the [[god]] in his depiction and interpretations of the [[mudras]] ([[hand gestures]], [[postures]], {{Wiki|emblems}}) carried by [[Fudo]]. It explains the [[esoteric]] meaning [[attached]] to various [[ideas]] and [[Wikipedia:concept|concepts]] represented in the [[visual]] images. | ||
| + | |||
| + | {{R}} | ||
| + | [http://www.exoticindiaart.com/book/details/fudo-myo-o-acalanatha-vidyaraja-in-art-and-iconography-of-japan-NAC818/ exoticindiaart.com] | ||
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[[Category:Achala]] | [[Category:Achala]] | ||
Latest revision as of 11:21, 15 November 2020
Acalanatha (a Vidyarajas) (Chinese: Pu tung; Japanese: Fudo)
Fudō Jap. name for Acala (q.v.), a manifestation of Dainichi (Vairocana, q.v.). Popular subject for Jap. painting and sculpture, adopted into Bsm. as one of five Myōō, manifestations of the five Nyorai (q.v.).
Achala (Wyl. mi g.yo ba) is one of the ten wrathful kings and one of the main meditational deities of the Kadampa school.
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不動明王 (Skt; Jpn Fudo-myo’o)
The wisdom king Immovable, regarded as the head of the five great wisdom kings.
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Immovable
不動明王 (Skt Achala or Achalanatha; Jpn Fudo-myo’o)
(1) The wisdom king Immovable. Immovable is a main deity among the wisdom kings, a group of deities who are said to remove all obstacles and defeat all devils that hinder Buddhist practice.He is regarded as the leader of the five great wisdom kings, the other four being
Conqueror of the Threefold World, Kundali, Great Awesome Virtue, and Diamond Yaksha, as well as of the eight great wisdom kings (the above five deities plus Ucchushma, Unconquerable, and Horse-Headed).It is said that he enters the flame-emitting meditation in which he emits flames that
destroy all karmic hindrances.Because he remains unperturbed by obstacles, he is called Immovable.He is popularly depicted as an angry figure surrounded by flames, holding a rope and a sword.The Sanskrit name achala means immovable, and natha means a lord or a protector.See also flame-emitting meditation.
(2)不動仏(Jpn Fudo-butsu): The Buddha Immovable, also known as Akshobhya Buddha. See Akshobhya.
(3)不動智仏(Jpn Fudochi-butsu): The Buddha Immovable. A shortened name for the Buddha Immovable Wisdom.
See Immovable Wisdom
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Fudo Myoo has the power to destroy obstacles to Buddhism and acts under orders from Dainishi Nyorai. Therefore, it is also known as Fudo Shisha (envoy). Fudo Myoo also has envoys known as Hachidai Doji (eight Doji) including two Doji, Kongara and Seitaka. The Fudo in this painting is considered to have been established by Gensho from Asukadera Temple in the Heian period and the styles follow those that became popular thereafter. Hachidai Doji is a set of Doji that was newly created by adding some changes to each one from various origins. The compositions created by these combined features seem to be original. Halos with flames of Fudo are skillfully designed and shaped in three sacred birds called Karura and the characteristic of Fudo that burns down all obstacles is enhanced by using the twist of surrounding everything, including the Hachidai Doji, with flames. As there is no evidence of drafting the part of the flames surrounding Doji, they are
considered to have been added at the time of coloring along with the intended expressions. This is one of the indications of the creativity of this painting. The images are drawn with accurate brush strokes in ink and a careful attempt was made to keep these features relatively simple by coloring them without applying many gold or silver patterns, which makes this painting distinctive.
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Ācala or Achala (Sanskrit: Achala or Acalanātha (अचलनाथ) in; Āryācalanātha, Ācala-vidyā-rāja and Caṇḍamahāroṣaṇa; Chinese:不動明王, Búdòng Míngwáng; Japanese: 不動明王, Fudo Myo-O, Joju Kongo, Mongolian: Хөдөлшгүй: Tibetan: མི་གཡོ་བ refers to the “Immovable Wisdom King“, and is the best known of the Five Vidyarajas (Wisdom Kings, Kings of
Mystical Knowledge, Kings of Light) of the Womb Realm. The Sanskrit term ācala means “immovable”; Ācala is also the name of the eighth of the ten completion stages of the Bodhisattva path (the Eighth Bhumi). His siddham seed-syllabe is “hāṃ”. He is one of the Krodharajas, the Lords of Wrath.
He is considered as a body of metamorphosis (Nirmanakaya) of Vairocana Buddha. He is the symbolic protector of Buddhism, essentially incarnating Prajna Immovable for sentient beings.
Ācala is a principal protector of Buddhism as the destroyer of delusion and passion. His immovability refers to that aspect of mind (Buddha Nature) which is forever unmoved, perfectly stable and unchanging. Despite his fearsome appearance, his role is to aid all beings by showing them the true essence of the teachings of the Buddha, leading them into perfect mental discipline.
He is seen as a protector and aide in attaining goals, efficacious in overcoming disease, poison and fire, conquering enemies and tempters, and bringing wealth and peace to his devotees. Shingon Buddhist temples dedicated to Ācala perform a periodic fire ritual in devotion to him.
Acala is mentioned extensively in The Vairocanābhisaṃbodhi Sutra (Mahāvairocana-abhisaṃbodhi-tantra), as follows:
- Fascicle One, “Below the mantra-lord (i.e., Vairocana), in the direction of Nairṛti (i.e., southwest), Is Acala, the Tathāgata’s servant: he holds a wisdom sword and a noose, The hair from the top of his head hangs down on his left shoulder, and with one eye he looks fixedly; Awesomely wrathful, his body [is enveloped in] fierce flames, and he rests on a rock; His face is marked with [a frown like] waves on water, and he has the figure of a stout young boy.”
- Fascicle Two, “Next, I shall now explain the quelling of all obstacles. One thinks on the ferocious and very powerful Acala with his mantra Dwelling in his own maṇḍala, or else the practitioner [himself] dwells therein. He visualizes an effigy [of the obstacle) with [Acala’s or his own) left foot placed on its head: The obstacle will be eliminated and extinguished, not to arise [again].”
- Fascicle Three, “Acalananta, seated on a stone, holding a noose and a wisdom sword in his hands, encircled by a wreath of flames, and threatening obstructors; alternatively, he places his seal or writes his syllable, namely, the letter Hāṃ.”
- Fascicle Four, “Make a fist with the left hand, extend the middle finger and forefinger, and place the thumb on top of the little and ring fingers; extend the forefinger and middle finger of the right hand, insert them in the left palm, and again place the thumb on top of the little and ring fingers, just like in the sheath of a sword: this is the seal of Acalanātha.”
- Fascicle Five, “The maṇḍala of Acala has both a circle of wind and of fire; He is in the direction of Nairṛti (i.e., southwest), below the Tathāgata Vairocana, Surrounded by seed[-syllables], and a sublime great wisdom sword, Or a noose seal he who possesses wisdom lays out.”
- According to http://www.onmarkproductions.com, (Fudo Myo-o (Fudou Myou-ou) – Wrathful Messenger Who Protects & Serves Dainichi Buddha, Japanese Buddhism Art History), “Fudō converts anger into salvation; has furious, glaring face, as Fudō seeks to frighten people into accepting the teachings of Dainichi Buddha; carries “kurikara” or devil-subduing sword in right hand (representing wisdom
cutting through ignorance); holds rope in left hand (to catch and bind up demons); often has third eye in forehead (all-seeing); often seated or standing on rock (because Fudō is “immovable” in his faith). Fudō is also worshipped as a deity who can bring monetary fortune. Also, Fudō’s left eye is often closed, and the teeth bite the upper lip; alternatively, Fudō is shown with two
fangs, one pointing upward and other pointing downward. Fudō’s aureole is typically the flames of fire, which according to Buddhist lore, represent the purification of the mind by the burning away of all material desires. In some Japanese sculpture, Fudō is flanked by two attendants, Kongara Dōji and Seitaka Dōji.”
Mantra
Fascicle Two, “Acalanātha: Namaḥ samanta vajrāṇāṃ, caṇḍamahāroṣaṇa spho-ṭaya hūṃ traka hāṃ māṃ. (Homage to all Vajras! O you who are violent andvery wrathful! rend! hūṃ traka hāṃ māṃ!)”
The mantra of Acalanātha: Namaḥ samantavajrāṇāṃ, hāṃ. (Homage to all Vajras! Hāṃ!)
About Kumaras
Acala or Kulikah is usually flanked by two kumaras or mahakumaras (child attendants or acolytes), Kimkara (Kinkara, Japanese: Kongara Doji) and Cetaka (Japanese: Seitaka Doji). Kumaras are divine boys between the ages of 8 and 20, who serve as
attendants to other deities, notably Acala. Some art show Acala attended by 2, 3, 5, 8 (Eight Great Youths), 36 and even 48 kumaras.
Usually, on Acala’s left stands Kimkara, with his palms closed, holding a single-pronged pestle between his hands and dressed in cascading heavenly robes. Cetaka, on the other hand, the child attendant depicted on his right, is holding onto a vajra staff and dressed in the same
heavenly robes. Kimkara is usually depicted in pale white skin colour, an embodiment of compassion to worshippers of Acalanatha, while Cetaka is depicted in red skin colour, an indication of his wrath to discipline erring followers in mending their ways.
Art
He usually holds in his right hand a double-edged sword with a three-pointed vajra handle vertically (to combat the 3 poisons – greed, anger and ignorance) which winds a dragon surrounded by flames and in his left hand a rope lariat or lasso with a hook or two pointed varja at each end
(to catch and bind evil forces to prevent them from doing harm), with a blue body clad in monastic rags, a wrathful face with eyes glaring angrily, a pronounced squint, teeth are bared, has one fang pointing up and another pointing down, and a braid on the left side of his head. His halo of flames is to consume passion.
His statues are generally placed near waterfalls and deep in the mountains and in caves. Acala is usually accompanied by eight child acolytes, of whom Kongara (Kinkara) and Seitaka (Chetaka) are often shown close to him.
About Kulikah
Acala is also represented by his sword of wisdom, Kulikah (Kulika, Japanese: Kurikara) to destroy illusions; or as a naga or dragon coiled around a sword and biting the sword tip, surrounded by flames. The portrayal of Acalanatha as Kulikah is derived from the “Sutra that illustrated the Kulikah Naga defeating the practitioner of unorthodox ways”.
During one of the rhetoric discussions, Acalanatha transformed himself into a flaming sword and the unorthodox practitioner immediately mimicked him and transferred himself into a similar flaming sword.
The next thing that happened was that Acalanatha transformed again into a naga, completely swallowed his opponent and gave out a cry equivalent of two trillion thunder, sending jolts of panic and terror to the evil beings and unorthodox practitioners and persuaded them to accept Buddhist teachings.
Kulika is also considered one of the Eight Nagarajas (Naga kings)
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In Vajrayana Buddhism, Ācala or Achala ("The Immovable One" in Sanskrit, 阿遮羅, Zh Āzhēluó, Jp Achara), also known as Āryācalanātha, Ācala-vidyā-rāja and Caṇḍamahāroṣaṇa as well as Fudō myō-ō (不動明王 Zh budongmingwang) in Japanese, is the best known of the Five Wisdom Kings of the Womb Realm. Acala is also the eighth of the ten stages towards Buddhahood.
Acala is the destroyer of delusion and the protector of Buddhism. His immovability refers to his ability to remain unmoved by carnal temptations. Despite his fearsome appearance, his role is to aid all beings by showing them the teachings of the Buddha, leading them into self-control.
He is seen as a protector and aider towards attaining goals, and temples dedicated to Fudo have a periodic fire ritual in devotion to him.
The Buddha Akshobhya, whose name in Sanskrit also means 'Immovable One', is sometimes merged with Acala. However, Acalanatha is not a Buddha, but one of the Five Wisdom Kings of the Womb Realm in Vajrayana as found in the Indo-Tibetan tradition, as well as the Japanese Shingon sect of Buddhism. As Fudō myō-ō, Acala is considered one of the Thirteen Buddhas in Japan.
Iconography
Acala is typically depicted with a sword for subduing demons in his right hand and a rope for catching and binding them in his left hand. He has a fearsome blue visage and is surrounded by flames, representing the purification of the mind. He is often depicted seated or standing on a rock to
show his immovability. His hair commonly has seven knots and is draped on his left side, a servant hairstyle in Buddhist iconography. He is frequently depicted with two protruding fangs. One tooth points down, representing his compassion to the world, and one tooth points up, representing his passion for truth.
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Fudō Myō-ō is the central deity in all Myō-ō groupings, and in artwork is positioned in the center. Fudō is a personification of Dainichi Nyorai, and the best known of the Myō-ō, who are venerated especially by the Shingon sect of Japanese Esoteric Buddhism
(Mikkyō 密教). Fudō converts anger into salvation; has furious, glaring face, as Fudō seeks to frighten people into accepting the teachings of Dainichi Buddha; carries “kurikara” or devil-subduing sword in right hand (representing wisdom cutting through ignorance); holds rope in left hand (to catch and bind up demons); often has third eye in forehead (all-seeing); often
seated or standing on rock (because Fudō is “immovable” in his faith). Fudō is also worshipped as a deity who can bring monetary fortune. Also, Fudō's left eye is often closed, and the teeth bite the upper lip; alternatively, Fudō is shown with two fangs, one pointing upward and other pointing downward. Fudō’s aureole is typically the flames of fire, which according to Buddhist lore, represent the
purification of the mind by the burning away of all material desires. In some Japanese sculpture, Fudō is flanked by two attendants, Kongara Dōji and Seitaka Dōji. In artwork, Fudō is often accompanied by Eight Great Youths. Fudō is also one of the [[13
Deities]] 十三仏 (Jūsanbutsu) of the Shingon Sect in Japan. In this role, Fudō presides over the memorial service held on the 7th day following one's death.
Myō-ō is the Japanese term for Sanskrit "Vidyaraja," a group of warlike and wrathful deities known in English as the Mantra Kings, the Wisdom Kings, or the Knowledge Kings. Myō-ō statues appear ferocious and menacing, with threatening postures and faces designed to subdue
evil and frighten unbelievers into acceptingBuddhist law. They represent the luminescent wisdom of Buddhism, protect the Buddhist teachings, remove all obstacles to enlightenment, and force evil to surrender. Introduced to Japan in 9th century, the Myō-ō were
originally Hindu deities that were adopted into Esoteric Buddhism to vanquish blind craving. They serve and protect the various
Buddha, especially Dainichi Buddha. In most traditions, they are considered emanations of Dainichi Buddha, and represent Dainichi’s wrath against evil and ignorance. In Japan, among the individual Myō-ō, Fudō is the most widely venerated.
Sanskrit / Chinese Spellings and Translations
- Āryācalanātha 阿奢羅曩, Acalanatha (Sanskrit for “Immutable Lord” or “Immovable Lord”)
- 五明王 Wǔ Míng Wáng (Chinese for “Five Ming Wang” or “Five Great Kings”)
- 不動佛 (Chinese for the Sanskrit Ācala-vidyā-rāja”
Japanese Spellings and Translations
- 五大明王 Godai Myō-ō, Five Great Kings; Fudō is their leader; positioned in center
- Fudō is especially important to Japan’s Shingon Sect of Esoteric Buddhism
- Fudō often appears in Japanese artwork with two attendants named Kongara Dōji 矜羯羅童子 and Seitaka Dōji 制た迦童子; sometimes with two messengers named Kimkara 矜羯羅 and Cetaka 制吒迦; and sometimes with a group of eight messengers called Hachidai Dōji 八大童子
English Translations and Other Notes
Kings of Light, Kings of Luminescent Wisdom, Kings of Mystic Knowledge, Mantra Kings
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Shingon Buddhism -- esoteric Buddhism brought to Japan from China during the early ninth century -- inspired a new spiritual energy that found expression in varied forms, especially in art and iconography. A radical change occurred with the introduction of new deities,
among them the Five Great Kings, the most important of them being Fudo Myo-o, the conqueror of all disasters and evil. This book is a study of the concept, iconography and decoction of Fudo in art.
Beginning with a detailed account of the origin of Buddhism and its introduction into Japan, the book focuses on development of esoteric Buddhism in the country. It delves into the uniqueness of Shingon Buddhism rituals which try to evoke the vitality of the three mysteries
in the body, speech and thought, the mysteries being transmitted orally from the master to the disciple. Describing Fudo Myo-o as discussed in Buddhist literary sources from India, it takes up his visual representation in painting and sculpture. It
discusses the representation of his attendants in art and iconography, symbolic instruments associated with the god in his depiction and interpretations of the mudras (hand gestures, postures, emblems) carried by Fudo. It explains the esoteric meaning attached to various ideas and concepts represented in the visual images.
