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Difference between revisions of "Mystery of Dakini’s Skull Cup"

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According to tantra, the human body is perceived as a sacred temple in which all higher forces and the whole truth about existence are present. One of those truths, fundamental to Vajrayana Buddhism, is impermanence (Skt. anitya, Tib. mitagpa). The visual representation of the transience of the human body, and hence the Buddhist idea of ​​impermanence, is found in the iconography of the skull cup (kapala, thopa), which is held in the left hand of dakinis or skydancers – female emanations of wisdom that assist us along the spiritual path. The skull cup is made from the crown of a human skull and serves as a ritual vessel of many other deities in the Vajrayana pantheon, like wrathful protectors, yidams, mahasiddhas and yogis. As a ritual vessel, kapala combines the symbolism of the clay pot of Vedic sacrifices (Skt. kumbha), the Lord Buddha’s begging bowl (Skt. patra), and the sacred vase of bodhisattvas (Skt. kalasha) (Robert Beer 1999: 263).
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According to [[tantra]], the [[human body]] is [[perceived]] as a [[sacred]] [[temple]] in which all higher forces and the whole [[truth]] about [[existence]] are {{Wiki|present}}. One of those [[truths]], fundamental to [[Vajrayana Buddhism]], is [[impermanence]] (Skt. [[anitya]], Tib. mitagpa). The [[visual]] [[representation]] of the transience of the [[human body]], and hence the [[Buddhist]] [[idea]] of ​​impermanence, is found in the [[iconography]] of the [[skull cup]] ([[kapala]], thopa), which is held in the left hand of [[dakinis]] or skydancers – {{Wiki|female}} [[emanations]] of [[wisdom]] that assist us along the [[spiritual path]]. The [[skull cup]] is made from the {{Wiki|crown}} of a [[human skull]] and serves as a [[ritual]] vessel of many other [[deities]] in the [[Vajrayana]] [[pantheon]], like [[wrathful protectors]], [[yidams]], [[mahasiddhas]] and [[yogis]]. As a [[ritual]] vessel, [[kapala]] combines the [[symbolism]] of the clay pot of {{Wiki|Vedic}} [[sacrifices]] (Skt. [[kumbha]]), the Lord [[Buddha’s]] [[begging bowl]] (Skt. [[patra]]), and the [[sacred]] [[vase]] of [[bodhisattvas]] (Skt. [[kalasha]]) (Robert Beer 1999: 263).
  
Different aspects of the nature of the dakini can be discovered in the symbolism of kapala. Their dynamic and vital character corresponds to the rhythmic movement of nature. Cyclical processes in nature express the natural course of life and human existence. Women are naturally inclined to feel more intimately the Earth’s cyclical patterns as they are compelled every month to rejuvenate their body through menstruation. Most religions identify woman during her monthly cycle as “ritually unclean” and during this period, all sacred activities are taboo for her.
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Different aspects of the [[nature]] of the [[dakini]] can be discovered in the [[symbolism]] of [[kapala]]. Their dynamic and [[vital]] [[character]] corresponds to the rhythmic {{Wiki|movement}} of [[nature]]. Cyclical {{Wiki|processes}} in [[nature]] express the natural course of [[life]] and [[human existence]]. Women are naturally inclined to [[feel]] more intimately the [[Earth’s]] cyclical patterns as they are compelled every month to rejuvenate their [[body]] through menstruation. Most [[religions]] identify woman during her monthly cycle as “[[ritually]] unclean” and during this period, all [[sacred]] [[activities]] are {{Wiki|taboo}} for her.
  
The substances from her body during that time are also considered contaminated. Yet it is well known that tantric Buddhism deals with the transformation of “impure” into perfectly pure things through awareness of the inherently pure nature of all phenomena, the perception of which depends solely on the purity of consciousness. In turn, Vajrayana art interprets this idea in the details of dakini iconography, which applies the principle of tantra to perceive all aspects of life in a natural way.
+
The {{Wiki|substances}} from her [[body]] during that time are also considered contaminated. Yet it is well known that [[tantric Buddhism]] deals with the [[transformation]] of “impure” into perfectly [[pure]] things through [[awareness]] of the inherently [[pure]] [[nature]] of all [[phenomena]], the [[perception]] of which depends solely on the [[purity]] of [[consciousness]]. In turn, [[Vajrayana]] [[art]] interprets this [[idea]] in the details of [[dakini]] [[iconography]], which applies the [[principle]] of [[tantra]] to {{Wiki|perceive}} all aspects of [[life]] in a natural way.
  
The kapala in the hands of dakinis is sometimes described as full of menstrual blood. Blood is displayed bright red in color and boiling, which symbolically represents the warmth of the womb from where it originates. Quite often this cup is raised to the level of the mouth, with the intention to be drunk. If this fact is to be taken literally, it is indeed shocking, but if we seek its metaphorical sense, perhaps it would help to develop a deeper understanding of the lore of the kapala. Understanding such a gesture requires the clarification of the symbolism behind the term bodhichitta (Tib. jang chub sem). It represents one of the most important aspects of Mahayana and Vajrayana Buddhism—the aspiration to achieve enlightenment for the benefit of all sentient beings. In the higher teachings of tantric Buddhism, bodhichitta also means “inherent non-dual consciousness” in which male and female principles are represented as one.
+
The [[kapala]] in the hands of [[dakinis]] is sometimes described as full of menstrual {{Wiki|blood}}. {{Wiki|Blood}} is displayed bright [[red]] in {{Wiki|color}} and boiling, which [[symbolically]] represents the warmth of the [[womb]] from where it originates. Quite often this cup is raised to the level of the {{Wiki|mouth}}, with the [[intention]] to be drunk. If this fact is to be taken literally, it is indeed shocking, but if we seek its {{Wiki|metaphorical}} [[sense]], perhaps it would help to develop a deeper [[understanding]] of the lore of the [[kapala]]. [[Understanding]] such a gesture requires the clarification of the [[symbolism]] behind the term [[bodhichitta]] (Tib. jang chub sem). It represents one of the most important aspects of [[Mahayana]] and [[Vajrayana]] Buddhism—the [[aspiration]] to achieve [[enlightenment]] for the [[benefit]] of all [[sentient beings]]. In the [[higher teachings]] of [[tantric Buddhism]], [[bodhichitta]] also means “[[inherent]] [[non-dual consciousness]]” in which {{Wiki|male}} and {{Wiki|female}} {{Wiki|principles}} are represented as one.
  
The terms “male bodhicitta” and “female bodhichitta” represent their inseparable union. Red blood in the kapala is associated with “female bodhichitta”, while “male bodhichitta” is usually associated with semen. The “female bodhichitta” is located at the “secret place” below the navel, and the “male bodhichitta” at the crown of the head. According to tantric Buddhism, when the red “female bodhichitta” and the white “male bodhichitta” unite in the form of an indestructible drop (bindu, thigle). This state, characterized by the feeling of immense bliss, has the power to remove the bondages of cyclic existence.
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The terms “{{Wiki|male}} [[bodhicitta]]” and “{{Wiki|female}} [[bodhichitta]]” represent their [[inseparable]] union. [[Red]] {{Wiki|blood}} in the [[kapala]] is associated with “{{Wiki|female}} [[bodhichitta]]”, while “{{Wiki|male}} [[bodhichitta]]” is usually associated with semen. The “{{Wiki|female}} [[bodhichitta]]” is located at the “secret place” below the {{Wiki|navel}}, and the “{{Wiki|male}} [[bodhichitta]]” at the [[crown of the head]]. According to [[tantric Buddhism]], when the [[red]] “{{Wiki|female}} [[bodhichitta]]” and the white “{{Wiki|male}} [[bodhichitta]]” unite in the [[form]] of an [[indestructible]] drop ([[bindu]], [[thigle]]). This [[state]], characterized by the [[feeling]] of immense [[bliss]], has the power to remove the bondages of [[cyclic existence]].
Kapala. From ganachakra.com
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[[Kapala]]. From ganachakra.com
  
The concept of merging the “male and female bodhichittas” as a precondition for achieving a higher state of consciousness and realization of the aspiration to achieve enlightenment is presented in Buddhist iconography by the symbolic image of the dakini’s ritual cup. Sometimes the liquid in the kapala is pink in color, which symbolizes the merging of the red and white color of both bodhichittas. This particular example is an illustration of a typical Vajrayana principle to display externally what has to be achieved internally in the process of spiritual practice.
+
The {{Wiki|concept}} of merging the “{{Wiki|male}} and {{Wiki|female}} bodhichittas” as a precondition for achieving a [[higher state of consciousness]] and [[realization]] of the [[aspiration]] to achieve [[enlightenment]] is presented in [[Buddhist iconography]] by the [[symbolic]] image of the [[dakini’s]] [[ritual]] cup. Sometimes the liquid in the [[kapala]] is pink in {{Wiki|color}}, which [[symbolizes]] the merging of the [[red]] and [[white color]] of both bodhichittas. This particular example is an illustration of a typical [[Vajrayana]] [[principle]] to display externally what has to be achieved internally in the process of [[spiritual practice]].
  
So, the kapala with blood is a symbolic manifestation of the mystical mixture of male and female substances that become the elixir of immortality (amrita, dudtsi) or nectar of supreme bliss (maha sukha, dewa chenpo). Drinking that amrita symbolizes taking in liberation. Female images, holding a skull cup with blood ready to drink it, are striking examples of the deep symbolism of Buddhist tantric iconography.
+
So, the [[kapala]] with {{Wiki|blood}} is a [[symbolic]] [[manifestation]] of the [[mystical]] mixture of {{Wiki|male}} and {{Wiki|female}} {{Wiki|substances}} that become the elixir of [[immortality]] ([[amrita]], dudtsi) or [[nectar]] of [[supreme bliss]] ([[maha]] [[sukha]], [[dewa chenpo]]). Drinking that [[amrita]] [[symbolizes]] taking in [[liberation]]. {{Wiki|Female}} images, holding a [[skull cup]] with {{Wiki|blood}} ready to drink it, are striking examples of the deep [[symbolism]] of [[Buddhist tantric]] [[iconography]].
  
  

Revision as of 21:28, 11 February 2020




According to tantra, the human body is perceived as a sacred temple in which all higher forces and the whole truth about existence are present. One of those truths, fundamental to Vajrayana Buddhism, is impermanence (Skt. anitya, Tib. mitagpa). The visual representation of the transience of the human body, and hence the Buddhist idea of ​​impermanence, is found in the iconography of the skull cup (kapala, thopa), which is held in the left hand of dakinis or skydancers – female emanations of wisdom that assist us along the spiritual path. The skull cup is made from the crown of a human skull and serves as a ritual vessel of many other deities in the Vajrayana pantheon, like wrathful protectors, yidams, mahasiddhas and yogis. As a ritual vessel, kapala combines the symbolism of the clay pot of Vedic sacrifices (Skt. kumbha), the Lord Buddha’s begging bowl (Skt. patra), and the sacred vase of bodhisattvas (Skt. kalasha) (Robert Beer 1999: 263).

Different aspects of the nature of the dakini can be discovered in the symbolism of kapala. Their dynamic and vital character corresponds to the rhythmic movement of nature. Cyclical processes in nature express the natural course of life and human existence. Women are naturally inclined to feel more intimately the Earth’s cyclical patterns as they are compelled every month to rejuvenate their body through menstruation. Most religions identify woman during her monthly cycle as “ritually unclean” and during this period, all sacred activities are taboo for her.

The substances from her body during that time are also considered contaminated. Yet it is well known that tantric Buddhism deals with the transformation of “impure” into perfectly pure things through awareness of the inherently pure nature of all phenomena, the perception of which depends solely on the purity of consciousness. In turn, Vajrayana art interprets this idea in the details of dakini iconography, which applies the principle of tantra to perceive all aspects of life in a natural way.

The kapala in the hands of dakinis is sometimes described as full of menstrual blood. Blood is displayed bright red in color and boiling, which symbolically represents the warmth of the womb from where it originates. Quite often this cup is raised to the level of the mouth, with the intention to be drunk. If this fact is to be taken literally, it is indeed shocking, but if we seek its metaphorical sense, perhaps it would help to develop a deeper understanding of the lore of the kapala. Understanding such a gesture requires the clarification of the symbolism behind the term bodhichitta (Tib. jang chub sem). It represents one of the most important aspects of Mahayana and Vajrayana Buddhism—the aspiration to achieve enlightenment for the benefit of all sentient beings. In the higher teachings of tantric Buddhism, bodhichitta also means “inherent non-dual consciousness” in which male and female principles are represented as one.

The terms “male bodhicitta” and “female bodhichitta” represent their inseparable union. Red blood in the kapala is associated with “female bodhichitta”, while “male bodhichitta” is usually associated with semen. The “female bodhichitta” is located at the “secret place” below the navel, and the “male bodhichitta” at the crown of the head. According to tantric Buddhism, when the redfemale bodhichitta” and the white “male bodhichitta” unite in the form of an indestructible drop (bindu, thigle). This state, characterized by the feeling of immense bliss, has the power to remove the bondages of cyclic existence. Kapala. From ganachakra.com

The concept of merging the “male and female bodhichittas” as a precondition for achieving a higher state of consciousness and realization of the aspiration to achieve enlightenment is presented in Buddhist iconography by the symbolic image of the dakini’s ritual cup. Sometimes the liquid in the kapala is pink in color, which symbolizes the merging of the red and white color of both bodhichittas. This particular example is an illustration of a typical Vajrayana principle to display externally what has to be achieved internally in the process of spiritual practice.

So, the kapala with blood is a symbolic manifestation of the mystical mixture of male and female substances that become the elixir of immortality (amrita, dudtsi) or nectar of supreme bliss (maha sukha, dewa chenpo). Drinking that amrita symbolizes taking in liberation. Female images, holding a skull cup with blood ready to drink it, are striking examples of the deep symbolism of Buddhist tantric iconography.





Source

https://teahouse.buddhistdoor.net/mystery-of-dakinis-skull-cup/